Tuba的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列包括價格和評價等資訊懶人包

I’’m Possible: A Story of Survival, a Tuba, and the Small Miracle of a Big Dream

為了解決Tuba的問題，作者White, Richard Antoine 這樣論述：

Richard Antoine White began his tuba studies at the Baltimore School for the Performing Arts, where he graduated with honors. He went on to receive his bachelor’s degree at the Peabody Conservatory of Music, and his master’s and doctoral degrees at Indiana University. Dr. White was principal tubist

of the New Mexico Symphony Orchestra from 2004 until its untimely demise in 2011. He is now principal tubist of the Santa Fe Symphony and is in his tenth season as principal tubist of the New Mexico Philharmonic. He enjoys teaching at the University of New Mexico, where he is professor of tuba/eupho

nium.

Tuba進入發燒排行的影片

阿魯圖尼安《降A大調小號協奏曲》之樂曲分析與詮釋

為了解決Tuba的問題，作者劉介文 這樣論述：

亞歷山大．阿魯圖尼安（Alexander Arutiunian, 1920-2012）出生於亞美尼亞耶烈萬，91年的生涯中不僅擔任亞美尼亞愛樂協會藝術總監職務長達36年，也曾在美國及其他地方獲獎無數，他的創作風格充滿古典及浪漫樂派的元素，並在樂曲中融入ashughner（民間吟遊詩人）即興創作的風格來表明自己亞美尼亞的國籍，曾為多種樂器創作過協奏曲（如：小號、低音號、小提琴等等），這些皆成為國際知名的曲目。本論文為研究阿魯圖尼安1950年之小號作品《降A大調小號協奏曲》，與一般協奏曲有三個樂章不同，本樂曲為單一樂章協奏曲，筆者將透過作曲家的背景及樂曲分析來探討其中最適合的演奏詮釋。本文共分為

五個章節，分別介紹研究動機及方法、阿魯圖尼安的生平、創作背景以及蘇聯、亞美尼亞其他作曲家介紹、《降A大調小號協奏曲》作品分析、詮釋風格，最後則是本論文研究之結論。

This Book Can Read Your Mind

為了解決Tuba的問題，作者Susannah Lloyd,Jacob Grant (ILT) 這樣論述：

　　This book can read your mind. I will just need you to think of something, but whatever you do, don't think of anything SILLY. You know, like a pink elephant…   　　When the page is turned, sure enough, a pink elephant appears! This funny interactive book plays on the idea that when you’re told N

OT to think of something, somehow it is all you can think about. What if the scientist tells you not to think of the elephants on unicycles playing the tuba? Or wearing silly pants?! Or something even ruder than that…? As the book continues, and more and more silliness ensues, the scientist is distr

aught but there is plenty of fun in store for the reader. This is a hilarious book to occupy young children who are cooped up indoors.   　　"Our 4yo's response to this at story time involves much jumping around in giddy anticipation of the next page turn." 　　—parent review

史詩音樂中鼓類樂器音色的設計─以配樂作品《魔獸世界》為例

為了解決Tuba的問題，作者周容榮 這樣論述：

史詩音樂源於電影預告片。電影預告片必須濃縮劇情中的高潮及精彩片段，於短時間內呈現給觀眾，因此製作音樂時，需要搭配強勁緊湊的節奏、氣勢磅礴的旋律，方能給予觀眾深刻的印象。此項音樂製作需求進一步影響電影配樂，逐漸發展成為一個獨立的音樂種類。運用時下電腦與數位科技，作曲家可以在數位音訊工作站中 （DAW），融合電子合成器 （synthesizer）與傳統管絃樂，自由創作史詩音樂。第四章，研究者將實務經驗化為理論，歸納出「配器擬真與取樣技術」之作法，並以研究者參加大禾音樂先鋒者配樂動畫組比賽的作品World of Warcraft 為案例分析，結合自身的經驗，撰成論文，期能提供音樂創作者在音色設計上

之參考。