Snow chain的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列包括價格和評價等資訊懶人包

The Snow and the Sun / La Nieve Y El Sol: A South American Folk Rhyme in Two Languages

為了解決Snow chain的問題，作者Frasconi, Antonio 這樣論述：

Winner of two School Library Journal 2018 Awards: Best Bilingual Book for Kids & Best Picture Book Reprint "The richly drawn woodcuts by the author in three colors are the outstanding features of this South American folk rhyme offered both in Spanish and English," raved Kirkus of this splendid pictu

re book. Antonio Frasconi, recognized internationally for his bold and striking woodcut illustrations, breathes new life into an old folk rhyme about a weary traveler who questions the elements about their effects on his aching feet. Each new line is added to the preceding rhymes, forming a chain th

at circles back to the beginning and a memorable chant for youngsters. Written in both languages in the simple, direct style of nursery rhymes, this volume was honored as Best Illustrated Book of the Year by The New York Times. The timeless beauty of its woodcuts and the enduring appeal of its folk

poetry ensure its enduring value as both an engaging dual-language book and a visual treat for readers of all ages. Antonio Frasconi (1919-2013) was an artist of international fame whose work is represented in leading art museums around the world, including the Metropolitan Museum of Art, the Muse

um of Modern Art, the New York Public Library, and the Smithsonian Institution’s National Gallery of Art. The Uruguayan-American artist was raised in a bilingual setting, which fostered his belief that children should be made aware of other languages early in life and led to his use of multiple lang

uages in his award-winning picture books.

Snow chain進入發燒排行的影片

公司類型、供應鏈會計師與審計品質之關聯性研究

為了解決Snow chain的問題，作者賈婕 這樣論述：

過去文獻發現，供應鏈會計師的審計品質會因與供應商或顧客相同而有不同的審計品質（許恩得，蔡宜呈與蔡侑容 2021），本研究將探討出現此不合理現象的可能原因。本研究認為公司是否進行盈餘管理可能是造成供應鏈會計師的審計品質出現差異的原因。由於營業收入是公司在擬定策略的重要考量因素，而且公司公告營收會影響股價，因此本研究以營業收入的變動區分公司的類型，探討公司類型與盈餘品質之關聯性，並解釋供應鏈會計師的審計品質出現差異的原因。本研究發現不同營業收入變動的公司類型出現不同的盈餘品質，而且不同盈餘品質造成供應鏈會計師的審計品質出現差異。

The Vegetarian

為了解決Snow chain的問題，作者Han Kang 這樣論述：

2016年曼布克國際獎得主！ Winner of 2016 The Man Booker International Prize   我再也沒辦法忍受肉的味道 只有植物能讓我平靜，讓我渴望 就這樣倒立著，變成一棵樹吧……     　　韓國小說文學獎、今日青年藝術家獎、李箱文學獎、東里文學獎、萬海文學獎得主 　　首位入圍英國布克獎、備受國際矚目的韓國小說家 韓江 探究人類內心壓抑的瘋狂與傷痕之傑作   　　◆2016英國曼布克國際獎得主，榮獲韓國李箱文學獎 　　◆美國獨立書商協會排行榜、倫敦標準晚報暢銷文學小說Top2，擊敗暢銷懸疑小說《列車上的女孩》 　　◆科斯達文學獎得主、暢銷小說《The

Shock of the Fall》作者納森．費勒盛情推薦 　　◆小說改編的同名電影，入圍2010年日舞影展世界劇情片   　　她想變成一棵樹 　　現實卻無法成為她的沃土！   　　在夢裡，我正倒立著……突然發現從我身上冒出了枝葉，從手上長出了樹根……一直伸到地面，不斷地、不斷地……然後從兩腿之間綻放出鮮花……   　　我應該被澆水。這些食物我不需要，我需要水。   　　在開始不斷做著充滿殺戮和鮮血的噩夢之前，英惠只是個生活平凡至極的家庭主婦，無數失眠的夜晚和夢中恐怖的景象令她飽受折磨，有一天，她突然無法再吃肉、無法忍受肉的味道，成為了一名「素食者」，這個小小的舉動不但讓她的婚姻陷入危機，並

