Legendary meaning的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列包括價格和評價等資訊懶人包

The Meaning of Metallica: Ride the Lyrics

為了解決Legendary meaning的問題，作者Irwin, William 這樣論述：

A serious look at the lyrics of metal’s biggest band, disentangling double meanings, explaining stories, uncovering sources, and illuminating themes such as hope, despair, rage, resilience, power, liberty, justice, love, death, and insanity.More than 40 years since their formation, and 125 millio

n album sales later, Metallica is as relevant as ever. Much has been written about the band, but The Meaning of Metallica is the first book to focus exclusively on their lyrics.Their mighty guitar riffs and pounding drums are legendary, but Metallica’s words match the intensity of their tunes. Lead

singer James Hetfield writes rock poetry dealing with death, war, addiction, alienation, corruption, freedom, religion, and other weighty topics. Painting a rainbow of emotions with a deft palette, subtle but not obscure, Hetfield’s lyrics deserve careful attention. A master of narrative, Metallica

makes listeners care about a vast array of characters, from a vengeful God, to a suicidal teenager, to a man in mid-life crisis.The Meaning of Metallica is like a riveting conversation with a close friend. A thematic tour de force that traces Hetfield’s lyrical development across the decades, this c

ompanion examines everything from deep cuts like ＂Confusion＂ to megahits like ＂Enter Sandman.＂ Sure to spark debate and discussion, The Meaning of Metallica provides a close reading of lyrics dense with details and rich with allusions.

Legendary meaning進入發燒排行的影片

成人生命意義感與復原力之關係：以制握信念為調節變項

為了解決Legendary meaning的問題，作者李育慈 這樣論述：

　　本研究主要目的在探究成人生命意義感（涵蓋存在意義感與尋找意義感二向度）與復原力之關係，並檢視制握信念在二者關係的調節效果，以網路問卷蒐集資料，研究參與者為401位台灣地區成人，年齡涵蓋18至65歲。研究重要結果摘要分析如下：一、生命意義感對復原力之預測力發現：對全體成人而言，生命意義感二個向度（存在意義感、尋找意義感）皆可以顯著預測復原力，其中：成人的存在意義感程度越高，其復原力程度越高；但成人的尋找意義感程度越高，其復原力的程度越低。然而，此結果尚未考量制握信念為調節變項產生不同結果之影響。二、制握信念之調節變項效果發現：（1）無論「內部制握信念組」、「無顯著制握信念組」及「外部制握信

念組」的成人，其存在意義感皆能正向預測復原力，並且，「內部制握信念組」（β = .45）與「外部制握信念組」（β = .42）的成人，其存在意義感對於復原力的預測力高於「無顯著制握信念組」（β = .29）的成人。（2）在「無顯著制握信念組」（β = -.20）與「外部制握信念組」（β = -.25），成人尋找意義感對於復原力有負向預測效果，但在「內部制握信念組」，成人尋找意義感無法顯著預測復原力。　　本研究發現成人生命意義感（存在意義感、尋找意義感）對於復原力的預測力，會因為制握信念傾向的不同而有不同之預測力，此結果對成人輔導實務工作有臨床之貢獻。

Lanie Speros & the Omega Contingency

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為了解決Legendary meaning的問題，作者Contes, Chris 這樣論述：

Lanie Speros & The Omega Contingency proves that sometimes it’s better if the adults just let the kids drive. The perfect mix of humor, tenderness, tension, and detail, Lanie Speros’ saga is tempered by fast-moving action and legendary landscapes. All to say, this is a story that doesn’t want to be

put down. Lanie learns to trust her skills, but more importantly, she learns to embrace her own fiery spirit--and trust her friends. The greatest achievements are made by mixing daydreams with ambition and talent, and Lanie’s crew knows the powerful fourth ingredient--working together. Of course, be

ing able to handle a car like a pro doesn’t hurt either. For thirteen-year-old Lanie Speros, the journey from anonymous middle school life to epic subterranean adventure begins during a road trip. The accidental revelation of a hidden tunnel under her yard leads her family and best friend on a thril

