Obsolete的問題,透過圖書和論文來找解法和答案更準確安心。 我們找到下列包括價格和評價等資訊懶人包

Obsolete的問題,我們搜遍了碩博士論文和台灣出版的書籍,推薦寫的 Leaking Vessels: Issue 1 和Baudin, Michel的 Manufacturing Intelligence: The Art of Making Factory Data Talk都 可以從中找到所需的評價。

另外網站How fast is our world becoming obsolete? - Ericsson也說明:Today if you complete a computer science degree, what you learned in your first year of study is obsolete by year 3. And this is not only a ...

這兩本書分別來自 和所出版 。

國立雲林科技大學 設計學研究所 范國光所指導 周穎的 羅蘭·巴特符號思維啟示下仿古街區的路徑發展研究—以鹽鎮水街為例 (2021),提出Obsolete關鍵因素是什麼,來自於仿古街區、符號學、路徑發展、羅蘭巴特、地方人。

而第二篇論文銘傳大學 國際企業學系碩士班 寇敦智所指導 John Carlo Natalaray Caros的 The Project Success Factors in Construction Industry in the Philippines (2021),提出因為有 的重點而找出了 Obsolete的解答。

最後網站Obsolete object [iTop Documentation]則補充:Obsolete object. Introduced by iTop 2.4, the Data Model now includes an obsolescence notion defined per class of object, to improve user experience by ...

接下來讓我們看這些論文和書籍都說些什麼吧:

除了Obsolete,大家也想知道這些:

Leaking Vessels: Issue 1

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為了解決Obsolete的問題,作者 這樣論述:

Leaking Vessels is a new platform forwriting by visual and performance artists. Moving between critical, conversational, autobiographical, and poetic approaches, the journal entanglestheory, practice, and everyday life. For this first issue, we askedcontributors to consider the journal’s title. Leak

ing vessels are porous siteswhere bodies, histories, and ecologies are constituted and contested. Thepieces gathered here reflect on messy beds and menstrual art, ectoplasm anduncanny figuration, obsolete currency, rematriated cultural belongings, andmore. Contributors include Juan Betancurth, Tsohi

l Bhatia, Agnes Borinsky, LenaChen, Tara Fay Coleman, Matthew Constant, Jamison Edgar, Emily Johnson, AdilMansoor, and Zoe Sandoval. JamisonEdgar is aqueer southerner working between Los Angeles and Atlanta. Their work entanglespainterly abstraction, devised performance, video installation, and cr

eativenonfiction to share stories of flourishing, joy, and exuberance within the USAmerican south and beyond. A graduate of Carnegie Mellon University (MFA) andThe University of Georgia (BFA), Jamison is often covered in glitter, and theycollaborate with filmmakers, historians, archivists, data scie

ntists, andperformance makers to abstract historical records and sculpt cultural memories.They have shown in solo and group exhibitions throughout the United States aswell as London, Berlin, Singapore, and Budapest. They have been invited toparticipate in the Pilotenkueche International Arts Program

(Leipzig, Germany), and the D’Clinic Residency (Budapest, Hungary) and are the recipient of theFrank-Ratchye Fund for Art at the Frontier, The Carnegie MellonInterdisciplinary Project Grant, and the New Works Artist Fellowship at theKelly Strayhorn Theater (Pittsburgh). Their writing has been publi

shed by the Miller Institute forContemporary Art and ContemporaryPerformance, and they are currently writing a counter history of Bermuda grassthat will be part of the Estonian pavilion at the The59th Venice Biennale. WesleighGates (they/them) is aperformance maker, writer, and researcher based in L

os Angeles. Inperformance, they deploy queer, choreographic, and participatory strategies tocreate structures of connection and care that imagine and realize collectivespaces. As a researcher, they attend to the embodied experience ofnavigating urban space, investigating the everyday choreographies

imposed bystate and corporate power, as well as counter-choreographies of resistancecreated by artists and activists. Wesleigh’s work as a creator and director hasbeen seen in New York, Pittsburgh, Philadelphia, Boston, and Prague, and hasbeen supported by the Foundation for Contemporary Arts and th

e Frank-RatchyeFund for Art at the Frontier. They have been published by Gulf Coast Journal, PARtake: The Journal of Performance as Research, and Contemporary Performance, and were writer-in-residence at the 2019 zürich moves! festival. Wesleigh holdsan MFA in Directing from Carnegie Mellon Universi

ty and is currently a PhDstudent in Culture and Performance at UCLA.