且成為一連串失控之舉的開端。   　　英惠的姐夫是個藝術攝影師，正陷入創作的低潮。他從妻子那裡聽說小姨子英惠的臀部至今還留著胎記，突然產生了久違的靈感，身上彩繪著花朵的全裸男女交合的場景，從此鐫刻在他腦海裡。他想要在英惠的裸體上作畫，並拍攝成影片。英惠成為姐夫的模特兒之後，身上的花朵彩繪竟然讓她不再受到夢魘困擾，也重新燃起她的肉體慾望……   　　因為小時候一同活在被性情暴躁的父親家暴的陰影下，仁惠把照顧妹妹英惠當成這輩子的責任。然而，她內心其實痛恨著住在精神病院逐漸走向瘋狂世界、把一切丟給她的妹妹。看似開朗穩重的仁惠，也曾有過對生活萌生倦怠和絕望，拋下稚子尋死的舉動。痛苦而壓抑的她，是否能帶

著掙扎在噩夢邊緣的英惠，踏上自我救贖新的旅程？   　　《素食者》由三個章節構成，每章分別以不同的視角刻畫行為日趨極端的素食者英惠。在她斷絕食物的過程中，融合了關於暴力、美、欲望、罪和救贖的疑問。書中出現了多種意象：絢麗的盛開花朵、直挺的陰鬱樹木、花瓣大小的藍綠色胎記、血淋淋的垂死動物與飛翔之鳥，有性的符號，卻非刻意強調煽情。作者行文如詩，捕捉瞬間掠過的情感來勾勒角色無奈又痛苦的命運，有如一則黑暗預言。   【媒體評論】   　　◆這個故事恐怖地描繪出身邊人的不可知，即你突然察覺你其實完全不認識身邊的某個人……作品的三段式結構很精彩，逐漸地挖出更深、更黑暗的角落；作者筆法簡潔卻讓人縈繞心頭，最

令人難忘的應該是其中壓倒性的故事高潮，一個幻象似的、但情感上真實的片刻，這必然是今年最強有力的故事之一。這是部獨創、擾動人心與令人難忘的作品。——《出版人週刊》   　　◆這部作品以一種幾近於催眠般的寧靜氛圍，被各種超現實的意象和令人驚恐、卻可辨認出的絕望時刻打斷，緊緊抓住了讀者的注意力。韓江的書寫，有力地展現了渴望所具有的毀滅力量，以及選擇去擁抱還是否定這樣的力量。故事用了許多幾乎是奇幻式、教人陌生的細節，深入探索一種非常人性的覺察經驗，也就是當人不再滿足於為何生命僅是如此。一部不凡與迷人的作品，筆法優雅卻強力擾動人心。——《柯克斯評論》   　　◆這是韓江第一部在美國問世的作品（希望未來還

能引進更多新作）……小說風格是寫實、心理描述的，絕無留給讀者這是篇童話或變形神話的迴旋空間。我們都喜歡讀女孩的魚尾巴變成了人腿，或胳臂變成了樹枝的故事，但是一個人卻不可能成為一株綠色植物。主角英惠似乎沒有理解，這一切讓她變得危險與受到詛咒。——《哈潑雜誌》   　　◆簡潔、驚人的小說……作者以優雅準確的筆法，呈現文化壓迫之下的家庭失和，讓讀者在閱讀中變成主角的同謀。——《圖書館期刊》   　　◆多虧了卡夫卡，這部描述南韓女子在放棄肉食之後，身心上有了徹底轉變的故事，會讓你在閱讀過程中掩口大驚。——《歐普拉雜誌》   　　◆有一輩的作家，企圖探索每個人命運背後的祕密趨力、野心與苦難的故事，韓江就

