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Snowflakes, Sunbursts, and Stars: 75 Exquisite Paper Designs to Fold, Cut, and Curl

為了解決decorative glass can的問題，作者Brodek, Ayako/ Voigt, Shannon 這樣論述：

This gorgeous volume offers readers everything they need to know to capture, in paper, the perfect geometry and delicate beauty of snowflakes, sunbursts, and stars. Ayako Brodek (Origami and Kirigami) and Shannon Voigt (Quilling), two of today's leading papercrafters, provide all the techniques for

creating seventy-five exquisite shapes that can then be used to fashion a multitude of decorative and practical pieces. The book opens with an overview of the three different styles and goes on to explain, in detail, the core techniques of each. Step-by-step photos complement the instructional text,

covering paper selection, fundamental skills, and tools. The next section is organized by style (Origami, Kirigami, Quilling), with designs for the three motifs, as well as twenty-five projects for each style. The last section is an Inspiration Gallery, with beautiful, full-color photographs showca

sing the finished works and providing a list of supplies and detailed instructions. Here the reader will learn how to use strings or ribbons to turn their crafted shapes into gift tags and toppers, napkin rings, and garlands; how to paste their snowflakes, sunbursts, and stars onto greeting cards, c

anvas bags, glass, etc. Also in this section are instructions for making stencils and wearable art such as earrings, pins, and other accessories. Ayako Brodek’s love of origami began when she was a little girl growing up in Japan. After moving to the United States, her fascination with origami con

tinued and she founded OriCraft (www.oricraft.com) to introduce her work to a wider audience. She has since embraced a variety of paper arts, and works to design paper creations that can be loved and used in everyday life, exploring ways to combine paper crafts with other craft techniques. She is th

e author of Origami Jewelry, published by Kodansha in 2007, and The New Encyclopedia of Origami and Papercraft Techniques (Running Press, 2011). Ever since she was young, Shannon Voigt has had a passion for creating. Consequently, she taught herself a wide variety of skills including cake decorating

, quilting, crocheting/knitting, cross-stitching, and quilling. In 2008, she took up quilling again, and began selling quilled snowflakes in her Etsy shop, ForeverFiligree. Her snowflakes have sold all around the world and were used in Jockey International’s 2011 Holiday Catalog and Sundance’s 2012

Holiday Catalog. This is her first book. Visit her Etsy shop at http: //foreverfiligree.etsy.com.

decorative glass can進入發燒排行的影片

輕質黏土結合酒精墨水應用於飾品創新設計

為了解決decorative glass can的問題，作者陳秀芬 這樣論述：

輕質黏土原是兒童美術課程藝術創作的媒材之一，透過手部的捏塑和反覆的操作練習，能夠促進兒童的手指觸覺和認知發展，並啟發腦部創作和思考能力。輕質黏土獨特的可塑性、重量輕、具延展性、微彈性、易於調色著色、價格便宜、結合度高等優點，近年來常被使用在整體造型藝術創作應用，融入現代時尚美學和流行創意，搭配各種複合媒材，創新變化在藝術作品中，讓作品或飾品具有裝飾效果和功能。 酒精墨水結合應用之流動畫是流行於歐美的新藝術，藉由酒精墨水的特性，流動暈染擴散，快速乾燥後慢慢形成自然墨跡及流動的線條，且產生各種顏色交錯變化獨一無二的創作。酒精墨水適用於任何堅硬及表面無毛孔縫隙的多媒材物品上，包含玻璃、金屬、陶瓷

、塑料、皮革、木材、環氧樹脂、聚合物黏土等等。由於上述的優點，因此本論文研究以輕質黏土和酒精墨水結合，運用不同媒材結合各種技法並以飾品設計表現為例，本次論文並計產生共六個系列２７件作品。 本論文主要研究內容如下:一、探討輕質黏土的特性，捏塑技巧的運用，以堆疊、捏塑、翻模、裁剪工 具等方式創作出兼具科技結合藝術之實用美感的藝術飾品。二、透過矽膠模具與翻模技巧的手法，應用在飾品設計開創新品。三、研究酒精墨水的特性和技法實驗在各種多媒材上的質感效果。四、輕質黏土與酒精墨水結合產生的獨創性與實務作品呈現。

Tricia Guild: In My View

為了解決decorative glass can的問題，作者Guild, Tricia/ Back, Amanda (CON)/ Merrell, James (PHT) 這樣論述：

