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End Game: Does Israel Have a Plan?

為了解決LED Strip的問題，作者Sachs, Natan 這樣論述：

How Israelis envision and plan for the future of their countryDoes Israel have a plan? What does the country want to look like in 10 or 20 years? What borders does it hope to have? Will the West Bank or the Gaza Strip be part of it? Will the Palestinians residing the territories be granted citizensh

ip and become Israeli citizens? Does the country as a whole even know what it wants, what its goals are, or how to achieve them?Israel faces a fundamental question, a "trilemma." It can choose only two of three different goals many Israelis hold dear: to maintain control over the West Bank, with its

strategic and religious significance to Israel; to retain a clear Jewish majority, the goal of the Zionist movement that founded the state; or to remain a democracy, with full voting rights for all citizens.This trilemma has caused world leaders and publics, Israel-supporters and critics, to wonder

aloud time and again: what does Israel want? If it wishes to maintain its Jewish and democratic character, surely it must separate from the West Bank and its population; why then does Israel keep building in Israeli settlements in the West Bank, making such separation all the more difficult? And if

it plans to retain control over the West Bank, is it really willing to give up on either its Jewish nature or its democracy?End Game attempts to solve the puzzle of why the Israeli strategic vision seems so elusive to many foreigners and Israelis alike. It explores how Israelis' beliefs about their

future are formed and how their visions are translated into policy, focusing on three factors in depth: the role of security concerns, ideology, and domestic political constraints that combine to shape Israel's strategic posture.The book contrasts the full range of views in Israel over the future o

f the West Bank, from supporters of a bi-national state or confederacy on the left, to supporters of a "one state" on the far right of the political spectrum. It pays particular attention to the worldview of the political center-right, led by Prime Minister Benjamin Netanyahu, a conservative, risk-a

verse and "anti-solutionist" approach to the problem. This worldview, following decades of precedent, rejects the need for a full-fledged strategic "solution" to the problem, leading to widespread confusion over Israel's goals. The book analyses and critiques this approach, arguing forcefully for en

ding Israeli indecision over the future of the land and in favor of partition and, eventually, peace. Dr. Natan Sachs is a fellow in the Center for Middle East Policy at the Brookings Institution. His research focuses on Israel’s foreign policy, its domestic politics, and on U.S.-Israeli relations

. Before joining Brookings, Sachs was a Hewlett Fellow at Stanford’s Center on Democracy, Development and the Rule of Law, a Fulbright Fellow in Indonesia, and a Visiting Fellow at Tel Aviv University’s Dayan Center for Middle Eastern and African Studies.

LED Strip進入發燒排行的影片

基於深度學習的鋼材表面檢測系統方法

為了解決LED Strip的問題，作者范亞諾 這樣論述：

表面缺陷是工業製造過程中影響產品質量的常見問題。許多公司投入大量精力開發自動檢測系統來解決這個問題。為了提供長壽命技術，幫助製造商提升產品質量，我們先後開發了六個版本的基於深度學習的鋼材表面缺陷檢測系統。我們的模型採用基於單階段和多階段缺陷檢測的深度學習方法。我們通過選擇合適的檢測器組件來改進它：注意力模塊、卷積模塊和區域提議模塊，以精確定位鋼缺陷區域。作為模型開發的一部分，我們通過比較超分辨率和縮放技術的概念提出了一個新穎的預處理階段。這一階段解決了鋼鐵缺陷數據集中的四個不一致特徵：缺陷分辨率方面、不同的缺陷尺度、不同的缺陷方向和任意缺陷形狀。此外，我們提出了新的最終縮放來選擇測試圖像大小

，因為這是一個關鍵問題，因為每個鋼鐵數據集都有自己的圖像大小。實驗研究表明，我們提出的模型從初始版本到穩定版本不斷提高檢測精度和效率。我們希望我們的創新能夠通過提高生產力和保持高產品質量來加速鋼鐵製造過程的自動化。