是其中之一……這部小說處理了暴力、精神失常、文化的侷限，和身體作為最後避難所與私人空間的價值。——《阿根廷時報》   　　◆這部小說裡那種近於變態的誘惑，源自字裡行間的畫面詩意。它們暴力又情色，彷彿惡夢。整部作品像是充滿了大型花卉的房間，濃濃的麝香味掐住你的喉頭。—《綠色阿姆斯特丹人雜誌》   　　◆黑暗夢魘、升溫中的緊張、令人戰慄的暴力……這部南韓作品真教人過癮……這是一部官能、刺激和暴力的小說，充滿了強有力的意象、駭人的色彩與讓人不安的質問……逐句讀來，這個故事精彩無比……很難有作品可與之匹敵。——《衛報》   　　◆這是一部奇特迷人的小說；故事裡充滿虛無，卻也有著抒情。書寫風格收斂，即使

是描述最狂熱與暴力的片段亦然。這部作品有著超現實和魔法的特質，特別是在描述自然與身體景觀時，讀來是如此動人，儘管諸多磨難圍繞仍不減其美麗。——Arifa Akbar，《獨立報》   　　◆這部短短的小說是我讀過最駭人的作品之一……既刺激又富想像力……作者展現了在這個講究禮貌的社會中，自然、性別與藝術如何相互衝撞……那些勇於建立自己身分認同的女人都會被處死。敘事清楚地告訴我們，韓國禮教的壓力謀殺了她們……讓人坐立難安的小說。——Julia Pascal，《獨立報》   　　◆奇特、優雅的故事……這個後人類奇幻故事最讓人不解之處，是當身邊人都施以壓迫與否定的世界，主人翁似乎是找到了合理出路。——《

泰晤士報文學增刊》   　　◆這部小說很快地以它對內心創痛的毀滅性研究，達到了黑暗、威嚇的才華，類似於天才的日本作家小川洋子……這部作品並非只是對於虐待女性的警示故事，它更是對於折磨與苦難的思索，討論躲避與一位夢想家如何逃脫。更重要的是，故事談的是空虛、所有的希望與安慰都將落空後無計可施的憤怒……探索野蠻之美和令人不安的身體。——《愛爾蘭時報》   　　本文取自漫遊者文化《素食者》   　　NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Publisher’s Weekly •  Buzzf

eed •  Entertainment Weekly •  Time •  Wall Street Journal •  Bustle •  Elle •  The Economist •  Slate •  The Huffington Post • The St. Louis Dispatch •  Electric Literature   　　Featured in the New York Times selection of "15 remarkable books by women that are shaping the way we read and write ficti

on in the 21st century"   　　A beautiful, unsettling novel about rebellion and taboo, violence and eroticism, and the twisting metamorphosis of a soul.   　　Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality

—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their c

ontrol, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those clos

est to her, but also from herself.   　　Celebrated by critics around the world, The Vegetarian is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her.   Review   　　“Surreal...[A] mesmerizing mix of sex and vi

olence...vivid, chiseled...Like a cursed madwoman in classical myth, Yeong-hye seems both eerily prophetic and increasingly unhinged.” —Alexandra Alter, The New York Times   　　“Ferocious...[Han Kang] has been rightfully celebrated as a visionary in South Korea… Han’s glorious treatments of agency, p

ersonal choice, submission and subversion find form in the parable. There is something about short literary forms – this novel is under 200 pages – in which the allegorical and the violent gain special potency from their small packages... Ultimately, though, how could we not go back to Kafka? More t

han ‘The Metamorphosis,’ Kafka’s journals and ‘A Hunger Artist’ haunt this text.” —Porochista Khakpour, New York Times Book Review   　　“Astonishing...Kang viscerally explores the limits of what a human brain and body can endure, and the strange beauty that can be found in even the most extreme forms

of renunciation.” —Entertainment Weekly   　　"Sometimes how a book or a film puzzles you—how it may mystify even its own creator—is the main point. The way it keeps slithering out of your grasp. The way it chats with you in the parlor even as it drags something nameless and heavy through the woods o

