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The Boy in the Earth

為了解決Cab meaning的問題，作者Nakamura, Fuminori/ Powell, Allison Markin (TRN) 這樣論述：

A darkly melancholic tale that combines Scorsese's Taxi Driver and Camus's The Fall set in Tokyo--Nakamura's Akutagawa Prize-winning novel, one of Japan's most prestigious literary awards, is the here translated into English for the first time and marks another high-water mark in this important writ

er's career. The Akutagawa Prize-Winning NovelAs an unnamed Tokyo taxi driver works a night shift, picking up fares that offer him glimpses into the lives of ordinary people, he can't escape his own nihilistic thoughts. Almost without meaning to, he puts himself in harm's way; he can't stop daydream

ing of suicide, envisioning himself returning to the earth in obsessive fantasies that soon become terrifying blackout episodes. The truth is, his long-estranged father has tried to reach out to him, triggering a cascade of traumatic memories. As the cab driver wrestles with the truth about his past

and the history of violence in his childhood, he must also confront his present, which is no less complicated or grim. A precursor to Los Angeles Times Book Prize finalist The Thief, The Boy in the Earth is a closely told character study that poses a difficult question: Are some lives so damaged th

ey are beyond redemption? Is every child worth trying to save? A poignant and thought-provoking tour de force by one of Japan's leading literary voices. Fuminori Nakamura was born in 1977 and graduated from Fukushima University in 2000. He has won numerous prizes for his writing, including the Ōe

Prize, Japan’s largest literary award; the David L. Goodis Award for Noir Fiction; and the prestigious Akutagawa Prize. The Thief, his first novel to be translated into English, was a finalist for the Los Angeles Times Book Prize. His other novels include The Gun, The Kingdom, Evil and the Mask, and

Last Winter, We Parted.

Cab meaning進入發燒排行的影片

越南峴港永續觀光的動機：自我決定理論視角

為了解決Cab meaning的問題，作者杜玉翠 這樣論述：

大眾觀光造成當地社區及環境的不利影響導致永續觀光業的發展，成為減少傳統旅遊有害影響的最佳方式。因此，為滿足遊客的需求和提供永續觀光服務的責任已成為旅遊從業者的一項具有挑戰性的任務。本研究旨在探討遊客訪問永續觀光景點的不同動機，並探討遊客滿足心理基本需求對地方依附的影響。基於自我決定理論的理論模型被整合到其中。該模型使用從參加峴港（越南）永續觀光業的越南居民那裡收集的數據集進行了測試。參與者被要求完成調查，其中包含滿意度，動機和地方依附等基本需求的衡量標準。研究結果表明，四種類型的動機包含內在調節,認同調節, 內攝調節, 外在調節對地方依附表現出直接影響。此外，還探討了滿足遊客需求通過內在調節

的調解影響地方認同，而認同調節也調解了歸屬感需求對地方依附的影響。當遊客受到內在和認同調節的激勵時，將滿足其自主性和歸屬感需求，使他們更多的參與永續觀光業。

From Shoeshine to Star Wars: The Chronicles of Walt Jourdan

為了解決Cab meaning的問題，作者Jourdan, Walt/ Jourdan, Lee 這樣論述：

"From Shoeshine to Star Wars: The Chronicles of Walt Jourdan is a compelling memoir that chronicles the life of father and son as they overcome obstacles and face the challenges that only a migrant trying to create meaning in life in the US can face... it] is both engaging and inspirational, a story

I'd love to see on screen. Five Stars." Christian Sia for Readers' Favorite"Walt and Lee Jourdan have created something special. The voice of the book resides in Walt's voice-similar to Jake Lamotta's "Raging Bull" and Louie Armstrong's autobiography. Five Stars" Paul Croshaw, Writer/Director.Littl

e Walt is a nine-year-old Colored boy in 1937 Oakland, California. The Great Depression is in full swing, offering little opportunity for Little Walt to do more than shine shoes and sell magazines to help his family make ends meet.Big Walt, his father, quit school after eighth grade, but applied his

resourcefulness to own and operate several businesses, including a boarding house, barber shop, cab company, gas station, a baseball team, a used car lot, and an illegal gambling house.Little Walt had to use his own resourcefulness to break the mold, and he went on to achieve success on the gridiro

n, as a sailor in the Korean War, and in a society bent on maintaining a culture of subservience for African Americans.But it was not to be a smooth upward trajectory for Little Walt. He struggled to maintain focus after family tragedies, and faced many obstacles, both cultural and personal, as he e

