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Kung Fu

為了解決Play drum的問題，作者Hwang, David Henry 這樣論述：

"David Henry Hwang is one of the most intelligent and original voices in the American theater."--Detroit News"David Henry Hwang is a true original. . . . Mr. Hwang's works have the verve of the well-made American stage comedies and yet, with little warning, they bubble over into the mystical rituals

of Asian stagecraft."--The New York TimesAn invigorating depiction of international star Bruce Lee's journey from troubled youth to martial arts legend, David Henry Hwang's newest play blends dance, Chinese opera, martial arts and drama into a bold theatrical experience. Premiering Off-Broadway in

winter 2014, Kung Fu follows Lee as he struggles to prove himself as a fighter, a husband, a father, and a man.David Henry Hwang's plays include M. Butterfly (1988 Tony Award, 1989 Pulitzer Prize finalist), Golden Child (1996 Obie Award, 1998 Tony nomination), Yellow Face (2008 Obie Award, 2008 Puli

tzer Prize finalist), FOB (1981 Obie Award), and Chinglish. His Broadway musicals include the books for Elton John and Tim Rice's Aida (co-author), Flower Drum Song (2002 revival, 2003 Tony nomination), and Disney's Tarzan. David Henry Hwang’s plays include M. Butterfly (1988 Tony Award, 1989 Puli

tzer Prize Finalist), Golden Child (1998 Tony Award nomination, 1997 Obie Award), Yellow Face (2008 Obie Award, 2008 Pulitzer Prize Finalist), Chinglish, FOB (1981 Obie Award), The Dance and the Railroad (1982 Drama Desk Award nomination), Family Devotions (1982 Drama Desk Award nomination) and Bond

age. He wrote the libretti for the Broadway musicals of Elton John and Tim Rice’s Aida (co-author), Rodgers & Hammerstein’s Flower Drum Song (revival, 2002 Tony Award nomination) and Disney’s Tarzan. In opera, his libretti include four works with composer Philip Glass: The Voyage (Metropolitan Opera

), 1000 Airplanes on the Roof, Sound and Beauty and Icarus at the Edge of Time; as well as Osvaldo Golijov’s Ainadamar (two 2007 Grammy Awards), Unsuk Chin’s Alice in Wonderland (Opernwelt 2007 World Premiere of the Year) and Howard Shore’s The Fly. Mr. Hwang penned the feature films M. Butterfly, G

olden Gate and Possession (co-author) and co-wrote the song ＂Solo＂ with Prince. He sits on the Council of the Dramatists Guild, and served by appointment of President Clinton on the President’s Committee on the Arts and the Humanities.

Play drum進入發燒排行的影片

從關懷倫理觀看生命關懷一位香草老師關懷生命之省思

為了解決Play drum的問題，作者游桂蘭 這樣論述：

本研究旨在探討教學場域中，因為「生命關懷」所面臨的情境與互動，而引起的現象，目的是要讓「關懷」在香草老師（關懷者）與孩子們（被關懷者）之間發揮作用，促使香草老師成為孩子們生命中的「陪伴」和「引導」者。「帶著香草進校園」對研究者而言，最初只是單純地參與一項有意義的志願服務工作，用心完成專案於「生命教育」的任務。隨著與孩子們相處時間的積累，參與的形式與功能起了變化，「香草老師」的作用超乎預期；又因為，在法鼓文理學院生命教育學程的學習，對於香草專案所賦予的角色，有了不同的覺察和反思。引發研究者從生命關懷的面向，去省視「香草老師」的功能、價值與影響。嘗試以教學現場實際發生的事件進行探究，以確認「香草

老師」於生命關懷的作用，進一步建構可以依循的路徑；讓「以生命關懷生命，以生命感動生命」不只是一句口號，而是能夠成為關懷生命的信念。同時，這樣的關懷能夠呈現「香草老師」（關懷者）於生命關懷實踐行動上的樣態，對孩子們（被關懷者）發揮關懷功能。因此，研究者藉由過去七個學期的現場教學經歷，將個人與他人相遇後，實際運作所看見的現象，以及事件的文字紀錄，從生命關懷的角度進行探索。由於研究者本身就是香草老師，成為探討的研究對象。故以下研究透過故事的敘述，結合文獻分析的方式，以瞭解關懷者與被關懷者交互影響後的感受與覺察，進行反思，作為本研究的研究方法和目的。

