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2000 Ad Regened Volume 4, 4

為了解決White tie的問題，作者Ramzee,Johnson, Liam 這樣論述：

RAMZEE is what happens to a kid who grows up on a diet of 90’s Image and 2000’s Toonami. Since being nominated for a British Comic Award for his debut indie comic in 2016, he’s gone on to draw illustrations for the BBC & MerkyBooks and write Cat Girl for Rebellion’s ’Tammy & Jinty’, ’FAB’ for StoryW

orlds and write & draw his first graphic novel ’LDN’ for Good Comics. Korinna is a half Greek/half Singaporean/half Goblin comic artist who is excellent at maths. She’s been self-publishing comics since 2015, including the hilarious webcomic Adventure of Croblin, and had lots of fun working on femal

e-led anthologies Smutcomic and Comic Book Slumber Party. She enjoys walking around to find ugly architecture, catching frogs, and beer Liam Johnson is a comics writer and winner of 2000 AD’s 2019 Talent Search, whose credits include Future Shocks and Venus Bluegenes (for 2000 AD) and Missing Person

s (for Markosia). He also writes for television, including a number of credits for ITV’s Emmerdale. Duane Redhead is a comic artist, whose previous credits with 2000AD include Terror Tales, Past Imperfect and Durham Red. Duane has also worked on the Games Workshop Codex for The Black Library, and co

ntinues to draw The Tick for New England Comics where he started his first title in 2012. Gordon Rennie is one of 2000 AD’s most prolific creators, with co-creative credits for Caballistics, Inc., Missionary Man, Necronauts, Storming Heaven, Rain Dogs and Witchworld. Rennie has written for Heavy Met

al and Warhammer, as well as Species, Starship Troopers and White Trash. Emma Beeby had established herself as a professional writer in the film and games industries before moving into the comics arena. The first woman to write Judge Dredd, she has also worked on several other strips for 2000 AD, in

cluding Judge Anderson, The Alienist and Survival Geeks (co-creating the latter two strips with frequent writing partner Gordon Rennie). Outside of the Galaxy’s Greatest Comic, she co-created (again with Rennie) the award-winning graphic novel Robbie Burns: Witch Hunter, and has co-written a Doctor

Who series for Titan Comics. Neil Googe has been lending his talent to 2000 AD for over twenty years, illustrating strips such as Judge Dredd, Pulp Sci-Fi and Hondo City Justice for the Judge Dredd Megazine. Beyond his work with 2000 AD he has also worked on WildCats and The Flash for DC Comics. Kar

l Stock has written Tharg’s Future Shocks for 2000AD, Dredd prose fiction for the Judge Dredd Megazine and strips including Sniper Elite and Death Wish for Rebellion titles such as Battle, The Vigilant and Cor! & Buster, as well as interviews and features about comics for the Judge Dredd Megazine, T

ripwire, Comic Heroes and more. He is the co-author of the 40th anniversary edition of Thrill-Power Overload, 2000AD’s official history, and lives in Scotland. Steve Roberts is a comic artist and Lead Creative and writer for children’s TV. He has drawn comics for 2000ad including Banzai Battalion, J

udge Dredd, Sinister Dexter and Bec and Kawl. Outside comics Steve has worked as a Lead Creative and writer for Ragdoll Productions Ltd. He worked on several shows that were broadcast on the BBC channel CBeebies. These included Dipdap which he co-created and which went on to win a Childrens BAFTA aw

ard in 2011. He also worked on The Adventures of Abney and Teal and Twirlywoos and recently co created B.O.T. and the Beasties. Ben Willsher got his break in comics in the ground-breaking Deadline magazine (home of Tank Girl), before being stolen by the world of computer games, where he has worked a

s an Art Director for many years. However, the lure of Comics was too strong and he came back to 2000 AD and has drawn Future Shocks, Pulp Sci-Fi, Tharg’s Terror Tales, Sinister Dexter, Damnation Station, but he is probably best known for his work on Judge Dredd. As well as reviving the uber cool gr

