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The Night Before Christmas Pop Up Book: A Pop-Up Edition

為了解決Eve的問題，作者Moore, Clement 這樣論述：

This magnificent Christmas Eve poem is brought to life in this pop-up edition of the #1 New York Times best seller The Night Before Christmas. ’Twas the night before Christmas, when all through the house, Not a creature was stirring, not even a mouse... This holiday season enjoy everyone’s favor

ite Christmas Eve poem with this beautiful pop-up book. Every child knows the words to this captivating story, and this delightful edition provides an exciting 3D reading experience for children and parents alike. Join Dasher, Dancer, Prancer, Vixen, Comet, Cupid, Donder, and Blitzen and dash your w

ay through these dynamic pages. Not only will this Christmas poem spread holiday cheer, it will engage your child and encourage a love of reading. This edition includes: - 3D pop-up elements that offer a new take on this nostalgic Christmas classic - A beautifully designed hardcover with an embosse

d foil-stamped cover - Clement C. Moore’s original text, including a nod to Dutch references in the poem, specifically the Dutch name ＂Donder,＂ which translates to ＂thunder＂ - Stunning artwork by #1 New York Times best-selling illustrator Charles Santore. Start a new family tradition this year or

carry on your own with this illuminating edition of a timeless tale. You’ll be sharing this holiday classic with children and family for years to come. The work of New York Times bestselling children’s book illustrator Charles Santore has been widely exhibited in museums and celebrated with recognit

ions such as the prestigious Hamilton King Award, the Society of Illustrators Award of Excellence, and the Original Art 2000 Gold Medal from the Society of Illustrators. He is best known for his luminous interpretations of classic children’s stories, including The Little Mermaid, Alice’s Adventures

in Wonderland, Snow White, and The Wizard of Oz.

Eve進入發燒排行的影片

結構土壤對台南公園肯氏南洋杉生物力學效應之研究

為了解決Eve的問題，作者陳立儒 這樣論述：

臺南市的公園綠地面積不足，可以提供休閒活動空間有限，台南公園面積廣大且位於市中心，不論是平時或假日期間，來此從事休閒活動的遊客非常多，不論是球場、遊戲場，甚至林下空間都成為高密度休閒活動的場所，使得公園林下空間的土壤面臨嚴重夯實的課題，許多樹木因此倒伏枯死，2015年(台南公園百年慶前夕) 樹木保護團體為了保護公園內樹木，而與休閒活動的民眾產生衝突，形成對立，為改善此現象，因此運用結構土壤改良林下被夯實的土壤，希望能夠利用結構土壤 (Structural soil) 的特性，繼續提供遊客高頻度、高密度的休閒活動之外，同時又能改善都市林的生長環境，降低樹木枯死率，發揮都市林功能。本研究以台南公

園內3處肯氏南洋杉 (Araucaria cunninghamii Sweet.) 林分地為主(嚴重夯實區、高高夯實區及中-低高夯實區)，2016年以前，嚴重夯實區的土壤因遊客高頻度及高密度休閒活動及踩踏，導致夯實嚴重，影響土壤氣體交換及水分入滲的能力，使得胸高直徑定期平均生長量減緩，徑向彎曲應力下降，倒伏枯死率高於其他樣區，2016年利用結構土壤改良表層土壤，冀望藉此改善林分樹木生長之生物學，以及樹木根系、樹幹結構穩定之力學機能。2021年(嚴重夯實區結構土壤鋪設4年後)針對3處樣區進行調查，嚴重夯實區的林下空間仍持續高頻率、高密度的休閒活動，結果顯示嚴重夯實區土壤水分滲透率及氣體交換均呈現

顯著提升，胸高直徑定期平均生長量(P.A.I.)、葉面積指數(L.A.I.)及活冠比(L.C.R.)明顯優於高夯實區及中-低高夯實區；力學強度(徑向彎曲應力)亦較2016年以前顯著提升。嚴重夯實區的樹木在解除生長逆境後，生長量及力學強度逐漸提升，顯示過去因生長逆境所產生較低生長量及力學強度已逐漸回復，預估未來嚴重夯實區較高的枯死率可以得到改善。

The Securely Conferred, Vouchsafed Keepsakes of Maery S.

