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Oliver and the Night Giants

為了解決Small bedroom design的問題，作者O’Meara, Kitty 這樣論述：

What would you do if three giants came to your bedroom window one night and invited you to help them fix the world? That’s exactly what happens to Oliver when he least expects it, in this very special bedtime story. Come along with Oliver and the Night Giants as they explore what happens when we all

ow our imaginations to lead the way!Oliver and the Night Giants begins when three giants appear in Oliver’s bedroom window one evening as he is drifting off to sleep. The giants convince young Oliver, a budding artist, to help them with their nighttime work of repairing the world. Oliver helps the

giants with a long list of nighttime tasks, from brightening the moon to polishing the stars, from adjusting mountains to creating snowflakes, from planting seeds to calming the sea. As he travels the planet and beyond with the Night Giants as an important part of their team. Oliver and the Night G

iants is written in the tradition of a classic children’s literature journey story. This thoughtful, poignant bedtime tale is an homage to the power of the imagination and the significance of valuing one’s dreams, and it is sure to be a favorite with children, families, and teachers. The timeless th

emes and vivid imagery make this story a pleasure to read aloud and for children to read on their own. Kitty O’Meara lives near Madison, Wisconsin, with her husband, Phillip Hagedorn, their five rescue dogs, three cats, gardens, and books. Formerly a middle school writing and literature teacher a

nd hospital and hospice chaplain, she is currently a spiritual director and has been a lifelong writer and artist. She has been called ＂the poet laureate of the pandemic＂ based on her wildly popular, widely circulated, and hopeful poem about the COVID-19 pandemic. That poem is illustrated and presen

ted in book form in And the People Stayed Home, her best-selling first print book, published by Tra Publishing. She is also the author of The Rare, Tiny Flower (Tra Publishing, 2021). PRAISE FOR KITTY O’MEARA ＂Kitty O’Meara is the poet laureate of the pandemic. . . . The poem has become shorthand fo

r a silver-linings perspective during the coronavirus outbreak.＂--O, The Oprah Magazine ＂She has given the world a small piece of joy.＂--BookTrib ＂A communal beacon of hope.＂--The Washington Post ＂She is challenging us to grow--to look inside, to listen deeply, to allow ourselves to think differentl

y, and ultimately, to create new ways of living on the planet.＂--Deepak Chopra, MD, author, Metahuman ＂A stunning and peaceful offering of introspection and hope...＂--The Children’s Book Review ＂O’Meara’s words come to life for future generations to...encourage everyone to find silver linings, think

differently and never lose hope.＂--B & N Reads Born in Genoa, illustrator Anna Pirolli moved to Milan to study illustration at the European Institute of Design, where she graduated in 2001. She has worked as a freelance illustrator and art director for companies such as Mondadori, Pearson, Vogue, M

TV, Kinder Ferrero, Telecom, Nickelodeon, Furla, Zecchino d’oro, Disney, following the creative process from concept to creation. She’s also a visiting professor at the Accademia di Brera in Milan, where she teaches design applied to the arts. Despite her love for traditional techniques, her artwork

is mostly digital. Ironically, her dream-like, suspended atmospheres often don’t look digital at all. Her first picture book, I Hate My Cats, written by Davide Calì, was published by Chronicle Books, and the illustrations from her latest book, Anonymouse by Vikki VanSickle (Tundra Books) won the Di

lys Evans Founder’s Award in the 2021 Society of Illustrators The Original Art Show.

Small bedroom design進入發燒排行的影片

台北市公寓住戶對社交設施偏好調查分析

為了解決Small bedroom design的問題，作者龔昕頤 這樣論述：

台北市區的房價逐年上漲，根據統計顯示，買房者在台北的平均可負擔的買房預算約為1500萬。若以最具指標性的大安區新房平均房價概算，購買坪數扣除新住宅社區建案平均30~40%的公共設施比例，可得知室內坪數約38.513～44.926平方公尺是一個平均在台北市大安區可負擔的住宅大小。購買坪數30~40%的住宅公共設施中，施除了提供機電、電梯、樓梯間等，其餘大約5%購買坪數空間經常會規劃為社區住戶共同使用的公共設施空間。為了瞭解住宅如何滿足買房者社交需求以回應社會孤寂感的問題，此研究目的在了解台北市獨居或是兩人同居的買房者的（一）社交習慣（二）住宅公共設施空間需求（三）小坪數住宅單元格局偏好。過去沒

