Parts of ornament的問題,透過圖書和論文來找解法和答案更準確安心。 我們找到下列包括價格和評價等資訊懶人包

Parts of ornament的問題,我們搜遍了碩博士論文和台灣出版的書籍,推薦Bosworth, Edmund C. (EDT)寫的 The Ornament of Histories: A History of the Eastern Islamic Lands Ad 650-1041; the Persian Text of Abu Sa‘id ‘abd Al-hayy Gardiz 和Potvin, John (EDT)的 Oriental Interiors: Design, Identity, Space都 可以從中找到所需的評價。

另外網站Ornament (art) - Wikipedia也說明:In architecture and decorative art, ornament is a decoration used to embellish parts of a building or object. Large figurative elements such as monumental ...

這兩本書分別來自 和所出版 。

國立成功大學 藝術研究所 吳奕芳所指導 陳怡真的 漫遊在威尼斯的中國風尚——以提也波洛家族與同時期藝術家之作品為例 (2020),提出Parts of ornament關鍵因素是什麼,來自於威尼斯共和國、中國風、巴提斯塔.提也波洛、多明尼克.提也波洛、瓦馬拿納別墅。

而第二篇論文國立臺北藝術大學 美術學系碩(博)士班 黃立芸所指導 羅雨胤的 十八世紀俄國宮廷的奧拉寧鮑姆茶具組及相關問題 (2019),提出因為有 奧拉寧鮑姆茶具組、英國銀、十八世紀俄羅斯帝國、中國風的重點而找出了 Parts of ornament的解答。

最後網站ornament caps - Amazon.com則補充:Price and other details may vary based on product size and color. moonoom 100 Pieces Round Christmas Ornament Caps Christmas ...

接下來讓我們看這些論文和書籍都說些什麼吧:

除了Parts of ornament,大家也想知道這些:

The Ornament of Histories: A History of the Eastern Islamic Lands Ad 650-1041; the Persian Text of Abu Sa‘id ‘abd Al-hayy Gardiz

為了解決Parts of ornament的問題,作者Bosworth, Edmund C. (EDT) 這樣論述:

Abu Sa'id 'Abd al-Hayy Gardizi was an author and historian living in the mid-eleventh century at the height of the Turkish Ghazvanid dynasty. His only known work, The Ornament of Histories ('Zayn al-akhbir'), is a hugely ambitious history of the Eastern Islamic lands AD 650-1041, spanning what is no

w Eastern Iran, Afghanistan and parts of the Central Asian Republics and Indo-Pakistan subcontinent. Gardizi's text is an extremely rare source of primary information about the rise of Islamic faith, culture and military dominance in these regions, and represents a significant contribution to our un

derstanding of the early Islamic world. This is the first English translation of the original Persian text, and is accompanied by an introduction and commentary which details the historical, geographical and cultural context. C. Edmund Bosworth was a Fellow of the British Academy, an Honorary Memb

er of the Hungarian Academy of Sciences and, until his retirement, Professor of Arabic Studies at the University of Manchester. He was the British Editor of the second edition of the Encyclopaedia of Islam, and wrote numerous books and articles on the history, culture and literature of the Arabic, P

ersian and Turkish lands of the Middle East and Central Asia in the pre-modern period. He was the recipient of the biennial Giorgio Levi Della Vida Award at the University of California, Los Angeles.

漫遊在威尼斯的中國風尚——以提也波洛家族與同時期藝術家之作品為例

為了解決Parts of ornament的問題,作者陳怡真 這樣論述:

洛可可時期的威尼斯共和國(The Republic of Venice, 697-1797)位於歐洲與東方世界的交界處,是中西藝術交流的重鎮,在歐洲的中國風(chinoiserie)潮流下,孕育出獨特的藝術品味。提也波洛家族的巴提斯塔.提也波洛(Giambattista Tiepolo, 1696-1770)與多明尼克.提也波洛(Giandomenico Tiepolo, 1727-1804),為威尼斯當時最著名的畫家,並曾在瓦馬拿納別墅(Villa Valmarana)繪製一系列以中國為主題的裝飾壁畫,在18世紀威尼斯中國風尚獨具特色。本研究首先梳理中國風在歐洲的形成與傳播,凸顯義大利與他