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為了解決Eve的問題，作者 這樣論述：

SibylKempson’s plays have been presented in the United States, Germany, and Norway. She launched the 7 Daughters of Eve Thtr. & Perf. Co. in 2015at the Martin E. Segal Center at the City University of New York. The company’sinaugural production, Let Us Now Praise Susan Sontag, premiered at AbronsArt

s Center in NYC the same year. 12 Shouts to the Ten ForgottenHeavens, a 3-year cycle of rituals for the Whitney Museum ofAmerican Art, began on the Vernal Equinox in March 2016, and recurred on everySolstice and Equinox through December 2018. Other recent projects include true pearl, a new opera wit

h David Lang for theIsabella Stewart Gardner Museum in Boston, and Sasquatch Rituals atThe Kitchen in NYC. Both premiered in 2018. Kempson is the recipient of a2018 PEN/Laura Pels International Foundation for Theater Award for AmericanPlaywright at Mid-Career, for writers working indisputably at the

highest levelof achievement, specifically honoring ＂her fine craft, intertextual approach, and her body of work including Crime or Emergency and Let Us Now Praise SusanSontag.＂ She is also a 2014 USA Artists Rockefeller Fellow anda 2010 MacDowell Colony Fellow. With New York Theatre Workshop and di

rector Sarah Benson, she received a 2013Virginia B. Toulmin Foundation Commission for Kyckling and Screaming (atranslation/adaptation of Ibsen’s The Wild Duck), a2013-14 McKnight National Residency and Commission for a new play The Securely Conferred, Vouchsafed Keepsakes of Maery S., and a Frederic

k Loewe Award for Musical Theater for its songs. Kempson is a NewDramatists/Full Stage USA commission for a devised piece entitled From The Pig Pile: The Requisite Gesture(s) of Narrow Approach, and a National Presenters Network Creation Fund Award for the same project. Hersecond collaboration with

David Neumann/Advanced Beginner Group, I Understand Everything Better, received a BessieAward for Outstanding Production in 2015. Her work has been funded by theJerome Foundation, the Greenwall Foundation, the Foundation for ContemporaryArt, and the New York Foundation for the Arts, of which she is

a fellow. WithElevator Repair Service Theater Company, she received a MAP Fund grant for Fondly, Collette Richland at New York Theatre Workshop in 2015. She is a four-time Mondo Cane! commissionee at Dixon Place in NYC. As a performer Kempson touredinternationally with Nature Theater of Oklahoma, Ne

w York City Players andElevator Repair Service from 2000 - 2011.

互動電影中的敘事效果與理論模型研究

為了解決Eve的問題，作者梁璐璐 這樣論述：

互動電影作為一種融合了電影敘事、視聽質感和遊戲玩家參與的綜合媒介形式，以互動敘事為特色，兼具「看」電影和「玩」遊戲兩種行為特徵，成為近年產學研高度關注的熱點，但對於互動敘事的內涵與成效，尚無系統性研究。因此本研究之目的在於：（一）釐清互動敘事的概念和構成要素；（二）探索評測互動敘事效果的因素並研發出互動敘事效果的評測量表；（三）了解受測者在互動和非互動的兩種情況下獲得的敘事效果是否存在顯著差異；（四）建構互動敘事效果的理論結構模型。為了達到上述研究目的，首先，本研究總結了互動敘事的概念並梳理出互動敘事的五個構成要素：角色塑造、場景設計、情節推進、意義表達和互動話語。其次，確定了影響互動敘事效

果的七個構面，即情感投入、場景表現、懸念好奇、敘事理解、沉浸歷程、沉浸感受和互動體驗；由此開發出共一套29題的敘事效果量表（NES）。再次，研究者將招募的950位受測者分為兩組，分別觀看互動和非互動的兩部影片，然後進行敘事效果測量。結果發現，兩組受測者在敘事效果的場景表現、懸念好奇、敘事理解、沉浸歷程、互動體驗五個構面上具有顯著差異。最後，研究者建構出互動敘事效果的有效理論模型，並證實，互動體驗可以作為中介，對沉浸歷程到沉浸感受的過程產生正向影響。本研究補強了互動電影的理論架構，開發出敘事效果量表（NES）可供應用，並建構起互動敘事效果的理論模型，希望能為未來互動電影創作者和研究者提供可為參考

之基礎。