有研究將可負擔住宅、高層建築中的社會孤寂感、平面規劃偏好三者因素綜合研究，因此希望這個研究能夠發現在不失去舒適度的前提下，可以輔助人們社交活動的住宅室內規劃設計以及住宅公共設施安排。這個研究以發放問卷並的量性研究方式收集數據，問卷內容以李克特五等第量尺(Likert 5-point scale)來請受訪者填答以是否適合社交和居住舒適度，對於住宅單元平片規劃以及住宅公共設施的喜好程度的排序。問卷資料採用SPSS交叉列表及弗里德曼檢驗調查分析結果。綜合結果顯示，在自家外社交是最受歡迎的社交場地。而KTV、一樓大廳、娛樂室則是被視為自適合社交的住宅公共設施。跟住宅室內規劃相關的結果有：室內擁有至少一

個房間數最受喜歡，另外，臥室與工作空間應有獨立隔間，並且臥室要以實牆做區隔。廁所與廚房的位置、相對應座向以及隱蔽度會影響人的喜好程度。最後，日式室內風格是適合在家社交的規劃方式，但是洋式室內風格為居住舒適度最高的設計風格。此研究結果的初步成果可以提供建築設計者、建商作為未來規劃集合住宅的參考，以及提供相關政策的發展。

Twinkle, Twinkle, Little Star

為了解決Small bedroom design的問題，作者 這樣論述：

Liz and Kate Pope have created art together since leaving Staffordshire University in 2001. They both gained a first class degree in surface pattern design. During this time, Kate became passionate about color, often experimenting with bold shapes, combining patterns, collage, and mixed media. Liz e

dged more toward illustration; she focused more on finer detail and lines, soon finding a real style of her own. Liz lets loose with details of London buses and taxis, while Kate creates colorful skylines with interesting blocks of color. Their adventure as artists began when they were kids in the b

edroom they grew up in. They now work at Liz’s house in a small studio that is full to the brim with paints, collage papers, children’s books, and sketchbooks.Liz and Kate Pope have created art together since leaving Staffordshire University in 2001. They both gained a first class degree in surface

pattern design. During this time, Kate became passionate about color, often experimenting with bold shapes, combining patterns, collage, and mixed media. Liz edged more toward illustration; she focused more on finer detail and lines, soon finding a real style of her own. Liz lets loose with details

of London buses and taxis, while Kate creates colorful skylines with interesting blocks of color. Their adventure as artists began when they were kids in the bedroom they grew up in. They now work at Liz’s house in a small studio that is full to the brim with paints, collage papers, children’s books

, and sketchbooks.

室內通風系統作動時間及進回風口位置對火災成長之影響

為了解決Small bedroom design的問題，作者王騰毅 這樣論述：

空調通風系統已成為許多建築物的必要設備。其中，室內送風機（FCU）是台灣建築物中小尺寸居室最常設置的空調通風系統。空調工程師通常根據熱舒適性和成本來設計FCU空調系統進風口及回風口的位置。然而，並不會考量該位置是否會影響火災成長。此外，在先前許多文獻中，建築物的消防安全設計和管理很少討論關閉空調的時間對於火災成長的影響。在本研究中，一個2 MW火源設計在3個不同形狀但面積相同居室的中心或角落，利用火災模擬軟體(FDS)研究進風口或回風口相關位置對火災成長的影響。另外在相同的居室大小、進風口及回風口下延伸上述的研究，探討火源設計在居室的中心或角落，在居室門口開啟或關閉下FCU系統進風口對火災成

長之影響。在第一項研究中，模擬結果顯示，進風口和出風口的位置會影響煙的流動、門口溫度和閃燃發生的時間。進風口最好設置在門口的附近，因為進風口向下流動的冷空氣可以冷卻從門排出的熱煙流。遠離門口的回風口有效率地將煙流排出，而靠近門口的回風口在排煙時會包含部分的新鮮空氣。此外，回風口位置對閃燃發生時間的影響比進風口位置大。回風口立即將煙流排出，而進風口則需要些時間將蓄積的煙流推向回風口來排出。在第二項研究中，模擬結果顯示，無論是否打開空調，當居室門口關閉時，熱釋放率(HRR)和室內溫度明顯降低。主要是燃燒所需的空氣不足。當居室門口開啟時，關掉空調可以有效降低火災初期的HRR和室內溫度。然而，隨著火災

持續成長，開啟的空調有助於減少煙層熱輻射回饋燃料而HRR也隨之減少。因此，空調通風系統會提供氧氣一定助長火災成長的結論並不總是正確的。