The Bird Way: A New Look at How Birds Talk, Work, Play, Parent, and Think

為了解決Play drum的問題，作者Ackerman, Jennifer 這樣論述：

　　From the New York Times bestselling author of The Genius of Birds, a radical investigation into the bird way of being, and the recent scientific research that is dramatically shifting our understanding of birds -- how they live and how they think. 　　“There is the mammal way and there is the bird

way.” But the bird way is much more than a unique pattern of brain wiring, and lately, scientists have taken a new look at bird behaviors they have, for years, dismissed as anomalies or mysteries –– What they are finding is upending the traditional view of how birds conduct their lives, how they com

municate, forage, court, breed, survive. They are also revealing the remarkable intelligence underlying these activities, abilities we once considered uniquely our own: deception, manipulation, cheating, kidnapping, infanticide, but also ingenious communication between species, cooperation, collabor

ation, altruism, culture, and play. 　　Some of these extraordinary behaviors are biological conundrums that seem to push the edges of, well, birdness: a mother bird that kills her own infant sons, and another that selflessly tends to the young of other birds as if they were her own; a bird that coll

aborates in an extraordinary way with one species—ours—but parasitizes another in gruesome fashion; birds that give gifts and birds that steal; birds that dance or drum, that paint their creations or paint themselves; birds that build walls of sound to keep out intruders and birds that summon playma

tes with a special call—and may hold the secret to our own penchant for playfulness and the evolution of laughter. 　　Drawing on personal observations, the latest science, and her bird-related travel around the world, from the tropical rainforests of eastern Australia and the remote woodlands of nor

thern Japan, to the rolling hills of lower Austria and the islands of Alaska’s Kachemak Bay, Jennifer Ackerman shows there is clearly no single bird way of being. In every respect, in plumage, form, song, flight, lifestyle, niche, and behavior, birds vary. It is what we love about them. As E.O Wilso

n once said, when you have seen one bird, you have not seen them all. Jennifer Ackerman has been writing about science and nature for three decades. She is the author of eight books, including The Genius of Birds, which has been translated into twenty languages and the forthcoming The Bird Way: A

New Look at How Birds Talk, Work, Play, Parent, and Think. Her articles and essays have appeared in Scientific American, National Geographic, The New York Times, and many other publications, Ackerman is the recipient of a National Endowment for the Arts Literature Fellowship in Nonfiction, a Buntin

g Fellowship, and a grant from the Alfred P. Sloan Foundation.

分析日本手機音樂遊戲偶像夢幻祭玩家－以台灣為例

為了解決Play drum的問題，作者廖尹萱 這樣論述：

Recently, smartphone rhythm games have emerged and grown into a major market with a total number of $93.2 billion revenue, which hold 52% of the total global games market revenue. Especially the ones containing characters, virtual novels and simulation content within rhythm games; these have been e

xpanding within the gaming market. Furthermore, many Japanese games have entered Taiwan and presented a great success. However, although there are several papers studying role-playing games (RPG) and First-Person Shooter games, the rhythm game market has not been explored in-depth. Moreover, the cha

racteristics of rhythm game players haven’t been fully researched. Hence, this study is aimed at exploring the players of rhythm games, to understand the relations between different factors and game satisfaction with Japanese rhythm games in Taiwan. The research focuses on a Japanese smartphone game

in the Taiwan gaming market called Ensemble Stars!! Music. There is also a Chinese version operated by a Taiwan distributor. A structural equation was created to show the relation and hypotheses, and a quantitative online survey was designed, and the participants are Taiwanese of both genders.This

paper aims to understand which factors effect game satisfaction with Japanese rhythm games in Taiwan, hoping to give a reference for the Japanese rhythm games companies who seek to enter the Taiwan gaming market.