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The Wrong Sister

為了解決perfect time sweet t的問題，作者Woods, T. E. 這樣論述：

Sometimes a perfect stranger . . . From behind the wheel of her car, Tess Kincaid glimpses a woman walking down a Madison, Wisconsin, street. They've never met, but Tess senses an undeniable familiarity about her. Hair color, square chin, wide-set blue eyes . . . Tess sees the same features every ti

me she looks in the mirror. Is neither of those things. Intrigued, Tess introduces herself and discovers that she and her doppelganger, Mimi, have more than appearance in common. They even share the same birthday. Mimi--confident and outgoing where Tess is understated and shy--is convinced they're t

wins, separated shortly after birth. Tess, who's felt unloved and unmoored since her mother disappeared years ago, only knows that there's more than coincidence at play. And when a body is discovered in a local marsh, Tess is entangled in a search for the truth that will prove fascinating, disconcer

ting, and ultimately terrifying . . . T.E. Woods (Teri to her friends) is a clinical psychologist in private practice in Madison, Wisconsin. She blows off steam by writing murder mysteries and is the author of the well-received Justice series. In her free time, Teri enjoys the wonders of Wisconsin

by hiking, biking, and kayaking. She knows her way around the kitchen, is someone you’d want on your trivia team, and has solved the Sunday New York Times crossword puzzle with a personal best time of twenty-four minutes. If you play poker with her, prepare to lose. If you sit down to watch a Wisco

nsin Badger football game with her, prepare to hear swear words you never thought would come out of the mouth of a sweet middle-aged lady.

perfect time sweet t進入發燒排行的影片

基於色彩味覺之自動化深度調色研究

為了解決perfect time sweet t的問題，作者楊怡群 這樣論述：

色彩是影像敘事的關鍵要素之一，影視製作的色彩設計在前置階段就已開始；美術指導針對劇情調性做場景的色彩設計，妝髮會做測試，戲服會配合場景及劇情作色彩搭配，攝影指導決定畫面構圖、燈光呈現的方式等，這些都會對整部影視作品的色彩及質感產生影響。殺青後將設計好的色彩交由調光師將所有的色彩及質感設計做最完美的呈現，憑著豐富經驗所累積的美學藝術營造特定情緒氛圍，引導觀眾走入劇情裡。因此，調光師在影視的後期製作裡扮演著極其重要的角色。近年來，隨著OTT（over-the-top）與自媒體的盛行，各播映平台對於影像作品的需求量大增，但後期調色耗時、費工且費用昂貴，因此，若能設計自動化的調色方法必定能解決這些問

題。本研究將學術與實務結合，透過深度學習（Deep Learning）的方式，設計一套自動化的一級調色（Primary Color Grading）方法，以味覺中的酸、甜、苦、辣色調風格作為深度學習的目標。在客觀的效果評估方面，峰值信噪比（Peak Signal to Noise Ratio, PSNR）的數值皆在20以上，另外，在結構相似性指標（Structural Similarity Index Measure, SSIM）方面，數值都接近1，足證用此方法能產製出優良的色調影像品質。在主觀評估上，受測者觀看自動化深度調色（Deep Color Grading）的動態影像後，因色彩共感覺（

Chromes Thesia）的作用而有高達82%的色彩味覺識別率，皆能指出該色調所要傳達的味道，這意味著此方法所產製出的色調風格受大眾認同。此外，相較於人工調色的動態影像，雖然總體分數深度調色只有32.81%的認同度，但其中苦味深度調色的認同度卻比人工調色高出26%，證明此方法有很大的進步空間與潛能。綜觀之，本研究所設計的自動化深度調色方法具有相當大的可行性，雖然目前無法直接應用於調色作業，但可以為非色彩專業者產出參考圖像。

Prosecco Cocktails: 40 Tantalizing Recipes for Everyone’s Favourite Sparkler

為了解決perfect time sweet t的問題，作者Gladwin, Laura/ Luck, Alex (PHT) 這樣論述：

A collection of 40 delicious cocktail recipes featuring the hugely popular Italian sparkling wine that has taken social drinking by storm - Prosecco A collection of 40 delicious cocktail recipes featuring the Italian sparkling wine that has taken social drinking by storm--Prosecco Ah, Prosecco, how

we love it With its crisp, zesty bubbles and light, fruity flavor, Champagne''s perkier younger cousin is our favorite sparkling wine, hands-down. But what many of us don''t realize is that those easy-drinking qualities we love so much are exactly what makes it a fantastic base for cocktails, too.