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羅蘭·巴特符號思維啟示下仿古街區的路徑發展研究—以鹽鎮水街為例

為了解決Obsolete的問題,作者周穎 這樣論述:

隨著全球化進程與全面實行現代意義的城市建設,中國各城市文化面臨著嚴峻的發展壓力。仿古街區是眾多城市文化建設中的一個分支,是體現城市文脈延續的良好方式。但當文化依循著市場需求、經濟的調整而失去它自身本位時,文化便落入了一種形式符號,成為資本增值的生產象徵。本作為改善城市的均質現象、增加地方活力的積極途徑,變成了被操控、且被批判的消極對象。因此,面對各城市現存的邊緣化仿古街區,亟待被認知其自身的處境與價值,並為其找到可以指導良序發展的理論依據。在本研究中,首先,通過文獻的對比轉變了傳統看待仿古街區的視角,確認了仿古街區應該具備群體性、流動性、公共性內涵,突出了地方文化與場域發展應基於地方居民的特

徵。其次,基於仿古街區作為符號運作的載體之一,本研究借助了符號學理論對其場域文化符碼被神話化的背後邏輯進行了探索,並主要以對羅蘭巴特言語觀與整體觀的分析,延伸了得以服務於地方話語得以融入原權利話語團體的轉換層級,並將其轉化成模型。接著,選取了一個個案場域,通過定性與定量的工具使得基於地方的話語與場域關係的連結圖得以建立,最終確認了四條主要關係的關係連結圖,並供研究進一步對比、評估並調整場域神話文本的重視項,進而提出各路徑發展策略。結果表明,一方面,地方人所關注的點的優先性與神話文本確實存在差異性;另一方面,仿古街區的場域職能不僅僅只是旅遊經濟的一種形式,更是一個結合、調動地方居民、地方知識、地

方文化資源的網絡資訊中心,確認了屬於仿古街區價值的落腳點。本研究不僅提供了針對仿古街區的新的思考範式,也期為日後如何實踐仿古街區的獨立性、多樣性以及整體性發展提供了參考依據。

Manufacturing Intelligence: The Art of Making Factory Data Talk

為了解決Obsolete的問題,作者Baudin, Michel 這樣論述:

Written as an aid in obtaining information to solve factory problems, this text explains how to work with the information systems staff to retrieve factory data from the multiple and often incompatible legacy systems they typically reside in. The author examines the three sources of information: dir

ect observation of the situation; interviews with knowledgeable managers, engineers, or operators; and existing data. By presenting solutions for acquiring information, ways to analyze the information, and systems of presentations, the book offers tricks to make the tangle of obsolete and inconsiste

nt legacy systems produce timely answers. Michel Baudin is an associate of MMTI in Palo Alto, California.

The Project Success Factors in Construction Industry in the Philippines

為了解決Obsolete的問題,作者John Carlo Natalaray Caros 這樣論述:

Successful project launches are in high demand – particularly in the construction industry. As such, it is critical to understand the factors that influence a project's success. The research is motivated by a desire to ascertain which elements or factors should be considered in order to ensure futu

re project success, preferably in the Philippine construction industry. The purpose of this study is to determine which project success factors increase the likelihood of project success. Additionally, emphasize the critical nature of defining success factors and connecting them to success criteria

using convenient models.The focus of this thesis was on the impact of the following project success factors: monitor and control, ability to coordinate, communication, and organizational adaptability on project execution; and on how project execution affects project success in the Philippine constru

ction industry. The research was conducted empirically using a questionnaire survey distributed digitally to 201 project management professionals in the Philippines. Following that, the data were analyzed using SPSS and AMOS.The study's findings indicated a positive relationship between monitor and

control, communication, and organizational adaptability, via the mediating variable of project execution. Additionally, there was a positive correlation between project execution and project success. However, one of the variables, ability to coordinate, was determined to be a non-significant factor

in the process of achieving project success. Throughout the investigation, the implications of the discoveries are thoroughly discussed.