ut back….That’s the spirit in which to approach The Vegetarian… The Vegetarian has an eerie universality that gets under your skin and stays put irrespective of nation or gender.”—Laura Miller, Slate.com   　　“This book is both terrifying and terrific.”—Lauren Groff   　　"The Vegetarian was slim and s

piky and extremely disturbing, and I find myself thinking about it weeks after I finished." Jennifer Weiner, popsugar.com   　　“The Vegetarian is one of the best novels I’ve read in years.  It’s incredible, daring, and stunningly moving. I loved it.”—Laura van den Berg   　　"A short novel of sexuality

and madness that deserves its great success.”—Ian McEwan   　　“If it’s true you are what you read, prepare to be sliced and severed, painted and slapped and fondled and broken to bits, left shocked and reeling on the other side of this stunning, dark star of a book.”—Amelia Gray   　　“It takes a gift

ed storyteller to get you feeling ill at ease in your own body. Yet Han Kang often set me squirming with her first novel in English, at once claustrophobic and transcendent… Yeong-hye’s compulsions feel more like a force of nature… A sea like that, rippling with unknowable shadow, looks all but impo

ssible to navigate—but I’d let Han Kang take the helm any time.”—Chicago Tribune   　　“Provocative...shocking.”—The Washington Post   　　"[An] utterly deserving winner of this year’s Man Booker International Prize...with haunting, almost hallucinatory beauty."—Entertainment Weekly, Best Books of 2016

so far   　　“This is a deceptive novel, its canvas much larger than the mild social satire that one initially imagines. Kang has bigger issues to raise… The matter of female autonomy assumes urgency and poignancy.”—The Boston Globe   　　"Compelling...[A] seamless union of the visceral and the surreal.

”—Los Angeles Review of Books   　　"Indebted to Kafka, this story of a South Korean woman’s radical transformation, which begins after she forsakes meat, will have you reading with your hand over your mouth in shock." —O, the Oprah Magazine   　　“If you love books that grab you by the throat and keep

you wide-eyed and shocked throughout, you’ve got to pick up Han Kang’s The Vegetarian.”—EW.com   　　"A complex, terrifying look at how seemingly simple decisions can affect multiple lives...In a world where women’s bodies are constantly under scrutiny, the protagonist’s desire to disappear inside of

herself feels scarily familiar."—VanityFair.com   　　"A sharply written allegory that extends far beyond its surreal premise to unexpected depths.”—The Millions   　　“Visceral and hypnotic.”—Michele Filgate   　　“An elegant tale, in three parts, of a woman whose sudden turn to veganism disrupts her fam

ily and exposes the worst human appetites and impulses… [a] stripped-down, thoughtful narrative… about human psychology and physiology.”—Huffington Post   　　"Adventurous readers will be blown away by Han Kang’s The Vegetarian, in which a once-submissive Korean wife’s compulsion to stop eating meat s

pirals out of control. This moving story engages complicated questions about desire, guilt, obligation and madness.”—MORE Magazine   　　“This elegant-yet-twisted horror story is all about power and its relationship with identity. It’s chilling in the best ways, so buckle in and turn down the lights.”

—Elle.com   　　“The Vegetarian is the first—there will be more, let’s hope—of Han Kang’s novels to arrive in the United States…The style is realistic and psychological, and denies us the comfort that might be wrung from a fairy tale or a myth of metamorphosis. We all like to read about girls swapping

their fish tails for legs or their unwrinkled arms for branches, but—at the risk of stating the obvious—a person cannot become a potted bit of green foodstuff. That Yeong-hye seems not to know this makes her dangerous, and doomed.”—Harper’s Magazine   　　“This haunting, original tale explores the er

os, isolation and outer limits of a gripping metamorphosis that happens in plain sight… Han Kang has written a remarkable novel with universal themes about isolation, obsession, duty and desire.” —Minneapolis Star Tribune   　　"Complex and strange...Han’s prose moves swiftly, riveted on the scene unf

olding in a way that makes this story compulsively readable...this is a book that demands you to ask important questions, and its vivid images will be hard to shake. This is a book that will stay with you."—St. Louis Post-Dispatch   　　“Brutally yet beautifully explores the gap between one person’s e

xpression and another’s reception.”—Harvard Crimson   　　"The Vegetarian is incredibly fresh and gripping, due in large part to the unforgettable narrative structure... Han Kang has created a multi-leveled, well-crafted story that does what all great stories do: immediately connects the unique situat

ion within these pages to the often painful experience of living."—The Rumpus   　　“Disquieting, thought-provoking and precisely informed.” —Shelf Awareness   　　“A horror story in its depiction of the unknowability of others—of the sudden feeling that you’ve never actually known someone close to you…

