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Freelance Video Game Writing: The Life & Business of the Digital Mercenary for Hire
為了解決creative job titles 的問題，作者Finley, Toiya 這樣論述
為了解決creative job titles 的問題，作者鍾霈錡 這樣論述

Freelance Video Game Writing: The Life & Business of the Digital Mercenary for Hire

為了解決creative job titles 的問題，作者Finley, Toiya 這樣論述：

In the competitive world of video game writing and narrative design, developers are losing permanent positions while freelancing careers are on the rise. Many developers don’t understand how to seize these freelancing opportunities, such as understanding the business of freelancing, how to go about

finding work, how to establish strong relationships with clients, and how to sustain themselves as freelancers. Freelance Video Game Writing: The Life & Business of the Digital Mercenary for Hire offers developers guidance on achieving their freelancing goals as telecommuters. Dr. Toiya Kristen Finl

ey presents practical insight into the profession and how to further enhance your freelancing business, whether you are a newcomer in the field or an experienced freelancer. Key Features: Two sections covering the life of the freelancer and the freelance businessFifteen interviews from narrative des

igners, game writers, and other developers on topics from maintaining a healthy work-life balance to figuring out your rates to working a full-time job and freelancing on the sideA comprehensive list of definitions with which freelancers need to be familiar Exercises to help augment your understandi

ng of freelancing and improve your business BiographyNashville native Toiya Kristen Finley, PhD, has been a freelance writer and editor her entire adult life. She earned a doctorate in literature and creative writing from Binghamton University. Over her career, she has published more than 80 works o

f fiction, nonfiction, comics/manga, and games, and has over 20 years of experience writing in a range of genres, tones, styles, and voices. She gained editorial experience interning at Henry Holt’s imprint, Owl Books. At Binghamton, she founded the literary journal Harpur Palate and served as its m

anaging/fiction editor. In 2011, she cofounded the Game Writing Tutorial at GDC Online with Tobias Heussner and served as an instructor in 2011 and 2012. In videogames, she has worked as a game designer, narrative designer, game writer, editor, and diversity/narrative consultant (or some combination

of the five) on everything from AAA titles to mobile games to games for children to small indie projects. Recent work includes writing the visual novel Siren Song (Stardust Works), copyediting for Destiny 2 (Bungie), and developmental editing on Insecure: The Come Up Game (Glow Up Games).A presente

r at conferences throughout the year, she has lectured on freelancing and storytelling and led workshops on narrative design and game design. She is a member of the IGDA Game Writing Special Interest Group’s Executive Board. The Game Narrative Toolbox (CRC Press), a book on narrative design she coau

thored with Jennifer Brandes Hepler, Ann Lemay, and Tobias Heussner, was published in 2015. Narrative Tactics for Mobile and Social Games: Pocket-Sized Storytelling (CRC Press), which she edited and contributed to, was published in 2019. Of late, she has been working on her own visual novel series,

beginning with Incarnō Everything Is Written. Nashville native Toiya Kristen Finley, Ph.D., has been a freelancing writer and editor her entire adult life. She earned a doctorate in literature and creative writing from Binghamton University. Over her career, she has published more than 80 works of

fiction, nonfiction, comics/manga, and games, and has over 20 years of experience writing in a range of genres, tones, styles, and voices. She gained editorial experience interning at Henry Holt’s imprint, Owl Books. At Binghamton, she founded the literary journal Harpur Palate and served as its ma

naging/fiction editor. In 2011, she cofounded the Game Writing Tutorial at GDC Online with Tobias Heussner and served as an instructor in 2011 and 2012. In videogames, she has worked as a game designer, narrative designer, game writer, editor, and diversity/narrative consultant (or some combination

of the five) on everything from AAA titles to mobile games to games for children to small indie projects. Recent work includes writing visual novel Siren Song (Stardust Works), copyediting for Destiny 2 (Bungie), and developmental editing on Insecure: The Come Up Game (Glow Up Games).A presenter at

conferences throughout the year, she has lectured on freelancing and storytelling and led workshops on narrative design and game design. She is a member of the IGDA Game Writing Special Interest Group’s Executive Board. The Game Narrative Toolbox (CRC Press), a book on narrative design she coauthore

d with Jennifer Brandes Hepler, Ann Lemay, and Tobias Heussner, was published in 2015. Narrative Tactics for Mobile and Social Games: Pocket-Sized Storytelling (CRC Press), which she edited and contributed to, was published in 2019. Of late, she has been working on her own visual novel series, begin

ning with Incarnō Everything Is Written.

人格特質對志願役留營意願之影響-以轉換型領導為干擾變項

為了解決creative job titles 的問題，作者鄭馴樺這樣論述：

本研究主旨在探討人格特質、留營意願、轉換型領導相互之間的影響以陸軍某機步單位為研究對象。首先探討人格特質、留營意願、轉換型領導名詞定義及文獻探討；再針對志願役不同人格特質對留營意願相互的差異及影響；其次再分析每個不同人格特質與轉換型領導之間的關係作為研究。本研究結果：1、社會型人格、競爭型人格、妥協型人格、學習型人格、創新型人格、感性型人格，對於留營意願有顯著影響。2、轉換型領導對社會型人格、競爭型人格、妥協型人格、學習型人格、創新型人格、感性型人格與留營意願之間干擾有顯著影響。3、轉換型領導對社會型人格、競爭型人格、學習型人格、創新型人格、感性型人格交互作用顯著。4、轉換型領導對妥協型人格

交互作用不顯著。未來建議﹕本研究發現各人格特質對留營意願顯著且在轉換型領導干擾下亦同顯著，最後發現轉換型領導交互作用下各人格特質都負向顯著，除妥協型人格負向不顯著外；建議在招募及接收剛到部人員時，都能針對個人做人格特質測驗並安排在適切的職務，且訓練方面，適當使用轉換型領導加上其他領導風格會讓部隊管理更加有效果。

Freelance Video Game Writing: The Life & Business of the Digital Mercenary for Hire