ling motorhome voyage full of danger, destruction and narrow escapes. But more importantly, it’s a voyage of self-discovery--one that changes Lanie’s entire outlook on what it means to become a teenager. She returns home empowered, and the odyssey continues as she creatively eliminates criminals who

want to infiltrate a secretive, forgotten city in the abandoned mine complex below her house. Suddenly having to question the motives of everyone she’s met in her new neighborhood, Lanie works with her friend Hudson to find the meaning of the cryptic clues, hidden rooms, and shadowy history of her

new home. During her exploration of the underground world, Lanie is faced with challenges that force her to develop the courage and self-confidence that she didn’t know she had. Her talent for driving, design and fabrication are all put to the test when she must go out on the road again--to defend h

erself, her family, and the enormous secret she’s agreed to protect. When do young people decide what their calling in the world is? What do they do with their unique talents and abilities when they discover them? When do they realize that they should lead--instead of follow? These are the questions

that Lanie answers on her quest. But, along the way she also finds her voice--and the confident, volcanic spirit that had been locked within her soul. It’s OK to not be typical...and it’s OK to refuse to be squeezed into the same mold as everyone else. When Lanie figures this out, life suddenly bec

omes a lot more fun. Seeking a more upbeat, fast-paced reading experience for his young boys, Chris Contes began fiction writing later in his career--at age 45. With years of history in the automotive and theme park industries, Chris taps a diverse and eclectic range of work experiences that share

a common thread--a love of making a day job out of his passions. His background also provides an engaging and technically accurate source for unique scene setting and storytelling. An avid fiction reader himself, Chris gravitates toward stories that are motivating, energetic, and faithful to techni

cal details.Chris has a business degree from Arizona State University and spent ten years working at automotive test facilities for General Motors and Nissan. In 2005, he followed his dream and left the auto industry for a behind-the-scenes career leading ride maintenance projects and programs at Di

sneyland, Universal Studios Hollywood, and Knott’s Berry Farm. He lives with his family near Los Angeles.

二十世紀初期台灣口述傳統的現代性轉轍：以傳說與印刷媒體的關係為中心

為了解決Legendary meaning的問題，作者呂政冠 這樣論述：

論文摘要口述傳統曾經是民間社會傳遞訊息、交流經驗最重要的媒介；但是當口述傳統遇到名之為現代性的文化場域時，為了適應受眾結構的改變，產生了一定程度的調整。二十世紀初期是印刷媒體報紙頻繁地介入口頭傳播軌轍的時期，其中又以傳說文類最為明顯。因此本文將以傳說和印刷媒體的關係，進行其媒介轉轍的現象描述，並從中思索口述傳統的現代性意義。本文選擇了三個傳說案例，來說明三種口述傳統的現代性意義。第一則是「楊乃武」，約莫是在1920年前後以商業戲劇的形式傳播至台。這則渡海而來的傳說為我們展示現代語境底下，口述傳統亦會透過商業與人口移動，得以加速傳播，並擴大傳播範圍。「楊乃武」在傳說形成到傳播至台的過程中，經歷

多重轉轍的過程，在傳統冤案的基礎上，加入了現代司法的感性敘事，並使其在無傳說物依附的情況下，得以在台持續流傳。多重轉轍是現代口頭敘事的必然情況，但是本文舉出「嘉慶君遊台灣」為例，透過該則傳說形成的歷史記憶與地方起源說詞，藉此說明口述傳統在遭遇文字媒體時，並非全然的失守。一個仍保有活潑的傳講潛勢的傳說，證明了口述傳統在現代語境下仍然保有其生命力。最後，本文以「義賊廖添丁」的傳說生命史為例，指出亦有由文字流向口傳的「反向轉轍」的狀況。而這種反向轉轍的發生，必須同時建立在傳統框架的穩定敘事，與民間反應現代想像（或殖民想像）下的情境關係。因此本文認為「廖添丁」應該算是台灣第一個大型的當代傳說。最後本文

則以「口頭檔案」與「文字媒介」的觀察，去思考文字／口頭之間的相同與差異，並指出文字的侷限性，及其反應講述語境的可能性。