.Its three-part structure is brilliant, gradually digging deeper and deeper into darker and darker places; the writing is spare and haunting; but perhaps most memorable is its crushing climax, a phantasmagoric yet emotionally true moment that’s surely one of the year’s most powerful. This is an inge

nious, upsetting, and unforgettable novel.”—Publishers Weekly (starred review)   　　"[A] spare, spectacular novel...Family dysfunction amid cultural suffocation is presented with elegant precision, transforming readers into complicit voyeurs. Fans of authors as diverse as Mary Karr and Haruki Murakam

i won’t be able to turn away."—Library Journal (starred review)   　　“Korean writer Han Kang’s elegant yet unsettling prose conveys her protagonist’s brother-in-law’s obsessive, art-centered lust; her sister’s tepid, regret-riddled existence; and Yeong-hye’s vivid, disturbing dreams… Readers will wan

t more of the author’s shocking portrayals of our innermost doubts, beliefs, and longings.”—Booklist   　　“[A] beautiful and disquieting new novel...concise and swift, its language often almost poetic...haunting.” —Bookpage   　　"The book insists on a reader’s attention, with an almost hypnotically se

rene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the

very human experience of discovering that one is no longer content with life as it is. An unusual and mesmerizing novel, gracefully written and deeply disturbing."—Kirkus   　　"Searing...[Yeong-hye’s] extreme efforts to separate herself from her animal appetites reveal the sanity and normality of tho

se closest to her to be mere matchstick houses."—Helen Oyeyemi, author of Boy, Snow, Bird   　　"Suffused with a sensibility that evokes the matter-of-fact surrealism of Franz Kafka, featuring a female protagonist as engagingly perverse as Melville’s Bartleby, Han Kang’s slender but robust novel addre

sses many vital matters—from the politics of gender to the presumptions of the male gaze, the conundrum of free will to the hegemony of meat—with a dark élan that vegetarians and carnivores alike will find hypnotic, erotic, disquieting, and wise.—James Morrow, author of Galápagos Regained   　　"A str

ange, painfully tender exploration of the brutality of desire indulged and the fatality of desire ignored, rendered all the more so by Deborah Smith’s exquisite translation."—Eimear McBride, Baileys Women’s Prize-winning author of A Girl Is a Half-formed Thing   　　"Visceral and terrifying, The Veget

arian is a startling reminder of the utter unknowability of another’s mind. Nonetheless, reading it, you will feel it in your flesh: the desire for peace, a plea for safety, for escape from your own inevitable mortality. It is artfully plotted yet reads like a fever dream, sweeping and surreal. It w

ill leave you aching."—Sarah Gerard, author of Binary Star   　　"Like a small seed, Han Kang’s startling and unforgettable debut goes to work quietly, but insistently. Her prose is so balanced, so elegant and assured, you might overlook the depths of this novel’s darkness—do so at your own peril."—Co

lin Winnette, author of Haints Stay and Coyote   　　"The Vegetarian is a story about metamorphosis, rage and the desire for another sort of life. It is written in cool, still, poetic but matter-of-fact short sentences, translated luminously by Deborah Smith, who is obviously a genius."—Deborah Levy,

author of The Unloved and Swimming Home   　　"The Vegetarian is hypnotically strange, sad, beautiful and compelling. I liked it immensely."—Nathan Filer, 2013 Costa First Novel award-winning author of The Shock of the Fall   　　"A stunning and beautifully haunting novel. It seems in places as if the v

ery words on the page are photosynthesising. I loved this graceful, vivid book."—Jess Richards, Costa First Novel Award shortlisted author of Snake Ropes   　　"Poetic and beguiling, and translated with tremendous elegance, The Vegetarian exhilarates and disturbs."—Chloe Aridjis, author of The Book of

