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Pot in Pans: A History of Eating Cannabis

為了解決Flower icon的問題，作者Lawrence, Robyn Griggs/ Kilham, Chris (FRW) 這樣論述：

Pot in Pans: A History of Eating Weed is a comprehensive history of cannabis as a unique culinary ingredient, from ancient India and Persia to today's explosive new market. Cannabis, the hottest new global food trend, has been providing humans with nutrition, medicine, and solace - against all odds

- since the earliest cavepeople discovered its powers. In colorful detail, the book explores the debate over the cannabis plant's taxonomy and nomenclature, then follows as it co-evolves with humans throughout history, beloved by the masses, reviled by the elite, and shrouded in conflict and secrecy

. The story is held together by the thread of the Islamic confection majoun, created to manipulate a band of twelfth-century fedayeen, a legend that later inspired Western intellectuals and literati to discover and enjoy hashish and majoun. It's the story of how a U.S. drug czar got cannabis prohibi

ted around the world and how some cultures worked around that. It's the story of how a recipe for majoun made its way into the hands of Alice B. Toklas, an ex-pat in Paris, and then into the pages of a cookbook published in New York and London, leading to a major mix-up in a major motion picture tha

t morphed majoun into the pot brownie and turned the pot brownie into a Western icon forevermore. From the rowdy band of artists, rebels, and intellectuals who partook of majoun's charms and to an activist who made the pot brownie a symbol of compassion, it's the story of how cannabis cookery and ha

sh eating survived through decades of global prohibition and the birth of a skies-the-limit cannabis-infused food industry. Along the way, Robyn Griggs Lawrence explores the medicinal qualities of cannabis and its resurgence as a both a recreational drug and a respite from various illnesses and ailm

ents. With recipes and stories throughout, this work is sure to entertain and inform readers about the history of cannabis as an edible ingredient in a variety of foods. Robyn Griggs Lawrence is the author of the bestselling Cannabis Kitchen Cookbook, an instructor for a popular Green Flower Media

course, The Fundamentals of Cooking with Cannabis, and a contributing editor for Sensi magazine. She also authored The Wabi-Sabi House and Simply Imperfect: Revisiting the Wabi-Sabi House. Her work has been featured in the New York Times, Time magazine, Bloomberg, The Guardian, High Times, Fast Com

pany, Alternet, Huffington Post, Food Republic, and more. She lives in Boulder, Colorado.

Flower icon進入發燒排行的影片

皮爾斯符號學應用於插畫創作研究 ──以花語性格測驗為例

為了解決Flower icon的問題，作者王育安 這樣論述：

近年來韓式、歐式花藝在台灣越來越盛行，可以看到越來越多設計師及插畫家創作與植物、花卉相關作品，吸引到許多人的目光。從中發現花語似乎與符號學有某種關聯性，因此本研究思索是否可以透過符號學理論，分析出將花語的文字意象轉化成視覺圖像的可能性。並透過將花語與MBTI 16型人格做結合的方式，設計了一款《花語說》線上性格測驗，以此作為創作的成果，希望可以通過此線上測驗，了解符號的創造及人們對於符號解讀的方式，並達到增加觀者與插畫創作之間共鳴與互動的效果。本研究透過探討皮爾斯提出的符號類別及「無限衍義」(unlimited semiosis)的方式，找出將花語與人物性格結合並轉換為具體視覺符號的方法。並

透過文獻探討、案例分析，了解如何應用符號、形式、構圖去營造出想要傳達的視覺氛圍。對於後續進行角色插畫的創作整理出更加具體的想像以及規劃。本研究將創作過程分為五個階段，依序為一、主題確認：將MBTI人物性格與花語做配對，並依照配對結果，為每個角色插畫加入象徵物件做搭配。二、插畫繪製：依據確認的插花風格，完成16幅角色插畫創作以及線上測驗主視覺插畫、12道題目和花語與象徵物件插畫及動態。三、網頁流程與介面設計：完成所有插畫繪製後，進行整體線上測驗流程規劃與頁面介面設計。四、設計成果：整合所有插畫與介面樣式並加入轉場動態效果，過程中進行迭代、修改，最終完成整體線上性格測驗。五、實際驗證階段：本研究將