Prosecco''s sprightly bubbles combine brilliantly with all kinds of liqueurs and spirits, so it''s time to open the drinks cabinet and start experimenting--and Prosecco Cocktails is the perfect companion to get you started. There are Prosecco-led twists on the classics, like the Kir Royale or Prose

cco Mojito; sophisticated ap ritifs like the classic Spritz or the strawberry-infused Rossini; absolute party barnstormers like the Sangria Blanca, infused with white peach and basil; and intriguing sweet treats like the Wild Berry Cheesecake or Sparkling Parma Violet. Everyone enjoys the magical so

und of well-chilled fizz cascading into a sparkling clean glass, adding its special cheer to any occasion. Now let''s take it to a whole new level Whether you''re hosting an action-packed bachelorette party or a dainty baby shower, a sunny beachside cook-out or a festive holiday drinks gathering, a

n intimate meal deux or a gossip-fuelled get-together, a fun family celebration or a soign e dinner party, the true joy of Prosecco is that it''s ideal for any occasion. Add the inventiveness of cocktails and you''ve got the perfect recipe for a fabulous time. And, well, why on earth not? Laura

Gladwin trained at Leith’s School of Food and Wine before working as a freelance chef. She then spent five years at one of London’s biggest party design companies, where she devised spectacular cocktail lists for more than 500 events. She now works as a writer and editor specializing in food and dri

nk, writing for the Good Food Guide and editing high-profile cookery books for chefs including Ferran Adri�, Ren� Redzepi and Heston Blumenthal. She is also the author of Parisian Cocktails�(978-1-84975-779-9) for Ryland Peters & Small.

基本收入與雙重的重分配：福利國家收入與時間分配體制的批判與重構

為了解決perfect time sweet t的問題，作者林信廷 這樣論述：

隨著勞動市場轉型以及人口與家庭結構變遷，最近30年來持續湧現的關於收入與時間雙重貧窮的生命歷程困境與需要，成為當前福利國家改革的重大課題與挑戰。透過生命歷程觀點的研究取徑與制度分析架構，並引入無條件基本收入相互對話，本文提供一個拆解與理解現代人生命歷程時間赤字問題癥結的新視角，從「收入重分配」到「時間重分配」的制度邏輯關係建立，來超越僅企圖通過時間的重新配置以符合福利資本主義就業社會制度的思路框架，為現下生命歷程的制度改革開啟政策創新空間，也為當代基本收入的立論基礎與政治實踐開闢新局。傳統福利國家以建立在財力調查與職業階級的收入分配與社會安全保障，因應工業社會薪資勞動者家庭收入不足的生命風險

。但其同時造成對資本主義勞動力商品化的加強鞏固及聯袂造就的就業中心生命歷程體制構成，在後來勞動市場彈性化與雙薪家庭的結構變遷下，衍生出現代社會收入赤字交織時間赤字更異質複雜的生命風險與需要。面對此一生命歷程制度轉型，作為其中關鍵核心的工作與家庭平衡，意圖通過就業與照顧的兼顧，讓兩性分工的男性養家過渡到性別平等的雙養家模式，因應現代就業家庭的照顧需要和性別不平等。但其同時涉及收入與時間關聯共構的問題構因，卻也反映受商品化勞動掣肘的福利資本主義，實際上難以因應再生產的無酬和低薪以及時間自主必須犧牲收入的代價抵換。社會體制緊扣就業的窄化與偏頗，更沿著財富與收入差距造成生命歷程時間的異化和不平等，進而

將當代關於生命歷程制度的改革，指向超越商品化、條件化和義務化之收入分配的必要和可欲。基本收入以它的「無條件性」，打開福利資本主義的強制勞動，讓生命歷程的時間自主得以從強迫性薪資勞動獲得解放。除了開啟有意義的工作和職業選擇的可能，更讓人有更充裕的時間，留給個人和家庭、社區和公共生活、文化和休閒、哲學和藝術等諸多讓人生更為完整的全人生活。由生命歷程觀點引導的對既有基本收入理論過度傾向個人主義的修正，以及關聯生活下社會構成性的個人自由與人際之間互賴照顧的自發秩序，不僅深化基本收入與生命歷程的理論化關係，更藉由收入自主到時間自主的制度連結，跨越福利國家社會保障與市場社會個人自由的兩難。經由對既有收入－

時間體制的批判與重構，反映著基本收入作為當代生命歷程制度改革的觀念轉向與創新思考，及其無條件性對解構與翻轉收入與時間不平等共構的制度意義。