Clouds   　　“Dark dreams, simmering tensions, chilling violence…This South Korean novel is a feast…It is sensual, provocative and violent, ripe with potent images, startling colors and disturbing questions…Sentence by sentence, The Vegetarian is an extraordinary experience… [It] will be hard to beat

.”—The Guardian   　　"This is an odd and enthralling novel; its story filled with nihilism but lyricism too, its writing understated even in its most fevered, violent moments. It has a surreal and spellbinding quality, especially in its passage on nature and the physical landscape, so beautiful and s

o magnificently impervious to the human suffering around it."—Arifa Akbar, The Independent   　　“This short novel is one of the most startling I have read… Exciting and imaginative…The author reveals how nature, sex and art crash through this polite society…It is the women who are killed for daring t

o establish their own identity. The narrative makes it clear it is the crushing pressure of Korean etiquette which murders them…[A] disturbing book.”—Julia Pascal, The Independent   　　"Immediately absorbing...The different perspectives offered are so beautifully distinctive...Every word matters."—Su

nday Herald   　　"Shocking...The writing throughout is precise and spare, with not a word wasted. There are no tricks. Han holds the reader in a vice grip...The Vegetarian quickly settles into a dark, menacing brilliance that is similar to the work of the gifted Japanese writer Yoko Ogawa in its deva

stating study of psychological pain...The Vegetarian is more than a cautionary tale about the brutal treatment of women: it is a meditation on suffering and grief. It is about escape and how a dreamer takes flight. Most of all, it is about the emptiness and rage of discovering there is nothing to be

done when all hope and comfort fails....A work of savage beauty and unnerving physicality."—Irish Times   　　“The Vegetarian is a book about the failures of language and the mysteries of the physical. Yet its message should not undermine Han’s achievement as a writer. Like its anti-protagonist, The

Vegetarian whispers so clearly, it can be heard across the room, insistently and with devastating, quiet violence.”—Joanna Walsh, The New Statesman   　　“[A] strange and ethereal fable, rendered stranger still by the cool precision of the prose… What is ultimately most troubling about Yeong-hye’s pos

t-human fantasies is that they appear to be a reasonable alternative to the world of repression and denial in which everyone around her exists.”—Times Literary Supplement   　　"The Vegetarian is so strange and vivid it left me breathless upon finishing it. I don’t think I’ve ever read a novel as mout

h-wateringly poetic, or as drenched in hypnotic oddities, taboos and scandal. It seems to have been plucked out of the ether, ready-made to take us all by surprise. Exciting and compelling"—Lee Rourke, New Humanist    　　"The Vegetarian combines human violence and the possibility of innocence...[A] f

rightening beauty of a novel." -British Council Literature   　　"Uncanny."—The Australian   　　"Kang belongs to a generation of writers that aim to discover secret drives, ambitions, and miseries behind one’s personal destiny...[The Vegetarian] deals with violence, sanity, cultural limits, and the val

ue of the human body as the last refuge and private space." -Tiempo Argentino   　　"[A] bloodcurdlingly beautiful, sinister story."—Linda   　　"The almost perverse seduction of this book originates in the poetry of the images. They are violently erotic and rather nightmarish; the novel is like a room

full of large flowers, where the musky odour takes you by the throat."—De groene Amsterdammer   　　"For the fans of Haruki Murakami."—Gazet van Antwerpen (starred review)   　　"Piercing... I was touched the most by the directness, the images, the poignant phrases and most of all the imagination with w

hich it was written."—nrc Handelsblad   　　"A shocking, moving and thought-provoking novel."—Trouw 　　  　　"Outright impressive."—HUMO   　　"One of the most impressive novels I have read recently... You need to read this book."—Arnon Grunberg in De Volkskrant   　　"The Vegetarian is exciting and original