ifter Lenny Zero, with original creator Andy Diggle, Willsher has just concluded a movie Dreddverse strip titled Dust. Beyond his accomplishments in the world of comics he has also worked in film, television and the music industry, and is heavily involved in the World of Doctor Who, where he has ill

ustrated work for the Time Lord luminaries such as Russell T Davies, Mark Gatiss, and comic giant Neil Gaiman. David Baillie is a Scottish writer and artist who works in comics, film and television. As well as various strips for 2000 AD and the Megazine, he also created and wrote the series Red Thor

n for Vertigo/DC. He lives in London with his darling wife, mischievous daughter and a multitude of unforgiving deadlines. Since joining 2000 AD in 1986 Colin MacNeil has worked on many strips, including Chopper: Song of the Surfer and the infamous death of Johnny Alpha in Strontium Dog: The Final S

olution. He went on to collaborate with John Wagner on the award-winning America for the Judge Dredd Megazine. He has also worked on Shimura, Maelstrom and Fiends of the Eastern Front: Stalingrad, and, outside of the Galaxy’s Greatest Comic, provided the atmospheric artwork on Bloodquest for Games W

orkshop. He also enjoys creating large abstract paintings. He says it’s art therapy! Author and comic book writer Cavan Scott is a UK number one bestseller who has written for such popular worlds as Star Wars, Doctor Who, Star Trek, Vikings, Warhammer 40,000 and Sherlock Holmes. He is the author of

Star Wars Dooku: Jedi Lost, Judge Dredd: Alternative Facts, The Patchwork Devil, and Cry of the Innocents, and is part of Lucasfilm’s Project Luminous publishing initiative. He has written comics for IDW, Dark Horse, Vertigo, Titan, Legendary, 2000AD, and the Beano. Luke Horsman is an illustrator an

d comic book artist and has been working in the design and illustration industry for nearly 20 years across a variety of media platforms for 100s of clients, including printed publications, websites and games. Now solely a comic book artist he has done scores of work for multiple clients, independen

t publishers and authors. He’s also currently working on a creator owned project ＂Oathbound＂, an illustrated saga of Norse tales. James Peaty has written for publishers including Marvel Comics, DC Comics and Dark Horse Comics in the US as well as Rebellion Publishing and Titan Comics in the UK. Duri

ng that time he has written for titles including The Batman Strikes!, X-Men Unlimited, Green Arrow. Supergirl, Justice League Unlimited and Doctor Who. For 2000AD he wrote and co-created Skip Tracer (with artist Paul Marshall), while for The Judge Dredd Megazine he wrote and co-created Diamond Dogs

(with artist Warren Pleece). Colin Harvey is a London-based writer working across comics, games, books, audio and Virtual Reality. His work includes the video games Blood and Truth (Sony 2019) and Sniper Elite 4 (Rebellion 2017), as well as tie-in material for Big Finish’s Doctor Who and Highlander

ranges. He’s the author of ’Dead Kelly’, a novella for Abaddon Books’ Afterblight series, and comic stories for 2000AD and Commando. His book Fantastic Transmedia, an analysis of large and small-scale crossmedia storytelling in science fiction and fantasy franchises, was published by Palgrave in 201

5. Tom Newell, 34, is an illustrator, designer and comic artist from the West Midlands, UK. His many influences include Simon Bisley, John Buscema and Sean Gordon Murphy. In 2016 Tom decided to take learning to draw seriously and joined a university comic art course, with the single goal in mind of

one day to be a successful comic artist. For the last year Tom has worked closely with UK based comic artist John Charles, on his creator owned project, Technofreak.