國的不同,再探討中國風在威尼斯共和國的發展面向,包含耶穌會士書籍和版畫、戲劇活動、漆器、瓷器與室內裝飾壁畫。同時探究提也波洛家族的生平與繪畫事業,觀察藝術家的繪畫風格特色,並深入研究藝術家從創作異國風情,到對於中國風的詮釋,瞭解提也波洛父子與同時期藝術家們想像中的中國樣貌。研究發現,有別於歐洲中國風尚最常出現在瓷器、漆器傢俱和以漆板、壁紙黏貼於牆的室內裝飾,提也波洛等義大利畫家,則是以傳統濕壁畫的手法創作中國風,凸顯其作為藝術品而非工藝品的價值。瓦馬拿納別墅的中國房間營造出遙遠、脫離塵俗的祕境,和提也波洛父子擅長的神話、史詩題材的崇高風格不同。探究其原因,一是順應當時的裝飾潮流,二是畫家對中國

的認知來源多為二手資訊,未能親身前往,只能依樣描繪。此外,多明尼克偏好的作品主題更貼近威尼斯的日常生活,在技法、構圖上並未完全複製父親的風格,因而繪製出獨特的中國風壁畫,清晰體現畫家對東方國度的綺麗幻想,成為威尼斯中國風尚的時代標誌。

Oriental Interiors: Design, Identity, Space

為了解決Parts of ornament的問題,作者Potvin, John (EDT) 這樣論述:

Since the publication of Edward Said’s groundbreaking work Orientalism 35 years ago, numerous studies have explored the West’s fraught and enduring fascination with the so-called Orient. Focusing their critical attention on the literary and pictorial arts, these studies have, to date, largely neg

lected the world of interior design. Oriental Interiors is the first book to fully explore the formation and perception of eastern-inspired interiors from an orientalist perspective. Orientalist spaces in the West have taken numerous forms since the 18th century to the present day, and the fifteen

chapters in this collection reflect that diversity, dealing with subjects as varied and engaging as harems, Turkish baths on RMS Titanic, Parisian bachelor quarters, potted palms, and contemporary yoga studios. It explores how furnishings, surface treatments, ornament and music, for example, are dep

loyed to enhance the exoticism and pleasures of oriental spaces, looking across a range of international locations. Organized into three parts, each introduced by the editor, the essays are grouped by theme to highlight critical paths into the intersections between orientalist studies, spatial theo

ry, design studies, visual culture and gender studies, making this essential reading for students and researchers alike.

十八世紀俄國宮廷的奧拉寧鮑姆茶具組及相關問題

為了解決Parts of ornament的問題,作者羅雨胤 這樣論述:

本文將介紹在伊麗莎白•彼得羅夫娜皇后時期(於 1741-1761年在位),由英國銀匠大師們製造的奧拉寧鮑姆茶具組,並考察當時英國的白銀產銷,最後將概述十八世紀俄羅斯皇室的相關文化背景。  本文將通過研究當時在英國流行的風格與外型,追溯奧拉寧鮑姆茶具組的設計和外型起源。銀器裝飾藝術的形式經常被認為受特定標準規範,但十八世紀英式設計的奧拉寧鮑姆茶具卻有各種創新風格,展現出中國風和洛可可的元素。  接著,本文討論英國銀匠為俄國皇室所製造的奧拉寧鮑姆茶具組和其他白銀器,所結合的不同人物和機構之生產制度。此茶具組由皇家委託訂製,與俄國十八世紀初彼得一世進行,並在葉卡捷琳娜二世繼續發揚的文化改革相關,其

中在中國風藝術品的購買與收藏可發現這種文化改革。本文引用俄羅斯國家古代文獻檔案(RGADA)作為主要參考來源,以此了解有關奧拉寧鮑姆茶具組的背景和其他相關資訊。