Seng yi的問題,透過圖書和論文來找解法和答案更準確安心。 我們找到下列包括價格和評價等資訊懶人包

Seng yi的問題,我們搜遍了碩博士論文和台灣出版的書籍,推薦Wee, H. Koon (EDT)寫的 The Social Imperative: Architecture and the City in China 和Wong, Man-chung/ Dai, Ning-yi/ Lam, Chi-seng的 Parallel Power Electronics Filters in Three-phase Four-wire Systems: Principle, Control and Design都 可以從中找到所需的評價。

這兩本書分別來自 和所出版 。

國立中正大學 電機工程研究所 黃崇勛所指導 陳威仁的 以時序錯誤導向電軌調變技術實現之細緻化電壓調節及其於能耗可調數位系統之應用 (2021),提出Seng yi關鍵因素是什麼,來自於數位控制低壓降線性穩壓器、可容錯數位系統、即時視訊處理、電源軌抖動、電壓調節技術。

而第二篇論文淡江大學 法國語文學系碩士班 梁蓉所指導 馬藤萍的 普世博物館的普世價值:以「阿布達比羅浮宮」為例 (2021),提出因為有 普世博物館、阿布達比羅浮宮、多元文化主義、博物館外交的重點而找出了 Seng yi的解答。

接下來讓我們看這些論文和書籍都說些什麼吧:

除了Seng yi,大家也想知道這些:

The Social Imperative: Architecture and the City in China

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為了解決Seng yi的問題,作者Wee, H. Koon (EDT) 這樣論述:

This book contains multiple short critiques, reflections and manifestos, affording each contributing architect and intellectual the time and space to imagine new social paradigms in China. Emerging from a tumultuous history of high culture and complex territorial conditions, there is nothing stra

ightforward about the social development of China. The complexity of the social practices developed by architects and shapers of the built environment can be explained in part by the last three decades of an intensified adoption of the market economy by the Communist Party of China, after an equally

short three decades of closed-door communist control. There is no political meltdown like the democratization of the former Communist Bloc, but there is a constant managing of discontent and resistance across China. At the apex of the many creative and intellectual forces in China, architects harbo

r and give form to many tactics of resistance. Unfortunately, architects are also the instruments and minds complicit with profit-mongering developers and governments, pursuing unchecked urbanization, degradation of the environment, exploitation of the marginalized, and the creation of a very inequi

table China. This book begins with an introduction that defines the forms and tendencies of China's society as it stands today, and it positions the work of a small number of architects and intellectuals who are at the forefront of reforming, rethinking and even revolutionizing the Chinese society.

Beneath the veneer of a very successful China that the world readily acknowledges, a quiet revolution is taking place within the realms of architecture and the city. The social, architectural and urban theories documented in this book are organized around the established canons of social actions -

from mobilizing, laboring, resisting and mediating, to networking, controlling, rationalizing and aestheticizing. This book aims to put the social agenda squarely back in the rapid development of the built environment in China. This publication is the culmination of a three-year study of social iss

ues in the architecture and cities of China. It involved visits to sites undergoing massive change, discussions and debates among architects and critics, reflections by practitioners about their own work, and activists lobbying for social change. Supported by the non-profit AA Asia, the edition of t

he contents relied heavily on original input and exchanges between architects and theorists committed to China, from Asia and beyond. Since the 1990s, AA Asia remains one of a few unique think tanks committed to the study of architecture and cities in Asia. As an advocacy with strong academic roots,

it seeks to establish the differences across various postcolonial and Asian contexts, and recalibrate the role of architecture in a technocratic era dominated by the global economy. With Contributions of Robert Adams, Lee Ambrozy, Yung Ho Chang, Chen Ling, Jeremy Chia, Cui Kai, Dong Gong, Dong Yug

an, Mario Gandelsonas, Han Tao, Andrei Harwell, He Jianxiang, Hu Yan, Hua Li, Huang Weiwen, Huang Wenjing, Jiang Jun, Jeffrey Johnson, Michael Kokora, Kengo Kuma, Andrew Lee, Joan Leung Lye, Li Han, Li Hu, Li Shiqiao, Nartano Lim, William S.W. Lim, Liu Jiakun, Liu Kecheng, Liu Yichun, Long Ying, Ma

Qingyun, Robert Mangurian, Meng Yan, Ou Ning, Alan Plattus, Mary-Ann Ray, Daan Roggeveen, Ruan Hao, Eunice Seng, Shi Jian, Victor Su, Sun Yimin, Wang Fei, Wang Shu, Wang Yan, H. Koon Wee, Shirley Woo, Wu Gang, Wu Liangyong, Xu Tiantian, Rocco Yim, Yu Kongjian, Zhang Ke, Zhao Liang, Zhou Yi, Zhu Tao,

