billy書櫃的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列包括價格和評價等資訊懶人包

Fifty Things that Made the Modern Economy

為了解決billy書櫃的問題，作者Tim Harford 這樣論述：

　　《親愛的臥底經濟學家》作者嚴選50項劃時代的發明，以一貫幽默有趣的跳躍思維，針對這些發明對當代情勢的影響，再次為讀者帶來豐富多元的經濟學課堂 　　誰想出紙鈔這玩意的呢？使古騰堡的印刷機成功的秘密是什麼？達文西密碼跟雷曼兄弟的倒台又有什麼關聯？ 　　最親民的經濟學家回來了！老練甚至有點滑頭的他這回要講影響人類深遠的各種工具、人物與想法的故事。從犁到人工智慧，從吉列的拋棄式刮鬍刀到IKEA的Billy書櫃，暢銷作家、金融時報專欄作者提姆.哈福特講述每一項發明獨特、稀奇、吃驚與難忘的故事。 　 　透過發明而創造，哈福特思考人類如何發展到今天的境界，以及我們可能繼續前行至何方。他點出許多我們

不曾思索過的連結：條碼如何破壞傳統雜貨店、為什麼 留聲機擴大了不平等。在此同時，他也介紹這些發明的背後主角，如何從中受益或反之摧毀發明。Fifty Things that Made the Modern Economy是一本智慧與機智兼備，關於歷史、經濟與傳記之書。(文/博客來編譯) 　　Who thought up paper money? How did the contraceptive pill change the face of the legal profession? Why was the horse collar as important for human progres

s as the steam engine? How did the humble spreadsheet turn the world of finance upside-down? 　　The world economy defies comprehension. A continuously-changing system of immense complexity, it offers over ten billion distinct products and services, doubles in size every fifteen years, and links almo

st every one of the planet's seven billion people. It delivers astonishing luxury to hundreds of millions. It also leaves hundreds of millions behind, puts tremendous strains on the ecosystem, and has an alarming habit of stalling. Nobody is in charge of it. Indeed, no individual understands more th

an a fraction of what's going on. 　　How can we make sense of this bewildering system on which our lives depend? 　　From the tally-stick to Bitcoin, the canal lock to the jumbo jet, each invention in Tim Harford's fascinating new book has its own curious, surprising and memorable story, a vignette a

gainst a grand backdrop. Step by step, readers will start to understand where we are, how we got here, and where we might be going next. 　　Hidden connections will be laid bare: how the barcode undermined family corner shops; why the gramophone widened inequality; how barbed wire shaped America. We'

ll meet the characters who developed some of these inventions, profited from them, or were ruined by them. We'll trace the economic principles that help to explain their transformative effects. And we'll ask what lessons we can learn to make wise use of future inventions, in a world where the pace o

f innovation will only accelerate. 　　Review 　　I love these fact-filled micro-documentaries, steeped in history... A masterclass in socioeconomic storytelling (Financial Times on BBC World Service's Fifty Things that Made the Modern Economy) 　　They are real masterpieces of brevity and audio storyt

elling . . . brilliant sideways glances . . . I've been surprised by every episode (Monocle Arts Review on BBC World Service's Fifty Things that Made the Modern Economy) 　　This is what BBC radio is for. The series is utterly compelling and low-key... Just brilliant ideas, told simply. A wonderful,

wonderful programme (The Times on BBC World Service's Fifty Things that Made the Modern Economy) 　　Harford's script is immaculate and so is his presentation (Times of India on BBC World Service's Fifty Things that Made the Modern Economy) 　　Tim Harford is an award-winning journalist, economist,

and broadcaster. He’s the author of the bestselling The Undercover Economist, Messy, The Undercover Economist Strikes Back, Adapt, and The Logic of Life. Harford is currently a senior columnist at the Financial Times and host of the BBC Radio 4 program More or Less. He has been named Economics Comme

ntator of the Year (2014), has won the Rybczynski Prize (2014–15) for the best business-relevant economics writing, and has won the Bastiat Prize for economic journalism (2006). He’s a visiting fellow of Nuffield College at Oxford University and lives in Oxford with his family.

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看／不見「北歐」：以IKEA在台灣的凝視／消費為例

為了解決billy書櫃的問題，作者趙士麃 這樣論述：

台灣社會與媒體正興起一陣對北歐的高昂興致。從關於北歐的圖文出版品與報章雜誌報導的統計中可發現2005是「北歐熱」關鍵的一年。於此年之後的圖文出版品與媒體報導均大量產出，並且逐年穩定成長，北歐熱似乎不只是一時興起的消費熱潮而已。在此跨文化消費的脈絡之下，台灣大量收納北歐的設計與生活美學，並也同時以IKEA為北歐文化想像的實踐空間。 本研究探究北歐設計論述，並分析台灣報章雜誌、文本上的北歐意象與IKEA的跨文化消費空間建構。同時本研究訪談北歐的旅居者、IKEA與北歐櫥窗的工作人員，以此來描繪「台灣—北歐」跨文化消費景觀的實質內涵與社會意義。 研究發現，北歐熱是台灣消費社會

的美學消費轉型，也是對美學現代性不足的收納與焦慮。 IKEA宛如異國實境跨文化媒介景觀則提供了北歐文化想像「這裡想像，這裡實踐」與「觀光凝視」的消費空間。而IKEA的現代家庭想像則與消費主義結合，逐漸取代過去黨國威權政策主導的家庭想像。北歐作為另類現代性的想像的可能與不可能在於，北歐熱的確出現足以鬆動過往美式中心的西方現代性的想像。IKEA的美學現代性將DIY收納並且文化化與標準化，使消費者既勞動又休閒，成為不完全的消費者。然而，此媒介化的北歐文化想像之「排他性」並不高，容易被美式、日式文化認同抵消，僅成為日常生活消費實踐的選項之一。 本研究更發現，在台灣多重現代性的脈絡下，北歐現代

性與以往美國、日本大型商業區、地景式複製的現代性打造並不相同。北歐現代性想像是一種室內、小型、可負擔、平價美學與個人消費的另類現代性。