2000 Ad Regened Volume 4, 4

為了解決LED Strip的問題，作者Ramzee,Johnson, Liam 這樣論述：

RAMZEE is what happens to a kid who grows up on a diet of 90’s Image and 2000’s Toonami. Since being nominated for a British Comic Award for his debut indie comic in 2016, he’s gone on to draw illustrations for the BBC & MerkyBooks and write Cat Girl for Rebellion’s ’Tammy & Jinty’, ’FAB’ for StoryW

orlds and write & draw his first graphic novel ’LDN’ for Good Comics. Korinna is a half Greek/half Singaporean/half Goblin comic artist who is excellent at maths. She’s been self-publishing comics since 2015, including the hilarious webcomic Adventure of Croblin, and had lots of fun working on femal

e-led anthologies Smutcomic and Comic Book Slumber Party. She enjoys walking around to find ugly architecture, catching frogs, and beer Liam Johnson is a comics writer and winner of 2000 AD’s 2019 Talent Search, whose credits include Future Shocks and Venus Bluegenes (for 2000 AD) and Missing Person

s (for Markosia). He also writes for television, including a number of credits for ITV’s Emmerdale. Duane Redhead is a comic artist, whose previous credits with 2000AD include Terror Tales, Past Imperfect and Durham Red. Duane has also worked on the Games Workshop Codex for The Black Library, and co

ntinues to draw The Tick for New England Comics where he started his first title in 2012. Gordon Rennie is one of 2000 AD’s most prolific creators, with co-creative credits for Caballistics, Inc., Missionary Man, Necronauts, Storming Heaven, Rain Dogs and Witchworld. Rennie has written for Heavy Met

al and Warhammer, as well as Species, Starship Troopers and White Trash. Emma Beeby had established herself as a professional writer in the film and games industries before moving into the comics arena. The first woman to write Judge Dredd, she has also worked on several other strips for 2000 AD, in

cluding Judge Anderson, The Alienist and Survival Geeks (co-creating the latter two strips with frequent writing partner Gordon Rennie). Outside of the Galaxy’s Greatest Comic, she co-created (again with Rennie) the award-winning graphic novel Robbie Burns: Witch Hunter, and has co-written a Doctor

Who series for Titan Comics. Neil Googe has been lending his talent to 2000 AD for over twenty years, illustrating strips such as Judge Dredd, Pulp Sci-Fi and Hondo City Justice for the Judge Dredd Megazine. Beyond his work with 2000 AD he has also worked on WildCats and The Flash for DC Comics. Kar

l Stock has written Tharg’s Future Shocks for 2000AD, Dredd prose fiction for the Judge Dredd Megazine and strips including Sniper Elite and Death Wish for Rebellion titles such as Battle, The Vigilant and Cor! & Buster, as well as interviews and features about comics for the Judge Dredd Megazine, T

ripwire, Comic Heroes and more. He is the co-author of the 40th anniversary edition of Thrill-Power Overload, 2000AD’s official history, and lives in Scotland. Steve Roberts is a comic artist and Lead Creative and writer for children’s TV. He has drawn comics for 2000ad including Banzai Battalion, J

udge Dredd, Sinister Dexter and Bec and Kawl. Outside comics Steve has worked as a Lead Creative and writer for Ragdoll Productions Ltd. He worked on several shows that were broadcast on the BBC channel CBeebies. These included Dipdap which he co-created and which went on to win a Childrens BAFTA aw

ard in 2011. He also worked on The Adventures of Abney and Teal and Twirlywoos and recently co created B.O.T. and the Beasties. Ben Willsher got his break in comics in the ground-breaking Deadline magazine (home of Tank Girl), before being stolen by the world of computer games, where he has worked a

s an Art Director for many years. However, the lure of Comics was too strong and he came back to 2000 AD and has drawn Future Shocks, Pulp Sci-Fi, Tharg’s Terror Tales, Sinister Dexter, Damnation Station, but he is probably best known for his work on Judge Dredd. As well as reviving the uber cool gr

ifter Lenny Zero, with original creator Andy Diggle, Willsher has just concluded a movie Dreddverse strip titled Dust. Beyond his accomplishments in the world of comics he has also worked in film, television and the music industry, and is heavily involved in the World of Doctor Who, where he has ill

ustrated work for the Time Lord luminaries such as Russell T Davies, Mark Gatiss, and comic giant Neil Gaiman. David Baillie is a Scottish writer and artist who works in comics, film and television. As well as various strips for 2000 AD and the Megazine, he also created and wrote the series Red Thor

n for Vertigo/DC. He lives in London with his darling wife, mischievous daughter and a multitude of unforgiving deadlines. Since joining 2000 AD in 1986 Colin MacNeil has worked on many strips, including Chopper: Song of the Surfer and the infamous death of Johnny Alpha in Strontium Dog: The Final S

olution. He went on to collaborate with John Wagner on the award-winning America for the Judge Dredd Megazine. He has also worked on Shimura, Maelstrom and Fiends of the Eastern Front: Stalingrad, and, outside of the Galaxy’s Greatest Comic, provided the atmospheric artwork on Bloodquest for Games W

orkshop. He also enjoys creating large abstract paintings. He says it’s art therapy! Author and comic book writer Cavan Scott is a UK number one bestseller who has written for such popular worlds as Star Wars, Doctor Who, Star Trek, Vikings, Warhammer 40,000 and Sherlock Holmes. He is the author of

