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Wish You Were Here: Inside Pink Floyd’s Musical Milestone

為了解決Classic rock drummer的問題，作者Romano, Will 這樣論述：

The mid-'70s were a time of reckoning. It was also an era of paradoxes, of record making and record breaking, of sold-out shows, and, in the minds of some, sell-out artists. Critics, who once exalted the shamanic characteristics of rock stars, launched full-frontal assaults on mainstream music icons

and their tendencies toward overindulgent artistic visions. Amid this confusion, psychedelic and progressive rock pioneers Pink Floyd, unlikely messengers in uncertain times, unleashed their 1975 progressive rock milestone, Wish You Were Here. Refusing to buckle under pressure, Floyd looked inward

to produce Wish You Were Here, a conceptual, self-referential album that spoke of spiritual depravation, mental absence, and industry corruption, while, perhaps inadvertently, reflecting the general madness and societal malaise of the mid-'70s. Created in the spirit of camaraderie, Wish You Were Her

e waged war against the system, better known in Floydlandia as "The Machine " while paying tribute to a fallen hero and victim of the industry - the creative force fundamental to the band's existence, Syd Barrett. As our world was racked by unsustainable overseas military conflicts, governmental sca

ndals, political assassination attempts, and a near-total erosion of the public trust, Pink Floyd emerged victorious, responding to this external dissonance with their ultimate band statement. What a strange, complex moment in time to have generated a classic. After 1975, Pink Floyd would never be t

he same - and neither would we. Will Romano has published work in a variety of outlets, such as the New York Post, New York Daily News, American Way, Guitar Player, Modern Drummer, Sound on Sound, VH1.com, and others. He is the author of five books, including 2017’s Close to the Edge, the critical

ly acclaimed Mountains Come Out of the Sky (with a foreword by iconic drummer Bill Bruford), and Big Boss Man. He lives in Upstate New York.

Classic rock drummer進入發燒排行的影片

身體隨著音樂而律動：動作型態與生理訊號測量研究

為了解決Classic rock drummer的問題，作者王俐晴 這樣論述：

音樂與身體律動有著密切的關係，即使是沒有受過音樂訓練的人，也常不由自主地隨著音樂踩腳或點頭。是什麼樣的因素與機制，使演奏者或聆聽者跟著音樂律動？不同的律動型態，又如何影響對音樂的認知？本研究結合田野調查與生理訊號測量來探討上述議題。筆者先觀察各種音樂場域中，樂手與聽眾的身體律動模式，分析他們的動作和音樂拍節的關係。為了更進一步探討動作與音樂節拍的相位關係，筆者再進行兩項實驗：第一，研究不同樂種中利用手部動作來數拍的傳統，測量北管、南管與西洋古典音樂中的指揮，在跟著該樂種的音樂數拍時的手部加速度訊號，分析這些動作與音樂拍節的關係；第二，當聽者在隨著節奏鮮明的電子音樂律動身體（頭、食指與大腳趾）

時，測量頭頂中央的腦電波（EEG, electroencephalography）、律動部位的加速度訊號，與手指的膚電訊號。實驗結果顯示，一般人習慣在正拍上用頭部跟著律動，而對樂手來說，身體律動造成的觸覺及本體覺刺激，都能幫助對拍節結構的接收，其中以觸覺最為重要，其次是順著地心引力的動作所引發的本體覺。頭部的律動能改變大腦額葉中央的腦波，且引發顯著的膚電反應，這或許也意味著聽眾最融入於音樂之中。

The Wrecking Crew: The Inside Story of Rock and Roll’s Best-Kept Secret

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為了解決Classic rock drummer的問題，作者Hartman, Kent 這樣論述：

Winner of the Oregon Book Award for General Nonfiction and Los Angeles Times bestseller"It makes good music sound better."-Janet Maslin in The New York Times"A fascinating look into the West Coast recording studio scene of the '60s and the inside story of the music you heard on the radio. If you alw

ays assumed the musicians you listened to were the same people you saw onstage, you are in for a big surprise "-Dusty Street, host of Classic Vinyl on Sirius XM Satellite RadioIf you were a fan of popular music in the 1960s and early '70s, you were a fan of the Wrecking Crew-whether you knew it or n

ot.On hit record after hit record by everyone from the Byrds, the Beach Boys, and the Monkees to the Grass Roots, the 5th Dimension, Sonny & Cher, and Simon & Garfunkel, this collection of West Coast studio musicians from diverse backgrounds established themselves in Los Angeles, California as the d

riving sound of pop music-sometimes over the objection of actual band members forced to make way for Wrecking Crew members. Industry insider Kent Hartman tells the dramatic, definitive story of the musicians who forged a reputation throughout the business as the secret weapons behind the top recordi

ng stars.Mining invaluable interviews, the author follows the careers of such session masters as drummer Hal Blaine and keyboardist Larry Knechtel, as well as trailblazing bassist Carol Kaye-the only female in the bunch-who went on to play in thousands of recording sessions in this rock history. Rea

ders will discover the Wrecking Crew members who would forge careers in their own right, including Glen Campbell and Leon Russell, and learn of the relationship between the Crew and such legends as Phil Spector and Jimmy Webb. Hartman also takes us inside the studio for the legendary sessions that g

ave us Pet Sounds, Bridge Over Troubled Water, and the rock classic "Layla," which Wrecking Crew drummer Jim Gordon cowrote with Eric Clapton for Derek and the Dominos. And the author recounts priceless scenes such as Mike Nesmith of the Monkees facing off with studio head Don Kirshner, Grass Roots

lead guitarist (and future star of The Office) Creed Bratton getting fired from the group, and Michel Rubini unseating Frank Sinatra's pianist for the session in which the iconic singer improvised the hit-making ending to "Strangers in the Night." The Wrecking Crew tells the collective, behind-the-

scenes stories of the artists who dominated Top 40 radio during the most exciting time in American popular culture. KENT HARTMAN is a longtime music industry entrepreneur who has worked with dozens of well-known artists, including Three Dog Night, Steppenwolf, Hall & Oates, Counting Crows, and Lyl

e Lovett. He has written for American Heritage, The Oregonian, and Portland Tribune. Hartman teaches marketing at Portland State University and for several years produced The Classic Comedy Break, a nationwide radio feature. He lives in Portland.