As one of the world's foremost interior designers, Tricia Guild has a passionate belief that the way we choose to live has a significant impact on our well-being and happiness. The homes that we live in, the things that we surround ourselves with, and the everyday choices we make, can profoundly

affect our outlook and positivity. It is no surprise, then, that Tricia practices what she preaches: she finds it impossible to separate her work as a designer from other aspects of her life, and she believes that, in seeking creative inspiration in each experience, especially in enjoying the things

that bring pleasure to our lives, we can perfect the art of living. For Tricia, Italy is a particularly enduring passion: the culture, landscape, architecture, food and music all strike a creative chord. She has had a house there for many years. The last home was a rustic farmhouse, but when Tricia

and her family began the search for a new property, she knew it would be decidedly different. In this new Italian home, Tricia found the perfect opportunity to create a contemporary interior reflecting a love of modernity and simplicity that has evolved over the years. In Tricia's view, modernity d

oes not mean a lack of colour, pattern or texture; a contemporary interior can be both decorative and minimal - in fact, a confident use of colour and pattern can be the very thing that makes it even more wonderful. Here, working with the architect Stephen Marshall and the garden designer Arne Mayna

rd, Tricia has created a special home - a contemporary interpretation of the local vernacular - that represents her kind of modern. In In My View, Tricia charts the creation of her stunning Italian home set amid verdant oil groves. We are taken on an extensive tour of the breathtaking property, righ

t from the entrance steps and the rooms/spaces in the main house to the outdoor dining areas, studio, guest accommodation, kitchen garden and pool house. Stephen and Arne offer insight into their collaboration with Tricia, describing, among other things, the selection of materials - local stone, con

crete, glass and galvanized metal - for the house, and the planting on the terraces and around the rolling lawns of the garden. Local artisans and craftspeople also played a crucial role in bringing this truly magnificent yet relaxing and comfortable home to life. Tricia also presents her new London

home - a Victorian townhouse in a corner plot, where, with the same team of Stephen and Arne - she set about creating an urban retreat comprising three distinct areas to accommodate living, dining and resting. While life in Italy for Tricia is about seasonality and nature, her life in London is cen

tred on her work at Designers Guild, the company she founded in 1970. Her London home therefore is, she says, 'sharply experimental', her version of a lab, where she tests designs and assesses how colours work together. In this section of the book, Tricia provides a glimpse of working life and the d

esign process at the company headquarters in west London. Throughout the book, Tricia shares the moodboards that helped her to realize her dream homes in Italy and London. For Tricia, moodboards are vital in the early stages of any project, large or small, because they help to stimulate the creative

process, even define how one wishes to live, by establishing the language, rhythm and style of each space. The choices that one makes here, the process of selection and careful editing, lie at the heart of finding one's own style. In My View reveals the personal choices have shaped the way Tricia l

ives now, and will inspire the reader to develop their individual style and thus create their own special view.

應用六標準差DMAIC手法改善熱固性樹脂裝飾板外觀缺陷

為了解決decorative glass can的問題，作者陳瑛政 這樣論述：

S公司在熱固性樹脂裝飾板（俗稱美耐板）領域中為全球知名品牌，主要生產高壓層壓板（High Pressure Laminate，HPL）與低壓層壓板（Low Pressure Laminate，LPL），其應用於建築物裝潢裝修材料、隔間、系統櫃與木地板。由於個案公司於2019年由新公司收購，併入新集團體系後，公司對品牌與定價策略改變，要求產品的品質與低客訴，公司高層希望各旗下生產廠，訂定品質策略並提出生產改善計畫。本研究透過導入六標準差中的DMAIC手法，系統化的解決S公司熱固性樹脂裝飾板外觀問題，針對客訴類別分析，客訴類別項目較多的外觀異常項目進行改善。個案公司組織六標準差團隊後，小組先以品

質關鍵指標（critical to quality，CTQ），量化客戶的品質指標，針對品質指標建立量測系統，確認研究量測系統可靠度，在分析階段小組成員經腦力激盪後，找出可能的因子並以過往的經驗加上技術與研發部門的的建議，找出改善流程的變數，並且應用田口方法找出最佳的製程參數設定並改善。透過製程改善，個案公司大幅降低了產品的不良率與客訴率，大幅降低了不良衍生的製造成本與客訴成本，滿足了製造成本的降低並大幅提升客戶的滿意度。