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Patternmaking for Womenswear. Vol. 2: Constructing Base Patterns, Dresses

為了解決Fashion designer的問題，作者 這樣論述：

Developed by fashion designer and teacher Dominique Pellen, the patternmaking method is explained in this book in a simple, clear, precise, highly detailed manner, and covers the information necessary for creating different bodices, sleeves and collars.This book contains the perfect method for creat

ing bodices, sleeves and collars as a base pattern for different styles and designs, explained in a simple, clear, precise, highly detailed manner. It covers the information necessary for drafting flat patterns for just about every style there is, and can easily be adapted to all skill levels. Flat-

pattern drafting is the process of creating volume from a 2-D surface by outlining a pattern on paper, using specific body measurements to which ease is added according to the desired look of the garment. Developed by fashion designer and teacher Dominique Pellen after countless years of experience

in the studio and in the classroom, the method for the creation and adaptation of flat patterns contained herein is suitable for a vast audience, including professionals, students and simply anyone who loves to sew. The book has already been used at professional schools and institutes, where Pellen’

s method has proven to be reliable and foolproof. This expanded and updated volume on bodices, sleeves and collars is the second in a series of guides that will explore the exciting world of garment-making, a gateway that is designed to help clothiers understand and design patterns on their own. P

assionate about the arts, Dominique Pellen began his career with studies in drawing and painting, focusing his artistic career on fashion illustration, design and patternmaking. He has alternated collaborations with different international couturiers and brands with consulting, teaching and lectures

on styling, design and patternmaking at one of the world’s most respected fashion institutions, the exclusive Chambre Syndicale de la Couture Parisienne (the Haute Couture Trade Association of Paris, France, whose members include most emblematic brands, such as Dior, Lanvin, Balmain, Mandel and Ann

e Valérie Hash), known today as the Institut Français de la Mode.

Fashion designer進入發燒排行的影片

服裝在文化上的創新與永續設計

為了解決Fashion designer的問題，作者張靖爾 這樣論述：

隨著西方服飾普及，傳統服裝日趨沒落，和近年來，服裝對環境所帶來的巨大污染，本研究思索傳統服裝永續傳承及當前服裝永續議題的重要性與急迫性，採用「以人為本的設計」理論，針對服裝的文化特色、色彩等和服裝永續設計探討大專校院學生對服裝的文化創新及藍染傳統技術應用的看法。目的是嘗試透過研究，了解服裝藉文化的創新、推展並融入環保原則擴大市場、提升產業值，使服裝邁向永續經營的可行性。本研究透過因素分析、單因子變異數分析和結構方程模型，對384名大學生及研究生進行考驗、分析。 研究結果顯示，1. 參與者認同服裝可透過創新的設計吸引年輕的潛在消費者。2. 由於傳統藍染具天然可持續和色彩搭配變化豐富的特性

，參與者認同其有助於染色過程不使環境遭受破壞、認同其在使用上具有永續性。3. 在服裝永續設計方面，參與者認同服裝產品的永續性需求，同時也對減少廢棄服裝的數量表示支持。因此，整體設計過程以「人」為思考中心，參與者認同對於傳統服裝，可藉創新的設計，對於服裝環保議題，則可藉持續的關注與實踐，而達成服裝永續之目標。故「以人為本的設計」理論運用於服裝領域是有效的。研究最後建議，面對現今服裝永續的議題，唯有追求服裝在文化特色上能不斷創新、產品設計具可持續性、提升使用者滿意度和參與負責任的消費，多管齊下，方能促進服裝的永續發展。 故服裝在包含線條、配飾、色彩等方面的文化創新和服裝永續設計的相關研究結果

，驗證了以人為本的設計理論模型對服裝永續創新和可持續的貢獻；而對相關業者、服裝設計人員的產品開發，與消費者力行永續的消費也具有重要意義。

79 Amazing Science Games to Blow Your Mind!

為了解決Fashion designer的問題，作者Claybourne, Anna 這樣論述：

Anna Claybourne is an award-winning science writer, and has written many books for Usborne Publishing, A&C Black and Franklin Watts. She writes mainly non-fiction, covering topics such as science, art, wildlife and fashion, but has also published books about Shakespeare, myths and legends and retell

ings of literary classics. She is based in Edinburgh. Amy Willcox is an up-and-coming freelance designer and illustrator based in Norwich. She studied Illustration at University College Falmouth, in the UK.

二手零售服装 VS 品牌服装：菲律賓服装的偏好

為了解決Fashion designer的問題，作者潔洛米 這樣論述：

AbstractIn the apparel industry, overindulgence is visible, with cheap clothing contributing to a fast cycle of consumer purchase as the same time as branded clothing. The goal of this study was to learn about the lived experiences of Filipino employees and to learn about their preferences for seco

ndhand and branded clothes shopping. Furthermore, the study used the variables perfection seeking, casual curiosity, and digging to investigate consumers' views of the features of their preference. To address the research objectives, guide questions were created. To collect data from the participant

s, who were Filipino workers that engage in fashion consumption, the study used a qualitative technique based on phenomenology, specifically Giorgi's method of analysis. Themes arose from the interviews, which were discussed. This study adds to the body of knowledge about consumer behavior and colla

borative fashion consumption. The limitations of the study as well as ideas for further research were explored.Keywords: fashion consumption, secondhand-retail clothing, preference, Filipino workers