Repaired的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列包括價格和評價等資訊懶人包

The Facemaker: A Visionary Surgeon’’s Battle to Mend the Disfigured Soldiers of World War I

為了解決Repaired的問題，作者Fitzharris, Lindsey 這樣論述：

A New York Times BestsellerEnthralling. Harrowing. Heartbreaking. And utterly redemptive. Lindsey Fitzharris hit this one out of the park. --Erik Larson, author of The Splendid and the VileLindsey Fitzharris, the award-winning author of The Butchering Art, presents the compelling, true story of a

visionary surgeon who rebuilt the faces of the First World War’s injured heroes, and in the process ushered in the modern era of plastic surgery.From the moment the first machine gun rang out over the Western Front, one thing was clear: humankind’s military technology had wildly surpassed its medic

al capabilities. Bodies were battered, gouged, hacked, and gassed. The First World War claimed millions of lives and left millions more wounded and disfigured. In the midst of this brutality, however, there were also those who strove to alleviate suffering. The Facemaker tells the extraordinary stor

y of such an individual: the pioneering plastic surgeon Harold Gillies, who dedicated himself to reconstructing the burned and broken faces of the injured soldiers under his care. Gillies, a Cambridge-educated New Zealander, became interested in the nascent field of plastic surgery after encounterin

g the human wreckage on the front. Returning to Britain, he established one of the world’s first hospitals dedicated entirely to facial reconstruction. There, Gillies assembled a unique group of practitioners whose task was to rebuild what had been torn apart, to re-create what had been destroyed. A

t a time when losing a limb made a soldier a hero, but losing a face made him a monster to a society largely intolerant of disfigurement, Gillies restored not just the faces of the wounded but also their spirits. The Facemaker places Gillies’s ingenious surgical innovations alongside the dramatic st

ories of soldiers whose lives were wrecked and repaired. The result is a vivid account of how medicine can be an art, and of what courage and imagination can accomplish in the presence of relentless horror.

Repaired進入發燒排行的影片

飛機維修產業維修人員處理顧客抱怨方式之研究: 以A公司為例

為了解決Repaired的問題，作者李曜竹 這樣論述：

飛機為現代普及的交通工具之一，且廣泛用於各國間的旅遊、商業、貨運…等用途。不管是何種科技產品，為了維持其續航力都將有維護的需求，其中飛機維修廠MRO(Maintenance Repair Overhaul)就扮演著非常重要的角色，提供許多飛機保養、檢修、結構修理…等服務。 除了提升顧客滿意度之外，能降低顧客抱怨也成為了服務過程中重要課題，任何細節都可能引起顧客的不滿或抱怨，在符合航空維修規範的前提，如何促使維修廠與航空公司保持契合度，成了一件該探討的事情。 本研究採用質性研究，利用深度訪談的方式訪問在A公司維修過的四家航空公司之駐廠代表，探討維修過程中所產生的不滿或抱怨事

件，分析其顧客抱怨類型；同時也訪問A公司中的維修人員，探討被抱怨過程中的抱怨處理方式並檢討。

A Season in Hell with Rimbaud

為了解決Repaired的問題，作者 這樣論述：

In pursuit of his brother, a man traverses the fantastical and grotesque landscape of Hell, pondering their now fractured relationship.The poems in Dustin Pearson’s A Season in Hell with Rimbaud form an allegorical travelogue that chronicles two brothers’ mutual descent into hell. When the older

brother runs off by himself, the younger brother begins roaming Hell’s different landscapes in search of him. As he searches, the younger brother ruminates on their now fractured relationship: what brought them here? Can they find each other? Will their bonds ever be repaired?In the tradition of Vir

gil, Dante, Milton, Swift, Shelley, Joyce, Sarte, and especially Arthur Rimbaud, Pearson leads his speakers on a speculative, epistolary journey through the nether realm inspired by Christian beliefs and tradition. Drawing on the works of French Symbolists and the literary traditions of the American

South, A Season in Hell with Rimbaud guides readers through an intimate rendering of one brother’s journey to find his lost and estranged brother, perhaps recovering a part of himself in the process.

結合範例影像修復法與CIE色彩空間進行中式水墨畫自動修復

為了解決Repaired的問題，作者林天水 這樣論述：

中國清朝皇帝時常在閱覽過不少宮廷收藏之水墨畫作後，在畫作空白處用毛筆寫作題文 (墨字)、以及蓋上自己的御用印章 (紅字)，用來表達自身的感想，但此舉大大影響原作的藝術價值、以及後人觀賞原作的不適觀感。為了能保留畫作內容的完整性，本研究在不同色彩空間中使用2種影像修復演算法來自動移除水墨畫上的部分圖案，結合Python 程式語言與 OpenCV 函式庫，去偵測中式水墨畫上面的特定位置，並用不同色彩空間 (CIELAB 和YCrCb) 的提取方式去做比較，提取後的結果當作遮罩，最後進行繪畫影像的還原與修復 (移除紅色印章或墨色毛筆字，以及青綠山形的提取)，使用的修復演算法包含運用逐像素填充法的「

快速匹配法 (Fast Marching Method)」和利用逐區塊填充法的「基於範例影像修復法 (Exemplar-Based Image Inpainting)」。本研究設計成自動提取圖畫的紅色、墨色或青綠色區域，把提取的結果當作影像修復用的遮罩，並利用兩種色彩空間去比較較為合適的遮罩，來證明不管是什麼修復方式都需要採用較佳的色彩空間，才能讓色彩取樣達到較好效果。