Furnitures的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列包括價格和評價等資訊懶人包

打造渡假風完美庭園

為了解決Furnitures的問題，作者提帕潘．西利威才達拉 這樣論述：

渡假風庭園景觀設計實用講座Garden Details 　　設計完美居家．餐廳．店家．飯店庭園 　　美化居住與商家環境的最佳庭園提案 讓身心放鬆休憩的小小大自然　　綠意圍繞風格獨具的建議 讓你家庭園就像在峇厘島一樣漂亮 　　＊ 花園步道該怎麼設計　　＊ 地上的植物、水上的植物、圍籬邊的植物該種些什麼　　＊ 該放長椅還是全套木製桌椅　　＊ 水池、水槽、噴泉的設計建議　　＊ 燈飾、懸吊物的魔法點綴 本書特色 　　從空間的大小配置、風格的定位異同、居室的整體色系到花園地板花樣、裝潢材質、水流燈具設計，本書都將具體呈現案例效果，讓讀者能從中獲得幫助，加速建構花園的理想！ 　　掌握「變小不變大」的原

則──變動小物件，大背景不變，用心設計享樂花園，只要抓住風格走向，你就能擁有一座四季變換風情的私人夢幻花園！ 　　＊ 從無到有─完整介紹9大花園架構：　　圍籬與入口　　裝飾牆　　花園小徑　　地面　　戶外家具　　水的設計　　燈具　　雕塑品　　花園構想 　　＊ 風格實例─完美打造2大熱門主題：　　自然式花園　　現代式花園 作者簡介 提帕潘．西利威才達拉Tipapan Siriwetchadarak 　　致力於園藝設計的藝術呈現，為人們尋求與大自然共存的生活空間。

Furnitures進入發燒排行的影片

華裔菲律賓藝術家的 文化融合與異質身份認同

為了解決Furnitures的問題，作者張安美 這樣論述：

A recurrent query that Filipinos ask themselves is what it means to be one, when most of Filipino culture is a construct of colonialism (Mateo, 2001). To an extent, the uncertainty transcends into a dilemma when it comes to the identity of subcultures (Kelman, 1997) — in this case, the identity of

the Chinese Filipinos “Chinoys”. As a minority, navigating around syncretised cultures and histories of discrimination can lead to identity crises, and succumbing to a Spiral of Silence (Noelle-Neumann, 1974). To exemplify, the COVID-19 pandemic, territorial dispute, and political adversaries betwee

n the Philippines and China amplified the dichotomy of the Filipinos and Chinoys. Despite the latter’s localization and self-identification as Filipinos with Chinese ethnicity, the loyalty of the Chinoys is constantly disputed because of their cultural filiation with China. Ultimately, this phenomen

on cultivates Xi Jinping’s ultimate China dream of homogenized Chineseness, and division through identity politics (Haidt & Lukianoff, 2018).Due to the lack of awareness and discourse with regard to the concept of Sinophone in the Philippines, this research aims to analyze and archive the works of f

ive Chinese-Filipino visual artists — including my own art. By doing so, I articulate how the artists navigate around their syncretised identity; and counter the notion of homogenized Chineseness, whether intentionally or subconsciously manifested. This will then reveal a part of the global dispersi

on of Sinophone people in the Philippines, and its distinction to other Sinophone communities. Overall, this thesis intends to encourage further exploration, and archive the Sinophone discourse in the Philippines through visual arts.