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The Endless Tide

為了解決ENDLESS的問題，作者Thomson, Iain R. 這樣論述：

In The Endless Tide, Iain R. Thomson turns his attention to the Hebrides, and the collection of stories that permeate the area. Meeting a vast cast of characters, he ranges from personal anecdotes of country life to political and scientific issues, looking at agricultural politics and ecological

debates. North Scotland's brutal Viking origins and the mysterious Pagan practices of its past are explored, yet The Endless Tide's reach extends far beyond this, touching on world events since pre-Biblical times.Varied and compelling, humorous and poetic, space and freedom pour from the pages. Mixi

ng his own personal story with Scotland's history, Iain Thomson presents a myriad of ideas, snapshots and autobiographical accounts whichconjure up the vital past and continuing force of the elusive Highland spirit. The Endless Tide is a sweeping, imaginative, provocative work which functions on a m

icro- and macro-level, examining the continual cycle of humanity, and Scotland's part in the process.

ENDLESS進入發燒排行的影片

利用模糊層級分析法 探討半導體產業品牌影響因素之分析

為了解決ENDLESS的問題，作者范志旻 這樣論述：

隨著時間的流逝，半導體創新正在發生變化，可以適用於不同的創新業務，半導體業務的發展至關重要，因而開闢了許多新的職位。半導體業務是一個融合了不同創新能力並協調上游，中途和下游提供商的專業能力的行業，並且通常具有較高的進入壁壘 。廠家已投入花費很多精力與成本進入這個行業，期盼永續經營與回饋利害關係人。本研究第一步採用PEST, 五力 & SWOT分析，在美國，日本和臺灣，這些是國際半導體供應商鏈中的關鍵成員。經過最新半導體有關文獻的討論和分析，發現現有廠商已經建立了行業品牌，並獲得了用戶的信任。因此，品牌研究在這個行業是大家一直在探索的領域。考慮到寫作對話和大師談話，本研究使用分析層次結構(A

HP)研究技術對品牌的關鍵指針在半導體品牌的關鍵部件上進行重要性的排序，然後利用模糊層次分析法(FAHP)來分析這些標記之間的聯繫。經調查，有11項顯著結果可供參考，關鍵是要在半導體品牌建設上取得優異的成績，“客戶價值”和“品牌資產”都必須達到一定的水平。本研究發現，半導體品牌策略應以“客戶價值”為核心，解決客戶問題，創造卓越價值，並隨著技術的進步不斷投入新產品的研發，以奠定半導體品牌長期成功的基礎。

Pedros Yo-Yos: How a Filipino Immigrant Came to America and Changed the World of Toys

為了解決ENDLESS的問題，作者Penas, Roberto 這樣論述：

Discover the rags-to-riches backstory of one of America's favorite toys, the yo-yo, in this colorful biography of businessman Pedro Flores. It can spin and roll, leap and twirl. You can stretch it between your hands or swing it between your legs. The tricks you can do with one are nearly endless. No

wonder the yo-yo is one of the most successful toys ever made And its popularity began with a Filipino immigrant seeking a better life in the US. Pedro Flores was born in the Philippines in 1896, when Spain still ruled his country. After the US took over, Pedro traveled to California, received an

education, and looked for ways to go into business for himself. Then he remembered a toy from his childhood called the yo-yo, which means come back in Tagalog. With a couple blocks of wood and a little string, Pedro created his first model yo-yo and practiced tricks to show it off. It was an instant

hit When children saw the yo-yo in action, they clamored to get one themselves. So Pedro always performed his tricks near movie theaters, outside candy shops--anywhere he knew children would see the toy. Soon he was hiring fellow Filipinos to advertise it for him, while he ran factories that manuf

actured more than a million yo-yos a week But Pedro's success didn't stop there, as the yo-yo developed into a pastime that's popular even today, while Pedro himself pursued what truly mattered to him. Pedro's Yo-Yos is the lively story of one immigrant's ups and downs on the way to his American dr

eam. Roberto Peñas is a second-generation Filipino-American with a master’s degree in Philippine History. He won Lee & Low’s New Voices Award for the manuscript for Pedro’s Yo-Yos. He lives near Kansas City, Missouri, and you can find him on the web at robertopenas.com. Carl Angel is an artist, i

llustrator, and graphic designer whose work has been exhibited throughout the San Francisco Bay Area and Hawai’i. A Filipino American who grew up in Honolulu, Carl lives in San Leandro, California. He is the illustrator of several books, including Willie Wins, Lakas and the Manilatown Fish, and Laka

s and the Makibaka Hotel.

「心間風景」－劉琦文陶藝創作論述

為了解決ENDLESS的問題，作者劉琦文 這樣論述：

自身熱愛及關注藝術，佔了生命裡大部分的時間，也註定了離不開藝術的人生。藉由藝術創作，療癒著自身不安的心靈，並朝著圓滿自我的藝術之夢直到不能動的那時刻，都要不停止的創作。 筆者認為生命是一場高低起伏的冒險，在心靈軟空間裡沉澱、喘息、遊戲、成長，體會著蘊含無限可能的生命歷程。生命總以讓人措手不及的方式到來與離去，在面對人生無常又不可逆的困境，失去所愛、痛的課題、無止境內外在的壓迫無力感，錯落於筆者的心間風景。透過探索自我內心及聆聽其生命對話，藉由藝術創作療癒心靈。同時希望能與觀者產生共鳴，使其知悉心靈並不孤單，遇見曙光，ㄧ步步慢慢自癒。從莊子逍遙遊之美學中的人生境地，尋求內心的自在

與實現。 筆者經由陶藝創作的實踐，將生命歷程的「心間風景」內涵轉化為陶藝造形表現。土藉由手塑，像是在為內心的那塊心田按摩與安撫。以軟土板為表現的「褶皺彎曲造形」像是內心的情感面，各樣的層層疊疊如同心境的變化，映照生命的內在風景。將精熟的技法把自身揉捏入內，以意象思維體現意境與意念表達於陶藝創作之中，將作品分為「初景」、「霽景」、「綻景」三階段狀態，充分詮釋「心間風景」的意涵與價值，往那無限且不可知的藝術創作方向前進並延伸。