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Adrian Rollini: The Life and Music of a Jazz Rambler

為了解決Bass instrument的問題，作者Delden, Ate Van 這樣論述：

Adrian Rollini (1903-1956), an American jazz multi-instrumentalist, played the bass saxophone, piano, vibraphone, and an array of other instruments. He even introduced some, such as the harmonica-like cuesnophone, called Goofus, never before wielded in jazz. Adrian Rollini: The Life and Music of a J

azz Rambler draws on oral history, countless vintage articles, and family archives to trace Rollini's life, from his family's arrival in the US to his development and career as a musician and to his retirement and death.A child prodigy, Rollini was playing the piano in public at the age of five. At

sixteen in New York he was recording pianola rolls when his peers recognized his talent and asked him to play xylophone and piano in a new band, the California Ramblers. When he decided to play a relatively new instrument, the bass saxophone, the Ramblers made their mark on jazz forever. Rollini bec

ame the man who gave this instrument its place. Yet he did not limit himself to playing bass parts--he became the California Ramblers' major soloist and created the studio and public sound of the band.In 1927 Rollini led a new band that included such jazz greats as Bix Beiderbecke and Frank Trumbaue

r. During the Depression years, he was back in New York playing with several bands including his own New California Ramblers. In the 1940s, Rollini purchased a property on Key Largo. He rarely performed again for the public but hosted rollicking jam sessions at his fishing lodge with some of the bes

t nationally known and local players. After a car wreck and an unfortunate hospitalization, Rollini passed away at age fifty-three. Ate van Delden is a music scholar whose writing has appeared in such publications as Doctor Jazz and Vintage Jazz Mart and in the form of liner notes to several CDs.

He is a former board member of the Doctor Jazz Foundation, a Dutch organization for the promotion of classic jazz.

Bass instrument進入發燒排行的影片

教練型領導組織承諾的關係:以組織創新活力為中介變項

為了解決Bass instrument的問題，作者賴世耕 這樣論述：

教練型領導是通過鼓勵、指導、授權等方式樹立工作目標，最終實現領導者和員工之間相互促進以及共同發展。透過提高組織創新活力，來提高組織承諾，使員工達到對企業有緊密的關係，並且提高創新活力，以利組織面對環境改變越來越快速的問題。本研究之搜取樣本方法使用便利抽樣方式，而研究對象為台灣企業之員工，須在公司滿3個月以上工作經驗，並具有團隊經驗，以網路問卷發放，共回收452份問卷，刪除無效問卷後共409份，有效問卷之回收率為90.48%。在統計數據顯示，假設一為教練型領導對整體組織承諾具有顯著正向影響(β=.712 , p < .001)，故假設一成立。假設二教練型領導對整體組織創新活力具有顯著正向影響(

β=.749 , p < .001)，故假設二的推論成立。假設三組織創新活力對整體組織承諾具有顯著正向影響(β=.846 , p < .001)，假設三的推論成立。假設四組織創新活力中介教練型領導與組織承諾之間在加入組織創新活力的中介變項後，教練型領導對組織承諾的影響力下降(β= .712 , p < .001、β= .183 , p < .001)，故假設四成立。根據上述的假設成立給予實務上的建議，首先，在現今大數據時代的來臨，若組織內部的領導者具有教練型領導風格，可以帶給員工更高的組織承諾；在面對需要快速創新的產業與組織，教練型領導能夠促進組織創新活力，是組織面對創新更有動能；在組織中的組

織創新活力的程度越高，會更吸引組織內部的成員提高歸屬感與承諾；在了解組織創新活力中介於教練型領導與組織承諾之間，可以更能夠了解，組織內部員工對於領導者與組織需要能夠帶來協助與好的溝通才有辦法讓員工有所歸屬。

Adrian Rollini: The Life and Music of a Jazz Rambler

為了解決Bass instrument的問題，作者Delden, Ate Van 這樣論述：

Adrian Rollini (1903-1956), an American jazz multi-instrumentalist, played the bass saxophone, piano, vibraphone, and an array of other instruments. He even introduced some, such as the harmonica-like cuesnophone, called Goofus, never before wielded in jazz. Adrian Rollini: The Life and Music of a J

azz Rambler draws on oral history, countless vintage articles, and family archives to trace Rollini's life, from his family's arrival in the US to his development and career as a musician and to his retirement and death.A child prodigy, Rollini was playing the piano in public at the age of five. At

sixteen in New York he was recording pianola rolls when his peers recognized his talent and asked him to play xylophone and piano in a new band, the California Ramblers. When he decided to play a relatively new instrument, the bass saxophone, the Ramblers made their mark on jazz forever. Rollini bec

ame the man who gave this instrument its place. Yet he did not limit himself to playing bass parts--he became the California Ramblers' major soloist and created the studio and public sound of the band.In 1927 Rollini led a new band that included such jazz greats as Bix Beiderbecke and Frank Trumbaue

r. During the Depression years, he was back in New York playing with several bands including his own New California Ramblers. In the 1940s, Rollini purchased a property on Key Largo. He rarely performed again for the public but hosted rollicking jam sessions at his fishing lodge with some of the bes

t nationally known and local players. After a car wreck and an unfortunate hospitalization, Rollini passed away at age fifty-three. Ate van Delden is a music scholar whose writing has appeared in such publications as Doctor Jazz and Vintage Jazz Mart and in the form of liner notes to several CDs.

He is a former board member of the Doctor Jazz Foundation, a Dutch organization for the promotion of classic jazz.

A Practice-based Research of Sound Design Producing in Videography

為了解決Bass instrument的問題，作者林永宏 這樣論述：

Making a good video needs to consider of many aspects such as story, image composition, lighting, sounds and music. In this study, the researcher demonstrated the process of making background music with an animation of Indonesia urban legend, Malin Kundang, a documentary video of Indonesian Muslim

lives in Taiwan, and commercial film of Ming Chi University of Technology by using the Creative Problem-Solving model which have 3 stages understand the problem, finding the ideas and planning for action. The results of this study provided a background music of the videos that enhance emotional feel

ing sync in with video images, documentation the process of making music and data collection from the audience and the musician experts, both feedbacks have a positive response that the music background was successfully enhanced the emotional feeling between the visual and audio itself and created a

conclusion of music element contained the ethnical element, flow of the music and the instrument choices. As the personal learning experiences from the researcher, a basic of knowledge music theory, understanding the context of the video and exploration of various instrument helps the student who a

re also interested to self-learning digital music.