White tie進入發燒排行的影片

A Practice-based Research of Sound Design Producing in Videography

為了解決White tie的問題，作者林永宏 這樣論述：

Making a good video needs to consider of many aspects such as story, image composition, lighting, sounds and music. In this study, the researcher demonstrated the process of making background music with an animation of Indonesia urban legend, Malin Kundang, a documentary video of Indonesian Muslim

lives in Taiwan, and commercial film of Ming Chi University of Technology by using the Creative Problem-Solving model which have 3 stages understand the problem, finding the ideas and planning for action. The results of this study provided a background music of the videos that enhance emotional feel

ing sync in with video images, documentation the process of making music and data collection from the audience and the musician experts, both feedbacks have a positive response that the music background was successfully enhanced the emotional feeling between the visual and audio itself and created a

conclusion of music element contained the ethnical element, flow of the music and the instrument choices. As the personal learning experiences from the researcher, a basic of knowledge music theory, understanding the context of the video and exploration of various instrument helps the student who a

re also interested to self-learning digital music.

On Beauty

為了解決White tie的問題，作者Foster, Lenny,White, M. 這樣論述：

In 1991 I purchased a camera at a second hand store and began shooting pictures. It became a passionate pastime and little did I know that my life would change in a drastic, beautiful and profound way. My photographic career began in 1993 after a trip to the Southwest. During that two week vacation

I photographed the wide expanse of sky, the unique architecture and the varied landscape of the American Southwest and subsequently sold my first images. This inspired me to hang up my coat and tie after fifteen years in my nine-to-five job and move from the Washington, D.C. area to Taos, New Mexico

where I was determined to pursue a new way of life. The journey as a self- taught photgrapher and gallery owner has not been easy, but it has been fruitful, fulfilling, life-enhancing, and ultimately, personally and aesthetically, successful. My goal has been to find, enhance and illustrate the bea

uty that is in front of our eyes in everyday life. From the beginning my career has been as a fine art photographer creating art and not being involved in other typical commercial photography. My work is propelled by the search for beauty and deeper truth conveyed in the medium of photography. For t

wenty years, starting in 1998, I owned and operated The Living Light Photography Gallery in Taos, New Mexico. In 1999, I received an Honorable Mention at the 25th annual Taos Fall Arts Festival. In 2000 I won my first Best of Photography at the 26th Annual Taos Fall Arts Festival. In 2004 I won Best

of Photography at the 30th Annual Taos Fall Arts Festival. In 2007 I had the distinction of being selected as a Taos Living Master by The Taos Fall Arts Festival Committee. In 2009 my work received a 3rd place People’s Choice Award at the Millicent Roger’s Museum Miniature Show and Sale in Taos. In

2010 I won Best of Show at the 36th Annual Taos Fall Arts Festival. The Living Light Gallery was voted the Taos News People’s Choice Best Gallery in Taos 2013, 2014, 2015, 2016. I also won the People’s Choice, Best Of Show, 41st annual Taos Invites Taos, Fall Arts Festival, 2015. I have had images

purchased for the Juried New Mexico’s Art in Public Places Program in 2003, 2007, 2011, 2015, and two images in 2016. In 2014 I was chosen poster artist for Music From Angel Fire 31st season Angel Fire, New Mexico. My work has been on view in prominent institutions in New Mexico such as: The Harwood

Museum, Millicent Roger’s Museum, The Taos Art Museum, the Albuquerque Museum and the Hubbard Museum of the American West. My work is also part of the permanent collections of The Harwood Museum, The Millicent Rogers Museum, The Muhammed Ali Center in Louisville, Kentucky and The Ross Museum at Ohi

o Wesleyan University. My work is also in the collection of Oklahoma University’s College of Allied Health, The Snite Museum at The University of Notre Dame and most recently at The Lincolnville Museum and Cultural center in Saint Augustine, Florida. In addition, I’m honored to have my work added to

many private collections worldwide. In 2013, I self-published 1000 copies of my first fine art book, Healing Hands, I subsequently reprinted an additional 1000 copies in 2015 and again in the summer of 2016. I accepted invitations to speak about my Healing Hands work at the University of Oklahoma