."—De Standaard der Letteren (starred review)   作者簡介   韓江   　　1970年生，韓國文壇新生代暢銷女作家，父親也是小說家。她畢業於延世大學國文系，現任韓國藝術大學文藝創作系教授。她1993年在《文學與社會》季刊發表詩作，隔年以小說《紅錨》榮獲《首爾新聞報》的年度春季文學獎，開始進入文壇；1999年以作品《童佛》贏得「韓國小說文學獎」，2000年贏得「今日青年藝術家獎」，2005年，以中篇小說《胎記》榮獲「李箱文學獎」，成為史上第一位獲此文學大獎的「70後」作家，2010年以《戰鬥氣息》榮獲「東里文學獎」、2014年以《少年來了》榮獲

「萬海文學獎」等等。除了本書《素食者》(2007)之外，她還有《黑鹿》 (1998)、 《你冰冷的手》 (2002)、《希臘語課》 (2011)等小說作品。   　　2014年她受邀參加倫敦書展，同行者有以《請照顧我媽媽》揚名國際的申京淑、韓國百萬暢銷歷史小說《罪囚645號》作家李正明。在書展期間，多家英美歐媒體對於韓江的小說作品深感興趣，評論她寫作大膽，跳脫舊式的文學框架。有韓國文學評論家稱她為「一位印象派作家，擅長捕捉瞬間掠過的情感，據此勾勒生命裡註定的情感基調，她潛心研究的是絕望至極中才可以感受到的那束微弱救贖之光。」   　　《素食者》已賣出英、美、德、法、荷、澳洲等國版權，2015年

1月在英國出版後，頻傳好評和暢銷佳績，登上《倫敦標準晚報》暢銷文學小說第2名，將英美暢銷懸疑小說冠軍《列車上的女孩》擠到第4名。美國於2016年2月出版後亦登上獨立書商協會暢銷榜，並入圍2016年的布克獎。   　　Han Kang was born in 1970 in South Korea. In 1993 she made her literary debut as a poet, and was first published as novelist in 1994. A participant of the Iowa Writers’ Workshop, Han has won t

he Man Booker International Prize, the Yi Sang Literary Prize, the Today’s Young Artist Award, and the Manhae Literary Prize. She currently works as a professor in the Department of Creative Writing at the Seoul Institute of the Arts.

舉辦設計競賽作為企業創新策略之方法探討

為了解決Snow chain的問題，作者趙龍傑 這樣論述：

本研究以「組織構型理論」為研究概念框架，運用「開放式創新理論」、「設計競賽理論」、「參與式設計方法」與「新產品開發觀點」等學理基礎，採用兩階段研究方法以曜越創意設計競賽為個案作實證研究，探討企業應如何依據新產品開發策略舉辦設計競賽作為其外部創新資源應用平台。第一階段個案研究發現：1．設計競賽主題應以企業熟悉產品類別為主，並區分為「聚焦」與「廣義」兩種主題方向，主題性質不同將導出不同特性的新產品創意構想方向及行銷市場屬性；2．初審階段由內部專家擔任評審能提升競賽提案之量產可行性，決審委員可由外聘業界專家進行評選，審查過程與參賽者實施設計協作模式將提高設計教育的意義並幫助設計概念更完整且提高商品

化機率；3．概念可行性評估包括「市場評估」、「技術評估」與「成本評估」等考量要點，且企業在合理化設計階段的資源投入將影響商品化的成效；4．以商品化為目標之設計競賽應與企業新產品策略擬定有直接的關聯性。研究第二階段以實驗法實際驗證了第一階段研究所陳述的觀點，並運用相關理論推導研究目標項目，其中包括：1．設計競賽主辦單位組織結構建議；2．企業所需新產品方向與設計競賽主題設定的評估方法；3．企業以商品化為目標舉辦設計競賽之整體管理流程，本研究成果可作為各型企業創新產品策略擬定參考，也能提供學術研究單位與產業合作創新之應用方法建議。