ndeavored to raise a family - ultimately ending in a place no one could have predicted when he lugged his shoeshine box ten miles a day as a nine-year old boy.Forewords by Randall Cunningham, NFL MVP, and Susan Toler Carr, daughter of the first Black NFL official. It was April of 2011; I was board

ing a plane from Jakarta, Indonesia for a two-hour flight to Singapore, where I would have a four hour layover before boarding my flight to Los Angeles, and then on to Las Vegas. Las Vegas is where my 84-year old father, Walt Jourdan, lay in a hospital bed. Earlier that day I had spoken to my older

brother, Skip, who informed me that dad was not strong enough to withstand the surgery required to halt the progress of the cancer cells that were ravaging his body. Dad had lymphoma. Without the surgery the doctors gave him five or six days to live. Hence, my trip. Dad’s prayer Warriors were in ful

l throat. Dad was an active member of the Remnant Ministries Church, where Randall Cunningham, the former NFL MVP was pastor. He was an active member of the North Las Vegas Rotary club, and he was an active member of the Kappa Alpha Psi fraternity. Dad was also a popular resident, at the Acacia Spri

ngs retirement community- because he was still a good dancer and gentlemanly with the ladies. Dad had hundreds of friends. I know they were all praying for him, and I know that God heard our prayers, because by the time I arrived in Singapore, and called Skip to check on dad’s status, he told me tha

t he had gained enough strength for the doctors to risk the surgery, and the prognosis was good. So five years later, with dad still going strong, my wife Diane suggested that I help him write that memoir he had been talking about. I thought back to that flight to Singapore, and how everyday was a b

lessing. I had better get started. Diane knew I had written a children’s book twenty years ago, but that was before there was cost effective self-publishing, so it sat idle. And she knew that I had written a screenplay that still sits in my desk drawer at home. So she knew I had the bug. I am an eng

ineer, and a former US Army Captain (West Point, Class of 1978), which would indicate that I am more of a planner, and calculator than a writer. But I also have a few years in the theater under my belt, so the arts in my heart. Over the course of a year we talked regularly over the phone, and I reco

rded his stories, and them crafted them in to the pages to tell his life story Dad is the real engineer - with contributions in aerospace and national defense. He is a stickler for accuracy, and has a keen memory. But don’t take him for being calculating and dry. He is a rascal, an athlete, a leader

, a fighter...my dad. But first- he was a shoeshine boy.

莫內花園藝術觀光：景點建構與旅遊實踐分析

為了解決Cab meaning的問題，作者王乃立 這樣論述：

莫內花園（Claude Monet’s Garden）為知名印象派藝術家克勞德・莫內（Claude Monet）的故居、藝術品以及創作靈感來源地，位於巴黎西北方的吉維尼小鎮（Giverny），如今為法國諾曼第大區最受歡迎的觀光景點之一，每年吸引世界各地超過五十萬觀光客前來朝聖，不論是藝術愛好者或是對於花園有所想像的民眾，都被此地吸引。因此本研究將從兩個面向切入，首先從景點層面分析，探討莫內花園建構出的多重凝視、文藝觀光景點的矛盾性以及導覽中介，而後討論觀光客的行為，了解具備不同文化資本的觀光客獲得了哪些體驗，以及多層次的景點能夠激發觀光客哪些文化消費與實踐方式。本研究以多重研究方法進行，首先

從文宣、報導和相關書籍取得研究資料，分析常見的旅遊網站以及莫內花園發行的實體和電子導覽手冊，以釐清個案的景點建構以及導覽中介。使用半結構式訪談24位不同國籍的觀光客，包括法國、比利時、西班牙、德國、英國、澳洲、美國、中國和臺灣，期望透過訪談交流了解觀光客的觀點與旅遊實踐方式。最後則是研究者於2019年7月中，透過數次的造訪，觀察景點的經營運作以及觀光客們的參與互動模式。研究結果如下，透過資料分析發現莫內花園為莫內以自然為媒介，展現個人創作風格與理念的場所，可視為獨特的烏托邦，進而形成地方迷思，並透過藝文場館中的作品展示，建構強烈的視覺標誌物，促進觀光行為。經由田野觀察法得知兩個現象。第一，導覽

中介的規劃與實際使用情況有所落差，完善的內容無法發揮最大效益。第二，景點標誌物在觀光推廣與旅遊實踐中不斷地被強調，更加強化了圖像循環現象。從訪談分析則發現，此個案因不同文化資本的觀光客湧入以及真實性呈現的落差，產生凝視上的衝突，因而凸顯了藝術與觀光間的矛盾。