Zhu

Seng yi進入發燒排行的影片

Producer : Shirley Ng
Director : She Juei Yeong
Scriptwriter : Tan Wei Tao
Editor : Chong Yi Hang
Assistant Producer : Ong Jun Yie
Art Director : Koh Ming Suet
Props Master : Neoh Pei Chin
Cameraman : Lee Kheng Seng, Luke Lau, Yow Wei Juinn
Floor Manager : Lim Yi Ling
Audioman : Koh Yeu Sheng
Lighting : Ooi Chau Wai
CCU Technician : Chan Yoke Tack
Vision Switcher : Chew Kar Eng
Casting DIrector / Stylist : Phoebe Goh

以時序錯誤導向電軌調變技術實現之細緻化電壓調節及其於能耗可調數位系統之應用

為了解決Seng yi的問題,作者陳威仁 這樣論述:

電壓調節技術(voltage scaling)在提高數位系統的能源效益方面具有相當大的潛力。然而,其節能效益在極大程度上受制於系統中穩壓電路之性能。本論文旨在提出一種可打破此限制的基於時序錯誤導向之電源軌調變技術,並以此技術實現細緻化的電壓調節。所提出之技術只需要少數電壓檔位,即可利用電源軌抖動(supply rail voltage dithering)的方式來近似出細緻化電壓調節的效果。因此,所提出之方法可以顯著降低晶片內穩壓電路的設計開銷。由於數位式低壓降線性穩壓器(digital low-dropout regulator, DLDO)具有無縫整合:(一)穩定輸出電壓、(二)電源軌抖

動、以及(三)電源閘控(power gating)等技術之特性,因此本論文利用DLDO來實現所提出之電源軌調變技術。為了精確與快速地實現適用於不同應用場景之DLDO電路,本論文也提出一種具有快速週轉時間的DLDO設計方法,並實際以一高性能DLDO設計為例驗證其效益。實驗結果指出,使用了聯電110奈米製程所製造的DLDO測試晶片展現出3毫伏特的超低漣波、67奈秒的輕載至重載暫態響應及250奈秒的重載至輕載暫態響應。與最先進的DLDO設計相比,該DLDO具有更簡潔的硬體架構且在品質因數(figure of merit)方面展現出高度競爭力。而後,本文以一種基於DLDO的抖動電源 (dithered

power supply)來實現所提出之電源軌調變技術。為了驗證所提出技術之效益,我們使用了一個具有時序錯誤偵測與修正能力之可程式化DSP資料路徑(datapath)作為測試載體。此測試晶片以台積電65奈米低功耗製程實現,而研究結果表明,所提出之電源軌調變技術有助於回收設計階段時留下之保守設計餘裕(design margin)並提高能源效率。量測結果指出,當該DSP資料路徑被程式化為一個無限脈衝響(infinite impulse response)數位濾波器以執行低通濾波時,所提技術之節能效益最高可達30.8%。最後,本論文將所提出之電源軌調變技術應用於即時影像處理系統中並探索其先天的容錯

能力。我們利用人眼視覺可將視訊中相鄰影格及影格中鄰近畫素進行視覺積分的特性,來達到即使不須對時序錯誤進行主動偵測及修正也能維持一定視覺品質的效果。因此,藉由巧妙安排容許時序錯誤發生之位置(藉由降低操作電壓),因時序錯誤所產生的錯誤畫素即可主動被人眼濾除。 該測試晶片以聯電40奈米製程實現,其搭載了一個即時視訊縮放引擎作為測試載具。在實驗結果中,該測試晶片展現了高達35%的節能效益,並能在不需對時序錯誤做出任何修正、且不須更動資料路徑架構的狀況下,仍能維持良好的主觀視覺感受。在五分制的平均主觀意見分數(mean opinion score)評量中,各類型的畫面皆達4分以上。而在客觀評量方面,峰值

信號雜訊比(peak signal-to-noise ratio)皆高於30分貝。

Parallel Power Electronics Filters in Three-phase Four-wire Systems: Principle, Control and Design

為了解決Seng yi的問題,作者Wong, Man-chung/ Dai, Ning-yi/ Lam, Chi-seng 這樣論述:

Man-Chung Wong, received his B. Sc. and M. Sc. degrees in Electrical and Electronics Engineering from University of Macau (UM), Macao, China in 1993 and 1997 respectively and Ph.D. degree in Electrical Engineering from Tsinghua University, Beijing, China in 2003. He was a visiting fellow in Cambridg

e University, UK in 2014. He is now an Associate Professor in UM. His research interests are power electronics converters, pulse with modulation, PQ filters and hybrid PQ compensator for railway power supply system. He has co-authored over 100 papers and 6 patents (China and U.S.A). Recently, an ind

ustrial PQ filter platform was developed and installed in a practical power system based on his research results. Prof. Wong received Macao Young Scientific Award from Macau International Research Institute in 2000, Young Scholar Award of UM in 2001, Second Prize for Tsinghua University Excellent Ph

