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The Yucks: Two Years in Tampa With the Losingest Team in NFL History

為了解決Hero One punch的問題，作者Vuic, Jason 這樣論述：

Friday Night Lights meets The Bad News Bears in "a brisk, warmhearted reminder of how professional sports can occasionally reach stunning unprofessional depths" (Publishers Weekly): the first two seasons with the worst team in NFL history, the hapless, hilarious, and hopelessly winless 1976--1977 Ta

mpa Bay Buccaneers. Long before their first Super Bowl victory in 2003, the Tampa Bay Buccaneers did something no NFL team had ever done before and that none will ever likely do again: They lost twenty-six games in a row. This was no ordinary streak. Along with their ridiculous mascot and uniforms,

which were known as "the Creamsicles," the Yucks were a national punch line and personnel purgatory. Owned by the miserly and bulbous-nosed Hugh Culverhouse, the team was the end of the line for Heisman Trophy winner and University of Florida hero Steve Spurrier, and a banishment for former Cowboy d

efensive end Pat Toomay after he wrote a tell-all book about his time on "America's Team." Many players on the Bucs had been out of football for years, and it wasn't uncommon for them to have to introduce themselves in the huddle. They were coached by the ever-quotable college great John McKay. "We

can't win at home and we can't win on the road," he said. "What we need is a neutral site." But the Bucs were a part of something bigger, too. They were a gambit by promoters, journalists, and civic boosters to create a shared identity for a region that didn't exist--Tampa Bay. Before the Yucks, "th

e Bay" was a body of water, and even the worst team in memory transformed Florida's Gulf communities into a single region with a common cause. The Yucks is "a funny, endearing look at how the Bucs lost their way to success, cementing a region through creamsicle unis and John McKay one-liners" (Sport

s Illustrated).

Hero One punch進入發燒排行的影片

歐洲電影中的口譯員形象

為了解決Hero One punch的問題，作者劉書綺 這樣論述：

本研究旨在探究歐洲電影中的口譯員形象，採用內容分析法分析47部歐洲電影中60位口譯員之樣貌呈現。在參考口譯研究中對於口譯員角色，倫理與規範，及敘事學角色類型相關論述後建立編碼架構，試圖辨識歐洲電影中的口譯員面貌，包括其基本特徵、口譯專業表現與敘事角色類型（英雄、反派、靜態或動態角色等）。研究結果顯示歐洲電影中口譯者角色形象相當多樣且豐富。口譯語言與口譯者國籍分佈廣泛，且場景多為逐步口譯；口譯員以年輕與男性較多數，多為非專業口譯員。口譯專業表現方面，大多數口譯員遵守保密性與正直誠信原則，但有近半數違反中立原則，也有較多誤譯者；以口譯員角色分析歸類，則大多口譯者為單純翻譯者（傳聲筒），但也有一些

扮演文化中介者、倡議者與機構代理人的口譯員角色，足見在這些歐洲電影中有許多對於口譯專業倫理議題的刻劃，如中立性，個人偏見，忠誠衝突等。敘事角色編碼結果則顯示這些電影中的口譯者有超過一半是第一主角和次要角色，有不少動態人物，也有一半以上是立體人物，這表示有許多本研究中的歐洲電影以口譯者為其故事中的重要角色，並賦予其生動而多面的性格；角色類型則多為輔助者、戀愛角色與探索者。

A princess of Mars

為了解決Hero One punch的問題，作者Burroughs, Edgar Rice 這樣論述：

The story is introduced by a supposed narrator certify the authenticity. Presented as the nephew of John Carter, it is called emergency in New York and on his arrival, he learns that John Carter was found dead in the morning. In his will, John Carter asks to be buried in a mausoleum opening only fro

m the inside. He left behind a manuscript that will form the heart of the story. In it, John Carter tells what happened to him years ago when he was looking for gold in Arizona with a partner. Attacked by Apaches, his friend is killed and he finds refuge in a mysterious cave where he was seized with

a sudden numbness. While the Apaches are visibly terrified by what there is in the cave, John Carter is literally torn from his body and finds himself split, standing naked beside his own body. Then attracted by Mars shining in the sky, the planet that has always fascinated, he reaches out to her a

nd feels transported through the void. John Carter wakes up naked on the floor of the red planet where he soon discovers that he is able to make huge leaps because of the low gravity, allowing it to escape a band of green Martians who attack to protect the enclosure where their young are. This physi

cal feat is to be captured rather than killed him. Green Martians who captured are creatures of more than four meters, with two legs, two arms and two intermediate members can serve as legs or hands. They live in herds that occupy old abandoned cities, apparently built by human beings size living ra

pine and are continually at war. They are cruel and brutal beings rapidly conceive of respect for John Carter, especially when one of them kills with a single punch, thus taking the property and the title of the death. Both prisoner and leader John Carter is guarded by the Martian equivalent of a do

g, Woola, a cap which he went quickly master in saving his life while he earns the respect of Tars Tarkas, a noble Thark (the tribe of green Martians where he lives), which seems less brutal than other green Martians. Edgar Rice Burroughs (September 1, 1875 - March 19, 1950) was an American writer

, best known for his creations of the jungle hero Tarzan and the heroic Mars adventurer John Carter, although he produced works in many genres. Early life Burroughs was born on September 1, 1875, in Chicago, Illinois (he later lived for many years in the suburb of Oak Park), the fourth son of busine

ssman and Civil War veteran Major George Tyler Burroughs (1833-1913) and his wife Mary Evaline (Zieger) Burroughs (1840-1920). His middle name is from his paternal grandmother, Mary Rice Burroughs (1802-ca.1870). Burroughs was educated at a number of local schools, and during the Chicago influenza e

pidemic in 1891, he spent a half year at his brother’s ranch on the Raft River in Idaho. He then attended the Phillips Academy in Andover, Massachusetts, and then the Michigan Military Academy. Graduating in 1895, and failing the entrance exam for the United States Military Academy (West Point), he

ended up as an enlisted soldier with the 7th U.S. Cavalry in Fort Grant, Arizona Territory. After being diagnosed with a heart problem and thus ineligible to serve, he was discharged in 1897.

臉書人氣是否影響商品銷售之研究-以流行音樂歌手臉書粉絲專頁與實體唱片銷售為例

為了解決Hero One punch的問題，作者郭奕宏 這樣論述：

本文欲討論人氣等於買氣的想法，是否可以應用到台灣流行音樂唱片市場，人氣以流行音樂歌手臉書粉絲專頁上所蒐集到的按讚數作為指標，買氣由於資料蒐集限制，因此無法取得實際銷售數字，改以唱片銷售實體通路排行榜做為參考，本文參考2012年玫瑰大眾排行榜的華語榜資料，隨機抽樣選擇30位歌手做為樣本以討論。文獻回顧內容說明了近年來科技影響唱片銷售的狀況，並說明唱片公司對歌手的經營方式，以及相關研究對於按讚行為的看法。利用存活分析中的危險函數概念以驗證人氣是否等於買氣的問題，而危險函數使用Logit模型來做為計算。實證分析後，得知專輯上榜前後按讚數與簽唱會文章按讚數在統計上均無顯著水準，但發現音樂錄影帶(Mu

sic Video)累積按讚數，對於專輯離開排行榜狀況，統計上具有顯著影響，即音樂錄影帶文章按讚數越多，越不容易離開排行榜，得知唱片市場中，臉書按讚數無法直接說明人氣等於買氣的狀況，但得到音樂錄影帶累積按讚數會影響唱片銷售的結論。