Star Wars Dooku: Jedi Lost, Judge Dredd: Alternative Facts, The Patchwork Devil, and Cry of the Innocents, and is part of Lucasfilm’s Project Luminous publishing initiative. He has written comics for IDW, Dark Horse, Vertigo, Titan, Legendary, 2000AD, and the Beano. Luke Horsman is an illustrator an

d comic book artist and has been working in the design and illustration industry for nearly 20 years across a variety of media platforms for 100s of clients, including printed publications, websites and games. Now solely a comic book artist he has done scores of work for multiple clients, independen

t publishers and authors. He’s also currently working on a creator owned project ＂Oathbound＂, an illustrated saga of Norse tales. James Peaty has written for publishers including Marvel Comics, DC Comics and Dark Horse Comics in the US as well as Rebellion Publishing and Titan Comics in the UK. Duri

ng that time he has written for titles including The Batman Strikes!, X-Men Unlimited, Green Arrow. Supergirl, Justice League Unlimited and Doctor Who. For 2000AD he wrote and co-created Skip Tracer (with artist Paul Marshall), while for The Judge Dredd Megazine he wrote and co-created Diamond Dogs

(with artist Warren Pleece). Colin Harvey is a London-based writer working across comics, games, books, audio and Virtual Reality. His work includes the video games Blood and Truth (Sony 2019) and Sniper Elite 4 (Rebellion 2017), as well as tie-in material for Big Finish’s Doctor Who and Highlander

ranges. He’s the author of ’Dead Kelly’, a novella for Abaddon Books’ Afterblight series, and comic stories for 2000AD and Commando. His book Fantastic Transmedia, an analysis of large and small-scale crossmedia storytelling in science fiction and fantasy franchises, was published by Palgrave in 201

5. Tom Newell, 34, is an illustrator, designer and comic artist from the West Midlands, UK. His many influences include Simon Bisley, John Buscema and Sean Gordon Murphy. In 2016 Tom decided to take learning to draw seriously and joined a university comic art course, with the single goal in mind of

one day to be a successful comic artist. For the last year Tom has worked closely with UK based comic artist John Charles, on his creator owned project, Technofreak.

整合水平關節機器人與深度學習於化學纖維紡嘴智慧自動檢測系統開發

為了解決LED Strip的問題，作者陳冠霖 這樣論述：

紡織業中的纖維分為許多種類，依製造的方式分為天然纖維及化學纖維，其中化學纖維的製作過程是將纖維素經過化學藥品處理成液體後，再透過紡口板上的紡嘴壓抽成絲，而紡口板是製作化學纖維最重要的元件之一，因此，在長時間製造化學纖維時，可能會導致紡嘴阻塞而影響生產的化學纖維品質，所以需要對紡口板進行檢測，而傳統的檢測都是藉由人工的方式，可能會導致穩定性不佳以及人工成本過高，因此，開發一套智慧自動檢測系統以取代人工並提高檢測的穩定性。本系統使用水平關節機器人搭配深度學習以及自動光學檢測來檢測化學纖維紡口板上之紡嘴的阻塞情況，不僅可以取代人工上下料且降低人工成本，並利用深度學習提高檢測系統的準確性及穩定性，使

整體系統達到全自動化的檢測系統。本系統的架構以雙Basler ace工業相機利用GigE方式連接、雙工業遠心鏡頭以及水平關節機器人組成，透過工業相機將當前影像進行處理並藉由深度學習模型檢測阻塞情況。本論文為檢測紡口板上之紡嘴，其紡口板分為兩種，環形排列和直行排列。環形排列的紡口板上有72孔紡嘴半徑為90 μm，直行排列則是有96孔紡嘴半徑為85 μm，當取得影像時會先將影像分割成數個250 x 250像素的小圖片，並將分割後的影像進行深度學習的標註和深度學習的訓練，透過大量的圖片數據讓訓練時進行多次的疊代，其主要是提升檢測的精確度，訓練完成後可在0.8秒內檢測單孔紡嘴的阻塞情況。本論文使用的深

度學習是採用全卷積神經網路進行訓練，且採用語義分割的方式將影像中阻塞的像素點進行阻塞分類，最後分別計算出每一紡嘴阻塞的總面積。