Health Sciences Center College of Allied Health, at Ohio Wesleyan University and Spokane Community College School of Allied Health. I have also self-published my second book; with images and Haikus; Enchanted Land: A Taos Twenty Year Retrospective, which was an art book winner in the New Mexico/Ariz

ona book awards. I began 2017 by self-publishing Winter Retreat at Mabel’s; a volume of haiku poetry and imagery inspired by my last month living in Taos at the Historic Mabel Dodge Luhan House. In January of 2017 I relocated to St. Augustine, Florida to be closer to my aged parents and have found n

ew inspiration in the community of Lincolnville and in the In 1991 I purchased a camera at a second hand store and began shooting pictures. It became a passionate pastime and little did I know that my life would change in a drastic, beautiful and profound way. My photographic career began in 1993 af

ter a trip to the Southwest. During that two week vacation I photographed the wide expanse of sky, the unique architecture and the varied landscape of the American Southwest and subsequently sold my first images. This inspired me to hang up my coat and tie after fifteen years in my nine-to-five job

and move from the Washington, D.C. area to Taos, New Mexico where I was determined to pursue a new way of life. The journey as a self- taught photgrapher and gallery owner has not been easy, but it has been fruitful, fulfilling, life-enhancing, and ultimately, personally and aesthetically, successfu

l. My goal has been to find, enhance and illustrate the beauty that is in front of our eyes in everyday life. From the beginning my career has been as a fine art photographer creating art and not being involved in other typical commercial photography. My work is propelled by the search for beauty an

d deeper truth conveyed in the medium of photography. For twenty years, starting in 1998, I owned and operated The Living Light Photography Gallery in Taos, New Mexico. In 1999, I received an Honorable Mention at the 25th annual Taos Fall Arts Festival. In 2000 I won my first Best of Photography at

the 26th Annual Taos Fall Arts Festival. In 2004 I won Best of Photography at the 30th Annual Taos Fall Arts Festival. In 2007 I had the distinction of being selected as a Taos Living Master by The Taos Fall Arts Festival Committee. In 2009 my work received a 3rd place People’s Choice Award at the M

illicent Roger’s Museum Miniature Show and Sale in Taos. In 2010 I won Best of Show at the 36th Annual Taos Fall Arts Festival. The Living Light Gallery was voted the Taos News People’s Choice Best Gallery in Taos 2013, 2014, 2015, 2016. I also won the People’s Choice, Best Of Show, 41st annual Taos

Invites Taos, Fall Arts Festival, 2015. I have had images purchased for the Juried New Mexico’s Art in Public Places Program in 2003, 2007, 2011, 2015, and two images in 2016. In 2014 I was chosen poster artist for Music From Angel Fire 31st season Angel Fire, New Mexico. My work has been on view i

n prominent institutions in New Mexico such as: The Harwood Museum, Millicent Roger’s Museum, The Taos Art Museum, the Albuquerque Museum and the Hubbard Museum of the American West. My work is also part of the permanent collections of The Harwood Museum, The Millicent Rogers Museum, The Muhammed Al

i Center in Louisville, Kentucky and The Ross Museum at Ohio Wesleyan University. My work is also in the collection of Oklahoma University’s College of Allied Health, The Snite Museum at The University of Notre Dame and most recently at The Lincolnville Museum and Cultural center in Saint Augustine,

Florida. In addition, I’m honored to have my work added to many private collections worldwide. In 2013, I self-published 1000 copies of my first fine art book, Healing Hands, I subsequently reprinted an additional 1000 copies in 2015 and again in the summer of 2016. I accepted invitations to speak

about my Healing Hands work at the University of Oklahoma Health Sciences Center College of Allied Health, at Ohio Wesleyan University and Spokane Community College School of Allied Health. I have also self-published my second book; with images and Haikus; Enchanted Land: A Taos Twenty Year Retrosp

ective, which was an art book winner in the New Mexico/Arizona book awards. I began 2017 by self-publishing Winter Retreat at Mabel’s; a volume of haiku poetry and imagery inspired by my last month living in Taos at the Historic Mabel Dodge Luhan House. In January of 2017 I relocated to St. Augustin

e, Florida to be closer to my aged parents and have found new inspiration in the community of Lincolnville and in the J.M. White did graduate study in Phenomenology at Duquesne University and holds an M.A. in philosophy from Vanderbilt. His poems, interviews, essays and book reviews have appeared in