透過受測者對於線上測驗的實際體驗與半結構式的問卷訪談回饋，做出結論與建議。本研究發現應用符號學可精準地找到創作的線索與脈絡，雖然不同的觀者對於創作的感受程度會有所不同，但若遵循一些既有的色彩心理學、構圖方式等相關文獻知識的應用，可更加容易的營造出插畫所想要傳遞的氛圍。從《花語說》線上性格測驗使用者反饋得知，結合插畫與人格測驗確實可以增加觀者與插畫創作之間的共鳴與互動，並且願意推薦這項測驗給朋友體驗。而關於網頁的易用性以及網頁流程、資訊架構、使用者介面設計等相關領域的知識，都是後續可研究的方向。

Stone Free: Jimi Hendrix in London, September 1966-June 1967

為了解決Flower icon的問題，作者Obrecht, Jas 這樣論述：

A compelling portrait of rock's greatest guitarist at the moment of his ascendance, Stone Free is the first book to focus exclusively on the happiest and most productive period of Jimi Hendrix's life. As it begins in the fall of 1966, he's an under-sung, under-accomplished sideman struggling to surv

ive in New York City. Nine months later, he's the toast of Swinging London, a fashion icon, and the brightest star to step off the stage at the Monterey International Pop Festival. This momentum-building, day-by-day account of this extraordinary transformation offers new details into Jimi's personal

ity, relationships, songwriting, guitar innovations, studio sessions, and record releases. It explores the social changes sweeping the U.K., Hendrix's role in the dawning of "flower power," and the prejudice he faced while fronting the Jimi Hendrix Experience. In addition to featuring the voices of

Jimi, his bandmates, and other eyewitnesses, Stone Free draws extensively from contemporary accounts published in English- and foreign-language newspapers and music magazines. This celebratory account is a must-read for Hendrix fans.

農民數位資訊需求與取得行為之研究

為了解決Flower icon的問題，作者陳一心 這樣論述：

由於臺灣的農業人口老化，導致農民的整體上網率不僅偏低，也使得農業與其他行業工作者之間存在明顯的數位落差。然而，隨著農業知識數位化，資通訊科技大量運用在農業生產、管理與運銷過程中，各類農民的數位使用行為、數位資訊需求的差異更需要被關注。因此，本研究參照數位落差與農業創新傳佈的理論觀點，結合量性與質性研究方法，除了整體呈現臺灣農民的數位資訊接觸與使用現況，也將針對產銷數位化程度較高的農業類別，深入瞭解從業者對於各類數位資訊的需求、獲取的方式與管道。量性分析使用的資料來自國發會「106年農民數位機會現況與需求調查」，分析結果顯示58%的農民曾上網。在有上網的農民中，49%會透過網路取得農業相關資訊

，深入檢視則發現年輕、具有專科以上教育程度、農業收入較高、生產蔬果花卉的農民會更廣泛地搜尋並使用與農業生產技術、管理銷售有關的數位資訊。因此，質性研究的對象選自數位化程度較高的花卉產業，深度訪談結果顯示，農場主與花農都重視與花卉生產有關之技術、品種和病蟲害防治資訊，也會關注市場行情與農情報告。由於花卉產業具有內外銷、產業鏈分工明確的特性，因而會影響農場主與花農獲取數位資訊的管道與類型。以外銷為主的蘭花農民，對品種和國際市場資訊有較高需求，除了主動蒐集相關的數位資訊，也能透過蘭協等組織獲取重要訊息。對於生產其他外銷花卉的農民而言，則主要依賴產銷體系中扮演關鍵角色的貿易商提供生產端或市場端的重要資

訊。至於以國內市場為主的花農，則會依其生產經營方向與規模接觸相關資訊，個人的主動性與資訊接觸的廣度與深度有關。數位發展的結果，除了提供農民有效獲取創新知識與技能的管道，也促成農民與同業間形成訊息分享與互助的社群網絡，兩者皆有助農民解決問題並增進農務工作的效率。