.D. Thesis Award in 2003 and Macao Science & Technology Invention Award (Third-Class) in 2012 and 2014.He was General Chair of IEEE TENCON 2015 in Macau. In 2014 2015, he was IEEE Macau Section Chair. Recently, he is North Representative of IEEE Region 10 Power and Energy Society and IEEE Macau PES/

PELS Joint Chapter Chair. NingYi Dai received her B.Sc. degree in Electrical Engineering from the Southeast University, Nanjing, China, in 2001, and the M.Sc. and Ph.D. degrees in Electrical and Electronics Engineering from University of Macau (UM), Macao, China, in 2004 and 2007, respectively. From

2007 to 2009, she was a Postdoctoral Fellow in UM. She is now an Assistant Professor in the Department of Electrical and Computer Engineering, UM.Dr. Dai has published over 60 journals and conference papers. She was co-author of 5 Chinese Patents. Her research interests include power electronics co

nverters, pulse with modulation, PQ conditioning for railway power supply system, renewable energy integration and microgrid.Dr. Dai was the co-recipient of Macao Science & Technology Invention Award (Third-Class) in 2012. She received the 4rd RIUPEEEC Merit Paper Award in 2006 and HuaWei Scholarshi

p in 2000. Dr. Dai is an IEEE Senior Member. She is the Chair of IEEE Macau Women in Engineering Affinity Group. Chi-Seng Lam received the B.Sc., M.Sc. and Ph.D. degrees in Electrical and Electronics Engineering from the University of Macau (UM), Macao, China, in 2003, 2006 and 2012 respectively. Fr

om 2006 to 2009, he was an E&M Engineer in UM. In 2009, he worked as a UM Power Electronics Laboratory Technician and started to pursue his Ph.D. degree, and completed it within 3 years. In 2013, he was a Postdoctoral Fellow in The Hong Kong Polytechnic University, Hong Kong, China. He is now an Ass

istant Professor in the State Key Laboratory of Analog and Mixed-Signal VLSI, UM. He has co-authored 2 Springer books, 1 US patent, 2 Chinese patents and over 50 journals and conference papers. His research interests include integrated power electronics controllers, power management ICs, PQ compensa

tors, renewable energy, etc. Dr. Lam was the receipt of Macao Science & Technology Invention Award (Third-Class) in 2014 and R&D Award for Postgraduates (Ph.D.) in 2012. He also received Macao Government Ph.D. Scholarship in 2009-2012, Macao Foundation Postgraduate Scholarship in 2003-2005 and the 3

rd RIUPEEEC Merit Paper Award in 2005. Dr. Lam is an IEEE Senior Member. He was/is the Secretary and Vice-Chair of IEEE Macau Section, and also the Secretary of IEEE Macau PES/PELS Joint Chapter.

普世博物館的普世價值:以「阿布達比羅浮宮」為例

為了解決Seng yi的問題,作者馬藤萍 這樣論述:

近年來,全球化效應下,文化發展的重要性越深植人心,於藝術、教育乃至於文化觀光等 各軟實力項目的經營,皆可見各國群體針對自身文化特色,提出與之相應的發展策略。於此概 念下,以博物館為核心的藝術建設,更成為了各國文化事業的重中之重;不論是已具成熟經驗 的歐美博物館群,抑或是甫獨立的非西方新興國家,博物館作為記錄歷史、保存人類文化產物、 最大化體現各群體特殊性,且能彰顯其擁有者之文化豐富與包容性的一公開場所,無不使博物 館機構於當前的全球化語境中,扮演了重要的文化角色。 另一方面,鑑於文化多樣性與後殖民主義意識的抬頭,長期以西方為首的博物館經營,如 羅浮宮、大英博物館與大都會美術館等,亦開始受

到非西方地區的挑戰,尤其針對藏有甚多異 國文物的歐美知名藝術機構,在文物蒐羅過程中的合法性;其中,以主打展藏世界性藝術的「普 世博物館」一類型機構,即是主要的爭議對象,甚且面臨了各文物源出國的返還聲討。然而, 於此情勢下,於 2007 年,隨著法國與阿聯以共創一座普世博物館為理想的跨文化合作,就此 誕生的阿布達比羅浮宮,成為了阿拉伯世界首座普世博物館,卻同時也被寄予了如何提供不同 於過去的經營思維,以回應當代社會對該類型藝術機構的期待。 因此,除了梳理歐美普世博物館群之發展脈絡,本論文旨在以阿布達比羅浮宮的建構為核心,乃至於法國與阿聯這場標誌性的跨國博物館合作,何以適切地反映多元文化發展與

普世理 想於全球化世界下的重要性。