Exquisite Corpse, Sewanee Review, Janus Head, Parabola and The Mirror as well as in magazines and journals in Canada, England, Italy, Japan, New Zealand and India. He has compiled and edited two books: Safe in Heaven Dead: Interviews with Jack Kerouac, and Opening to Our Primordial Nature by Khenpo

Palden Sherab Rinpoche. He currently has ten books in print: five of poetry and five of prose. His novel, Future Nothingness Already was published in 2005 and his first collection of poetry, The Beyond Within was published in 2008. His latest book is Luminous Minds: Encounters with Buddhist, Fourth

Way and Native Teachers.

測試套件精簡對錯誤定位影響的實務探討

為了解決White tie的問題，作者龐之茵 這樣論述：

測試套件精簡是一種被頻繁用於提升回歸測試效率的方法，而頻譜式錯誤定位則是縮短除錯過程的有效方法。這兩種方法在文獻和實務上中都受到相當多的關注，並且可以整合到持續集成環境中。測試套件精簡的運作有三個重要因素(即測試套件精簡策略、評估測試個案的指標和覆蓋粒度等級)，連同頻譜式錯誤定位技術的選擇可視為持續集成環境的組態。由於不同測試套件精簡技術會導致回歸測試所執行的測試個案不同，並產生不同的測試結果，而頻譜式錯誤定位運作更是奠基於測試個案的執行紀錄與測試結果。因此，測試套件精簡技術和頻譜式錯誤定位技術的選擇都會對錯誤定位的成效和持續集成的效率(即持續集成週期的長度)產生影響。有鑑於此，軟體開發人員

在規劃持續集成的細節時，測試套件精簡改進技術的選擇與頻譜式錯誤定位技術的搭配變成一個複雜且讓人傷神的問題。特別是文獻中相關技術的數量皆相當驚人，這被認為是一項複雜的任務。本研究的目的是調查上述各個持續集成的組態參數如何影響錯誤定位的成效和持續集成的效率。此外，測試套件精簡會減少測試套件的大小，以致改變用於執行錯誤定位的測試頻譜。因此，本研究還分析測試套件大小對錯誤定位成效和持續集成效率的影響。本研究鎖定三個測試套件精簡戰略、四個評估測試個案的指標、三個覆蓋粒度等級和四個頻譜式錯誤定位技術，針對所形成的約150個組合進行分析，而實驗的進行則是基於九支受測程式的226個錯誤版本。實驗結果顯示，測試

套件精簡無助於提升錯誤定位的成效。若基於特定因素而必須在持續集成中執行測試套件精簡，建議採用的覆蓋粒度等級是分支覆蓋。相較於覆蓋粒度等級，其他兩個測試套件精簡的因素不會對錯誤定位的成效造成統計上的顯著差異。再者，實驗結果也顯示，無論軟體開發人員是否在持續集成中包含測試套件精簡，Jaccard皆展現優於其他頻譜式錯誤定位技術的成效。此外，雖然錯誤定位的成效與測試套件的大小呈負相關，但統計分析結果指出其相關性並不顯著；另一方面，實驗結果顯示知名的測試套件精簡策略HGS若搭配函數覆蓋最有助於優化持續集成的效率。至於評估測試個案的指標和頻譜式錯誤定位技術的選擇等兩個因素對持續集成的效率則無統計上的顯著

影響。最後，無論持續集成環境中是否納入測試套件精簡，持續集成的效率和測試套件的大小之間都存在不可忽略的正相關。