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Right Said Fred: The Autobiography

為了解決Bass Guitar的問題，作者Fairbrass, Fred,Fairbrass, Richard 這樣論述：

Richard and Fred Fairbrass, better known as Right Said Fred, scored a Number 1 hit in 70 countries with 1991’s ’I’m Too Sexy’, selling 30 million albums, being showered with industry awards, and earning plaudits from admirers such as Madonna and Prince. Before that breakthrough, though, the brothers

spent 15 years trying to make it. Fred played guitar with Bob Dylan and Richard played bass for David Bowie, with the brothers also sharing stages with Joy Division and Suicide. Once fame hit, the good times rolled--but as the years passed, the brothers found themselves drawn into a destructive spi

ral of sex and substances, resolving their situation before it was too late. This is that story. Richard Fairbrass and Fred Fairbrass are award-winning songwriters, having scored Number 1 hits in 70 countries, including two US Number 1s, three UK Number 1s, and a Number 1 in Japan. They were the f

irst band since the Beatles to reach the Number 1 slot in the US with their debut single. They have played in front of the Queen and Nelson Mandela, their global sales total 30 million, and their songs have been streamed over 100 million times on Spotify. They live in Windsor and Barcelona.

Bass Guitar進入發燒排行的影片

A Practice-based Research of Sound Design Producing in Videography

為了解決Bass Guitar的問題，作者林永宏 這樣論述：

Making a good video needs to consider of many aspects such as story, image composition, lighting, sounds and music. In this study, the researcher demonstrated the process of making background music with an animation of Indonesia urban legend, Malin Kundang, a documentary video of Indonesian Muslim

lives in Taiwan, and commercial film of Ming Chi University of Technology by using the Creative Problem-Solving model which have 3 stages understand the problem, finding the ideas and planning for action. The results of this study provided a background music of the videos that enhance emotional feel

ing sync in with video images, documentation the process of making music and data collection from the audience and the musician experts, both feedbacks have a positive response that the music background was successfully enhanced the emotional feeling between the visual and audio itself and created a

conclusion of music element contained the ethnical element, flow of the music and the instrument choices. As the personal learning experiences from the researcher, a basic of knowledge music theory, understanding the context of the video and exploration of various instrument helps the student who a

re also interested to self-learning digital music.

I Heard a Sound

為了解決Bass Guitar的問題，作者Ward, David J. 這樣論述：

David J. Ward entered college to study radio and television but quickly found his true passion was science. He finished with a master’s degree in geology. After working as a geologist for seven years, David became a high school science teacher and has been teaching ever since. The classes he teaches

are physics, astronomy, geology, and earth science. David lives in Colorado with his wife and two boys. He like to play basketball, hike in the mountains, and play bass guitar. Eric Comstock was encouraged to pursue a career in the arts after taking an illustration class in college. After working i

n advertising for 11 years, he shifted gears and took up freelance illustration. Eric is inspired by music, and his passion for children’s books grew from their colorful expression, which reminded him of music on the page. He collects old jazz albums to open up his creative pathways and stir up new

ideas. Eric lives in Austin, TX where he and his wife, who is also an artist, work together while raising four kids and one dog.

流行跨界手風琴演奏專輯錄音製作—以《台北香頌》專輯為例

為了解決Bass Guitar的問題，作者蔡偉靖 這樣論述：

手風琴因為其和聲豐富以及便於攜帶的特性，從發源地歐洲流傳至世界各地，在兩百年左右的時間內逐漸與各國音樂融合，形成獨樹一格的音樂風格。而手風琴亦曾為台灣流行音樂中不可或缺的樂器之一，從二戰後早期的音樂製作及錄音中，到北投溫泉紅遍一時那卡西走唱文化，皆能聽到手風琴的聲音。筆者身為手風琴手，基於推廣及復興手風琴音樂，希望以流行音樂形式，重新創作屬於手風琴的當代跨界音樂。作品將以手風琴為主要樂器，製作當代演奏類流行跨界音樂風格的錄音室音樂專輯。筆者將擔任《台北香頌》主要專輯製作、作曲以及編曲工作 ，專輯總共十首曲目，總長度約40分鐘，專輯樂器編制使用各種不同的手風琴、低音提琴、鋼琴、 吉他、小提琴等

樂器。本書面報告將針對此專輯的企劃、曲目以及音樂製作流程進行論述以及分析。