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In Limbo: A Graphic Memoir

為了解決In tune的問題，作者Lee, Deborah 這樣論述：

A debut YA graphic memoir about a Korean-American girl’s coming-of-age story--and a coming home story--set between a New Jersey suburb and Seoul, South Korea.Deborah (Jung-Jin) Lee knows she’s different. Ever since her family emigrated from South Korea to the United States, she’s felt her Otherness.

For a while, her English isn’t perfect. None of her teachers can pronounce her Korean name. Her face and her eyes--especially her eyes--stand out. As the pressures of high school ramp up, friendships change and end, and everything gets harder. Even home isn’t a safe place, as fights with her mom es

calate. Deb is caught in a limbo, with nowhere to go, and her mental health plummets. But Deb is resilient. She discovers art and self-care, and gradually begins to start recovering. And during a return trip to South Korea, she realizes something that changes her perspective on her family, her herit

age, and herself. Maybe Deb isn’t the only one in limbo. This stunning debut graphic memoir features page after page of gorgeous, evocative art, perfect for Tillie Walden fans. It’s a cross section of the Korean-American diaspora and mental health, a moving and powerful read in the vein of Hey, Kidd

o and The Best We Could Do. Deborah Jung-Jin Lee is a Korean-born author and illustrator. Her clients include The New Yorker, Washington Post, NPR, Facebook, Radiolab, Scientific American, and PBS. Books she has illustrated include The Invisible Boy by Alyssa Hollingsworth (Roaring Brook Press, 20

20) and The Tune Without Words by Tina Cho (HarperCollins, 2023). In Limbo is her debut graphic novel memoir. debleeart.com

In tune進入發燒排行的影片

許常惠《留傘調變奏與主題》作品44 之樂曲分析與演奏詮釋

為了解決In tune的問題，作者簡昱恕 這樣論述：

許常惠(1929-2001)為臺灣現代音樂創作的先驅，臺灣民族音樂採集的領航人，是當代臺灣最有影響力的音樂家之一。音樂創作類型包含歌劇、舞劇、清唱劇、管絃樂曲、協奏曲、獨奏曲等。許常惠在學術方面的研究成果也極為豐富，從西洋音樂理論到臺灣傳統音樂皆有專著，代表性著作如《臺灣音樂史初稿》及《民族音樂學導論》等；其對傳統音樂的社會文化價值研究極具開創性視野及見解，能積極促進社會對傳統音樂的重視，並帶動一股風潮。本篇書面報告研究以臺灣當代作曲家許常惠於1991年發表的小提琴無伴奏獨奏曲作品《留傘調變奏與主題》(Variations and Theme on the Folk Tune of “Cat

ching Umbrella”)為主要研究對象。全文共分四章進行論述，首先，闡述研究此曲的動機與目的、範圍及方法。其次，就各方文獻記載研究作曲家生平。其三，解析創作背景，從風格與素材開始，進一步去認識作品的創作脈絡，針對曲式做架構分析，探討演奏的詮釋方法。最後對全文做總結。透過本文的探析，理解該作品之音樂創作思維，提出合宜之演奏詮釋建議，期望能提供未來相關研究者做為參考。

The 12 Days of Christmas: The Outlaw Carol That Wouldn’’t Die

為了解決In tune的問題，作者Rand, Harry 這樣論述：

In the whole body of Christmas carols sung in English, among the most famous and beloved is a song universally called The Twelve Days of Christmas. Although its association with the holiday remains unquestioned, the tune was originally a raucous drinking song with wildly different connotations. T

his book documents the unfamiliar and distant history of one of the world’s most well-known holiday songs. The surprising history of the Twelve Days of Christmas is inextricably linked to the earliest celebrations of Christmas, a festival that was suppressed by the Church itself. The rowdy and misch

ievous tone of traditional Christmas has vanished, as have the songs that accompanied the festival of drinking, gambling, fighting, feasting and sex. Modern participants of Christmas may be either embarrassed or pleased to discover the scandalous roots of a beloved holiday classic.

以一步驟表面電漿誘發剝離法製備氮摻雜碳化鉬/石墨烯奈米片複合材料及其性質和產氫催化性能

為了解決In tune的問題，作者呂弈均 這樣論述：

在此論文中，講述運用一步驟表面電漿誘發剝離法，製備碳化鉬/石墨烯奈米片複合材料和氮摻雜碳化鉬/石墨烯奈米片複合材料，探討碳化鉬和石墨烯奈米片的比例對表面形貌、材料性質和其應用於電催化產氫中的催化劑表現，並以前者最佳催化表現的比例進行氮摻雜探討異質摻雜對表面形貌、材料性質和其應用於電催化產氫中的催化劑的影響。一步驟表面電漿誘發剝離法是先以石墨紙為基材製備雙層電極，再將雙層電極接到陰極、1M硫酸為電解液，通以70伏特的電壓，在陰極尖端會產生電漿並從雙層電極上剝離複合材料到電解液中，再把電解液抽氣過濾即可得到產物。使用SEM和TEM觀察碳化鉬/石墨烯奈米片複合材料的呈現互相交疊的情形，碳化鉬表面變

崎嶇、尺寸變小，石墨烯奈米片則呈現奈米片狀結構；以EDS和XPS分析可以得知添加氮源可對複合材料中的碳化鉬進行氮摻雜；透過拉曼光譜儀可以得知複合材料中的石墨烯奈米片為少層數；以XRD對材料進行分析和文獻比對後可以得知複合材料中的碳化鉬為beta相結構；把材料以一定比例塗在碳玻璃電極上進行電化學量測，透過LSV量測可得知碳化鉬/石墨烯奈米片複合材料中的最佳過電位是GM-300，數值為247mV，氮摻雜碳化鉬/石墨烯奈米片複合材料中最佳過電位是GM-N50，數值為185mV。塔弗曲線圖中，碳化鉬/石墨烯奈米片複合材料中的塔弗斜率最好的是GM-300，數值為86(mV/dec)，氮摻雜碳化鉬/石墨烯

奈米片複合材料中斜率最好的是GM-N50，數值為70(mV/dec)。一步驟表面電漿誘發剝離法能成功同時複合材料進行剝離和異質摻雜，而且此製程有著快速、便宜和單步驟完成製程等優勢，是一項具有研究潛力的製程，未來可以替換其他產氫催化材料進行複合材料的研究。