Occasionally的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列包括價格和評價等資訊懶人包

Medical Humanities and Disability Studies: Beyond Disciplines

為了解決Occasionally的問題，作者Murray, Stuart 這樣論述：

Medical Humanities and Disability Studies are two critical fields at the cutting edge of innovative interdisciplinary work in the Arts and Humanities, but to date there has been no book length study of the (occasionally vexed) relationship between the two. This book addresses that and presents a

series of provocative arguments about how the two disciplines interact, the forms their critical practice take, and what each can learn from the other. Although the two disciplines have emerged from different critical heritages they share many features, from identifying processes of exclusion and ch

ampioning user participation to a commitment to inter- and cross-disciplinary methodologies. But the subjects differ in other ways: medical humanities has evolved from considerations of the place of humanities in the development of medical education, while disability studies has its origins in right

s- and identity-based discourses. While both are part of the ’critical turn’ that has marked new interdisciplinary work in the last 15 years, each has developed through different theoretical contexts and often brings different perspectives to its subject material. Written in an accessible manner and

aimed at a wide audience in both fields and the new humanities more widely, it asserts that both subject areas need to evaluate their recent successes and challenge core assumptions if they are to remain critically relevant in the evolving study of social and cultural experiences of health.

Occasionally進入發燒排行的影片

疫情領導力與系統彈性：如何在Covid-19 疫情期間緩解危機與維持競爭力

為了解決Occasionally的問題，作者Ali Akbar Anggara 這樣論述：

過去的學者們分析出某些因子如企業動態能力、獨特能力會影響競爭優勢。然而，在疫情意外於全球大流行的狀況下，這些因子亦無法如過去的研究一般發揮影響力，這也使得企業在維持競爭優勢上更加困難。因此，本研究試圖為全球疫情大流行這樣的突發事件開發一種新的商業模式。本研究假設大流行領導力和系統彈性將加強獨特能力與競爭優勢之間的聯繫，另外，本研究亦提出了一種新方法，將曲線性納入「大流行彈性管理」的調節影響中，這個詞是將大流行領導力與系統彈性相結合而創造出來的。 本研究是以200 家印度尼西亞的公司和跨國公司為樣本，使用結構方程模型驗證本研究的假設。 此外，還進行了穩健性測試以分析結果並模擬此模型在各種場景中

的應用。研究結果表明，透過獨特的能力，動態能力和競爭優勢之間存在良好的相關性；另外，大流行領導力和系統彈性也能有效調節獨特能力與競爭優勢之間的關聯。同時，本研究也發現大流行彈性管理是透過 U 形曲線模型調節獨特能力與競爭優勢之間的關係。關鍵詞：獨特能力、競爭優勢、疫情領導力、系統彈性、疫情彈性管理

Back to the Dirt

為了解決Occasionally的問題，作者Bill, Frank 這樣論述：

Frank Bill is back with a gritty, wrenching novel from deep inside the traumas of a broken American heartland. Miles is a Vietnam vet who’s worried he’s going to lose his job and his tenuous grasp on a stable life because of a fight he had with a coworker over some steroids. His PTSD and struggle

s to control his steroid-fueled violent tendencies complicate life with his girlfriend, Shelby, a stripper who only occasionally seems to have the proverbial heart of gold. She certainly seems to possess more kindness and generosity than her brother, Wylie, who’s currently on the run after being imp

licated in the deaths of two local oxycodone dealers and has their relatives on his tail. When Wylie kidnaps his sister and holes up in Miles’s country lair, it is, frankly, threatening to become a bit too much for steroid-addled Miles to handle. Frank Bill’s world is as wild and rollicking as ever,

punctuated with uproarious event after uproarious event. But in Back to the Dirt, he goes deeper than wall-to-wall brawl--with Miles, he takes us back to the experiences overseas that stripped the innocence and optimism from the heartland dream; with Shelby, he shows us that you didn’t have to trav

el to Vietnam to see real darkness. But still, even in this benighted state, there’s the dirt to come back to. And maybe, just maybe, Bill shows, that can be enough.

偶發到實現 ─ 林劍青創作論述

為了解決Occasionally的問題，作者林劍青 這樣論述：

        筆者從小時候看著父親作畫，一直到自己成長迄今，回歸對藝術的探討，感受內心對藝術的悸動。藝術的路途是一種艱辛磨練，一種自我挑戰，是一種自我肯定的過程。對於筆者而言它是生命裡的一部分，是回憶的一部分，是未來希望的一部分。         個人的藝術創作形式是經由「偶發」到「實現」。「偶發」裡面包含著「即興─不可預見性」與「異想」。這可能讓創作者意識到當代任何的藝術創作是不能被事先決定的，也就是說藝術創作是不可預見的，純粹的藝術是即興的發揮，其淵源於內心的生機，也就是「內在生命」與「內在驅力」。藝術創作是絕對的自由，筆者嘗試著通過各種的形式與色彩來作為內心異想的表達，靠著不同的藝術

形式與媒材來實現創作出具有自我精神價值的作品。         本論文第一章、緒論，包含：創作研究之背景與動機、創作研究之目的、創作研究範圍與限制；第二章、創作學理基礎與文獻討論，包含：超現實主義、抽象表現主義、啟迪與相關藝術家；第三章、創作理念，包含：創作的意義、自我解構、潛意識的回歸、意識與潛意識的作用；第四章、創作媒材使用、技法表現研究，包含：平面繪畫、版畫、其他創作媒材使用；第五章、作品解析，包含：樹與根系列、墨與痕系列、絹版的另類思維、異想構成系列。第六章、結論。         筆者透過藝術創作，發覺內心情感，探索自我，以這篇創作論述為自己在美術系研究所的啟迪與發展成果做一段總結。